I think based on these review we can safely say Stephanie J Block is the front runner for Best Actress, Also considering the love for her within the community, it would take a performance along the lines of Neil Patrick Harris as Hedwig to even challenge her for the Tony.
Broadway has become about original musicals, and tourist-driven shoo-ins that will bring in audiences with familiar properties such as Hollywood movies, or bio musicals based on the lives of very famous icons.
I think this one might have a chance because despite the not-so-great reviews of the critics, the star of the show is bringing the life of Cher to audiences in a powerful way. And while Cher might not have been a critic's darling, the tourists will come to this show. They'll walk by the theater, not sure what to see, and see the "Cher" show on the marquee. That will be enough.
Donna Summer was big, but she didn't really have the shelf-life or story that Cher has. She was a disco diva, a woman of her time, but Cher has transcended, reinvented, and kept herself in the limelight. This show will be a testament to that, even if it is one of those "easy way out" musicals that was developed to bring in an already built in audience.
Much like the Hollywood to Broadway product has proven to work, if not for the critics and theater people, at least to the masses. And that's all it takes on Broadway now.
That, and putting a movie star in a leading role of a classic musical. That will pull 'em in too. A classic show that would not have the same length of run or get the same amount of love if it had starred a Broadway diva rather than a movie star. That is the other shoo-in to a successful run.
At least this latter example gives us a Broadway classic to relive.
It's not that bad, I love play devil's advocate! hahahaha
And it's funny that Jersey Boys and Beautiful are staple of good jukebox musicals and when I watched Beautiful, I thought it was so boring. Always the same trick to start a new number. LOL
For a show thats capitalization is close to 20 million--yes , it is a bad show. One with a wonderful turn by Block. But not one that'll make you tell your friends to run out and see it.
In response to theatreguy12--it's going to have to have a pretty healthy run to cover that cap.
"Thank god I'm not the only one that thought this was an absolute lame mess. I truly think you have to be a Cher fan to find this slop even slightly enjoyable."
The reviews smack of the need to prove a point by slamming the show- even Green and Holdren, the most negative, have a subtext of "I had a good time, BUT."
But the issue is the show's goal is to give the audience a good time. And it succeeds- or at least, I thought it very much did, and the word of mouth I've been hearing is largely the same.
I thought Adam Feldman of Time Out NY pretty much nailed it. It's not high art, or a great show, but it's a great time, and that's what it seems content to be doing. So why criticize comfort food for not being haute cuisine? And of course there's such a thing as poor-quality comfort food, but this isn't it.
"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."
Kad said: "And of course there's such a thing as poor-quality comfort food, but this isn't it."
I disagree. This is poor quality comfort food. Yes, most of the songs were good to hear, well sung, and many were very well staged. But the book is an embarrassment. So yes the appetizers were tasty, and the dessert was great, but the main course tasted like it came out of a can.
The critics largely panned the show because it isn’t Jersey Boys, and many of the critics aren’t fans of the jukebox musical, in general. I thought the show was so much fun, and very entertaining. It’s a big splashy broadway production with great acting, gorgeous costumes, fantastic dancing, and some really good laughs. The way Cher’s story is told is entertaining, and it doesn’t take itself too seriously. This is very different from both Jersey Boys, and Beautiful, which were jukebox musicals about the songwriters. Cher, for the most part, did not write her own music, so while her hit songs are interwoven throughout the story, we aren’t learning about events in her life that drove her to write songs to express how she felt. We are simply learning about her personal and professional battles and triumphs. Cher has had a fascinating life, and an amazing career, encompassing six decades. This show embodies what and who she is, and it succeeds largely because of the grandiosity of the production. The great word of mouth and positive audience reaction reflect the fact that this show’s audience understand and appreciates that.
While lots of shows seemed to make the Cher Show / Summer comparison, none of them acknowledged that The Cher Show had the idea first. When rumors first came about this show in 2012, the only thing that people knew is that there would be three Cher's. The show's been in development for six years. In those six years, Summer popped up out of nowhere with the same concept, and made it to Broadway first, making it seem like Cher was the copy cat... but in actuality, I think the opposite is true.
I guess I don't really know anything about Summer's development to make a serious claim about this, nor have I seen The Cher Show... but when I saw Summer, I really thought "Well, this all just gseems slapped together last minute, with the 'three leads' idea stolen from Cher."
Reviews be damned, just got out from seeing this and I thought it was excellent. The audience loved it. Give Block her Tony now! I think this will be a major hit due to word-of-mouth.
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
Kad said: "The reviews smack of the need to prove a point by slamming the show- even Green and Holdren, the most negative, have a subtext of "I had a good time, BUT."
But the issue is the show's goal is to give the audience a good time. And it succeeds- or at least, I thought it very much did, and the word of mouth I've been hearing is largely the same.
I thought Adam Feldman of Time Out NY pretty muchnailed it. It's not high art, or a great show, but it's a great time, and that's what it seems content to be doing. So why criticize comfort food for not being haute cuisine? And of course there's such a thing as poor-quality comfort food, but this isn't it."
I completely agree with Kad. The show is not TRYING to be anything but a great time, and I thought it wildly succeeded at that. I had more fun at The Cher Show than I have had at any other Broadway show in quite some time. Also, the word of mouth for this outside the press is far superior to the word of mouth Summer had in previews and early in its run. I think this will do just fine.
"There’s nothing quite like the power and the passion of Broadway music. "
There was just a buzz outside the theater when the show got out. Everybody was giving praise about the show. This will be the hit of the season, mark my word.
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
HogansHero said: "Kad said: "And of course there's such a thing as poor-quality comfort food, but this isn't it."
I disagree. This is poor quality comfort food. Yes, most of the songs were good to hear, well sung, and many were very well staged. But the book is an embarrassment. So yes the appetizers were tasty, and the dessert was great, but the main course tasted like it came out of a can."
Who eats a 3 course comfort food?
Caption: Every so often there was a rare moment of perfect balance when I soared above him.
Skip23 said: "Sometimes a good time is simply and thankfully a good time. This is one of those times. Critics who? Just go and have a great time. Now and forever.
"
Rather see HER in Vegas any day of the 8 show week.
A lover of theater for decades. Teacher by day. Family man by night. See more theater than most, oftentimes a hesitant plus one.
So is this more On Your Feet in the way the songs are presented, where the songs are interwoven into the life story of the artist, or like Beautiful and Jersey Boys, where they tell you how each song was made.
natashalost said: "So is this more On Your Feet in the way the songs are presented, where the songs are interwoven into the life story of the artist, or like Beautiful and Jersey Boys,where they tell you how each song was made."
Songs are interwoven into the life story. But very lightly. This show is really all about the songs, the glitz and the performances.