Kudos for all participating in this thread without bashing each other while sharing.
Rent...thought it was over rated.
Spring Awakening...only enjoy 2 songs off the CD thus had no interest in seeing it.
Next to Normal...terribly depressing and I don't get the love for it.
Title of Show...my absolute all time most hated worst show I have ever unfortunately attended and I was really looking forward to seeing it!
Gypsy...LuPone was the worst but I adored Peters.
I enjoy ALW...Phantom, Starlight Express (US and London versions), JCS, etc
Wildhorn...everything after J&H went down hill and still is going downhill.
Cats...saw the show at the Wintergarden at least a dozen times during its run. Probably went every other year with different friends, family, dates, etc
Why Cats? The environment, singing, dancing, costumes, etc provided something for everyone. If you wanted to try to analyze the show you could try or you could watch the intricate choreography. It could be as much or as little as you wanted. For me it was just enjoyable regardless of what happened in hours leading up to my attending the show. If I was tired I could relax and if I was energized I could get into the lyrics (as they relate to the poetry of TS Elliot) etc...
I have to concur with the person who stated that the portrayal of mental illness and psychiatric care in NEXT TO NORMAL is offensive, misguided, and potentially harmful. I have been saying that since I first saw the show at Second Stage. That musical could be underwritten by the Church of Scientology.
"You travel alone because other people are only there to remind you how much that hook hurts that we all bit down on. Wait for that one day we can bite free and get back out there in space where we belong, sail back over water, over skies, into space, the hook finally out of our mouths and we wander back out there in space spawning to other planets never to return hurrah to earth and we'll look back and can't even see these lives here anymore. Only the taste of blood to remind us we ever existed. The earth is small. We're gone. We're dead. We're safe."
-John Guare, Landscape of the Body
"I feel like Tenor roles are being written higher and higher with more and more falsetto, and, as a countertenor training classically, that annoys me and makes me sad."
This is so true. Not only that, but these days, the only roles that are being written are for tenors. As a low bass, this makes me even sadder.
Stephen Sondheim is highly overrated. The "gay" theme/plotline is all too common Broadway and Off Broadway - and I'm gay! I preferred the 1994 Grease revival to the original ALW's Sunset Boulevard is a masterpiece. Master Class is boooooring. Kerry Butler is a terrible singer. Elton John did not deserve a Tony for Billy Elliot. Jennifer Holiday is irreplacable as Effie. Bernadette Peters is completely unappealing on a Marquee. Scarlett Pimpernil was a highly enjoyable show.
Oh there's more... but I don't want to get beat up THAT badly
The Phantom Movie is horrible. Sung off key in many places, visually unappealing, Gerard Butler cannot sing, re-orchestrated to lower keys in several places to accommodate bad singers, and on and on)
Brian Yorkey's lyrics MADE Next To Normal. Can't stand the amount of love Tom Kitt gets over him.
Spring Awakening was painful to sit through, but RENT was so over-rated it made me want to puke.
Jessica Phillips (Alice Ripley's Standby in N2N) was FAR superior to Ripley's or Mazzie's performances as Diana.
Kyle Dean Massey's nasally voice grates on my nerves.
I don't get the love for Nick Adams. He's got more muscles than talent, and he's obnoxious as hell.
I wouldn't pay to see Lea Michele in anything... even if it meant saving the world.
H2S in Business will close mere weeks after Dan Radcliffe leaves. Darren Criss doesn't have his appeal or fan base aside from Glee fans.
I f*****g HATE Glee and Ryan Murphy. (not Broadway related, but I hate it/him.)
Caissie Levy was phenomenal in Wicked. It just happened that she began to suffer vocal problems at the time and, considering the role is mostly belting, it was smart of her and the producers to politely go separate ways so she could recover. If she hadn't, we'd have missed out om her as an amazing Sheila in HAIR.
Speaking of Caissie, GHOST is an amazing, incredible musical!
I think the London production of Legally Blonde proved the show always had the potential to be a classic musical comedy. I'm thrilled it finally received the recognition it deserved.
I think Sunset Boulevard is one of Webber's strongest scores.
I think Women on the Verge was the best musical of the season and included the best score of the season. I could only assume the critics were either unfamiliar with the film or with Almodovar. And to me, saying it needed to be more focused on Pepa and that it is Pepa's story sounds like the point of the film and the musical were missed. If anything, the musical was MORE conventional and focused than the film.
"What can you expect from a bunch of seitan worshippers?" - Reginald Tresilian
1. beauty and the beast should b revived on broadway like now!!! 2. people were too harsh on little mermaid on broadway.i thought the sets were amazing and the talent and the story was great. 3.beauty and the beast should have never closed. put little mermaid somewhere else 4.dont care for carol channing at all. Barbra streisand will always be hello dolly to me 5.sooooo sick of lea michelle.im glad she isnt fanny brice 6.phantom of the opera is wayyy overrated 7.grease 2 is a waste of time 8. loved next to normal but alice ripley caried that show to the top 9.avenue q shud not have won the tonys. wicked should have 10. i absouletely love seussical and it shud have had a longer run 11. i hate shrek the musical 12.daniel radcliff is awesome in H2$ 13.hunchback should b diseny's next broadway show 14. i love rent but it shud not be revived right now. maybe in another 15-20 years 15. i liked the spanish language in west side story 16.i hate that peter pan is a girl even though i think the ladies who played him were amazing in it. 17.lion king is overated
Glenn Close did not deserve the Tony for Sunset over Rebecca Luker for Showboat.
And some agree while some don't... for the latter, Catherine Zeta-Jones-Spartacus-Douglas did not deserve a Tony over Montego Glover OR Christiane Noll.
I dont understand all the hoopla over Book of Mormon. The number they put on the Tonys is okay enough and funny enough, but the rest is like watching a really bad college show. It's a Michael Bay movie on stage.
Yes, it's cute, in its own desperate way, but my god, people... paying over a hundred bucks to see something this poorly and juvenily written? Is this the logical extension of things musical these days?
I know, everyone loves it, it won a bunch of awards, etc etc etc. It's still a great big steaming pile of whatever...
Well, I wouldn't want all musicals to take this route, but I loved it both times I saw it.
Hated Curtains. Hated Rent. Loved Spring Awakening. I am not enamoured of Sutton Foster or Raoul Esparza. I had fun at Legally Blonde (suprisingly) I'm excited to (finally) see Godspell (even though I doubt it will last long.) I have no desire to see JCS.
If we're not having fun, then why are we doing it?
These are DISCUSSION boards, not mutual admiration boards. Discussion only occurs when we are willing to hear what others are thinking, regardless of whether it is alignment to our own thoughts.