I was also there Sunday at 3. I had a left side, mid-mezzanine seat, which I was happy with. I Given the reviews, I wasn't expecting much, but I was actually really moved by the show and the score. Now I want to see the movie!
On an unrelated note, does anyone have experience with/recommendations for the "off-off broadway" shows? What's the difference (besides the price point) between them and "off-broadway" shows?
Technically, it all has to do with the number of seats. Off-Off is under 200 seats.
If we're not having fun, then why are we doing it?
These are DISCUSSION boards, not mutual admiration boards. Discussion only occurs when we are willing to hear what others are thinking, regardless of whether it is alignment to our own thoughts.
dramamama611 said: "Technically, it all has to do with the number of seats. Off-Off is under 200 seats. "
Sorry, mama --- that's wrong. It has nothing to do with theatre size ("technically" or otherwise). A 1000 seat auditorium can be "off off Broadway". It all depends on what contract the production is on.
dramamama611 said: "Technically, it all has to do with the number of seats. Off-Off is under 200 seats.
"
By that logic Sweeney Todd would be off off Broadway since it only seats 130. I guess in off off Broadway you more mixed/non-equity casting, lower production values and some really funky performance spaces. At the low end, sometimes there isn't much difference at all. You might even see some recognizable names in the cast. Off off Broadway doesn't mean it's not good. You might be rewarded with some stellar theatrical experiences. And for $9 you are not risking much. One of the best things I've seen this year was Mope by Ensemble Studio Theatre in Hell's Kitchen.
JSquared2 said: "dramamama611 said: "Technically, it all has to do with the number of seats. Off-Off is under 200 seats. "
Sorry, mama --- that's wrong. It has nothing to do with theatre size ("technically" or otherwise). A 1000 seat auditorium can be "off off Broadway". It all depends on what contract the production is on.
"
...and a 1000 seat theater would never be under an off off Broadway contract. Mama is correct in that it has to do with number of seats (which is one of several factors deciding what contract the theater has or does not have), but she has the threshold wrong.
I had my first ever negative experience with TDF seating last night for Bandstand. I got to my seat only to realize it was extreme partial view. Orchestra row G seat 17 (far aisle). I could not see half of the set. Luckily, the house staff was very kind and let me take an empty seat in the front mezzanine. I emailed TDF to let them know about this particular location, but I would beware if you plan on buying Bandstand through TDF.
"There’s nothing quite like the power and the passion of Broadway music. "
bwayphreak234 said: "I had my first ever negative experience with TDF seating last night for Bandstand. I got to my seat only to realize it was extreme partial view. Orchestra row G seat 17 (far aisle). I could not see half of the set. Luckily, the house staff was very kind and let me take an empty seat in the front mezzanine. I emailed TDF to let them know about this particular location, but I would beware if you plan on buying Bandstand through TDF.
" Oh no! I'm seeing this tonight and now I'm worried!
Oops....I just had a (wonderful) tour of Lincoln Center, and I was sure she said under 200 for off-off -- but maybe it's my memory that is faulty. I knew about under 500 being "off".
Sorry for the mis-information on my earlier post!
Jsquared - they don't just randomly choose what kind of contract they want....if they did, all producers would go with an off off contract.....since that pays less. The house itself determines the contract....not the other way around. And, of course, it's not the ONLY determining factor.
If we're not having fun, then why are we doing it?
These are DISCUSSION boards, not mutual admiration boards. Discussion only occurs when we are willing to hear what others are thinking, regardless of whether it is alignment to our own thoughts.
JillianSch said: "Has anyone seen Indecent with tdf? Where did you sit? Just saw Six Degrees of Seperation and was seated in Row S, center. " Ugh. last message was about another show.
Saw it Saturday last week. Center orchestera, mid row. Very nice seats.
When I saw Indecent I was in the 3 row in the orchestra on the right (2 from the end). I didn't have any problems seeing anything and heartily recommend seeing it.
For The Play That Goes Wrong, we were in the mezzanine, row G I believe, slightly to the side. Really wonderful seats. Of course, if you go, make sure to get early for some extra time with the actors.
tresora said: "Six Degrees is up for opening night next Tuesday!
Can anyone confirm if the seats offered on opening night are typically worse than any other night?
"
TDF seats at the Barrymore are almost always mid or rear mezzanine anyway. I would definitely expect to receive mezzanine seats for opening night. But it's a small theater and there really isn't a bad place to sit--even the boxes aren't terrible.
"You travel alone because other people are only there to remind you how much that hook hurts that we all bit down on. Wait for that one day we can bite free and get back out there in space where we belong, sail back over water, over skies, into space, the hook finally out of our mouths and we wander back out there in space spawning to other planets never to return hurrah to earth and we'll look back and can't even see these lives here anymore. Only the taste of blood to remind us we ever existed. The earth is small. We're gone. We're dead. We're safe."
-John Guare, Landscape of the Body