I have tickets to this on July 22, as I coincidentally am going to be in Chicago that week, I’ll be happy to report back. I’m not much of a review writer but I’ll do my best.
Dated sounding pop rock by the king of bland when it comes to scores. This should be cool, crisp, pop/dance, I mean it's set in the fashion world. This sounds like The First Wives Club/Kinky Boots.
Namo i love u but we get it already....you don't like Madonna
Elton is best when he works with a strong lyricist. That is admittedly only a snippet of a song, but I would have thought they would want to leak something stronger. That is pretty generic.
I agree that this is beyond generic. I also agree it sounds very KINKY BOOTS-ish. Would love to hear a more traditional score than a generic-soccer mom-contemporary score. I’m hoping the best for this adaptation but I feel we’re getting another generic and uninventive PRETTY WOMAN/MRS. DOUBTFIRE/GHOST/ROCKY level production.
It’s no secret that Elton John devotes a few weeks cranking out tunes for his stage musicals and then leaves it to music directors, arrangers and orchestrators to clean up the mess.
DaveyG said: "It’s no secret that Elton John devotes a few weeks cranking out tunes for his stage musicals and then leaves it to music directors, arrangers and orchestrators to clean up the mess."
I wouldn't be shocked if Shaina Taub is greatly involved in shaping these songs, too, beyond the lyrics –– ghostwriting some of the material. This is Elton's first time working with a lyricist who is also a composer, and her first major project as just the lyricist. I love Elton John's older work and think he has written some great songs for the theatre. But this feels so much like a work-for-hire job for him.
Beyond the score, Anna Shapiro has never directed a musical of this scale (has she directed ANY musicals?), and Kate Wetherhead has never written the book to a Broadway musical, and Paul Rudnick is gone from the project. Maybe there's enough good songs and a strong book & direction to sustain this, but I just don't know.
Very intrigued to see the buzz out of Chicago. Is our friend who dutifully attended all those previews of Paradise Square and Tootsie going to be doing the same for this?!
DaveyG said: "It’s no secret that Elton John devotes a few weeks cranking out tunes for his stage musicals and then leaves it to music directors, arrangers and orchestrators to clean up the mess."
The same can be said for a number of high profile celebrity composers- Tony winners Cyndi Lauper and Mel Brooks included.
"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."
The music sounds so bland and generic, another Kinky Boots, Pretty Woman style score. For hin to refer to the music as modern is hilarious. This will be generic as hell.
It's set in fashion in New York, give me You Are What You Wear style from American Psycho, give me cool, chic, dance style music in the vein of the film using cool songs like Vogue.
Namo i love u but we get it already....you don't like Madonna
ErmengardeStopSniveling said: " ... Very intrigued to see the buzz out of Chicago.Is our friend who dutifully attended all those previews of Paradise Square and Tootsie going to be doing the same for this?!"
Hello ESS: I’ve bitten the bullet and bought tIx for the first 4 performances.
Tuesday, July 19
Wednesday, July 20
Friday, July 22
Saturday matinee, July 23
There is no performance on Thursday, July 21.
it will be good to hear what other Chicagoland posters say as well: KJisgroovy, Menken Fan, call_me_jorge, markypoo, Marlothom, AlexKulak2, and others.
songanddanceman2 said: "The music sounds so bland and generic, another Kinky Boots, Pretty Woman style score. For hin to refer to the music as modern is hilarious. This will be generic as hell.
It's set in fashion in New York, give me You Are What You Wear style from American Psycho, give me cool, chic, dance style music in the vein of the film using cool songs like Vogue.
"
A shame...Vogue would have made for a killer opening number!