I'm not sure how popular/unpopular this is, but apart from Sondheim, Maury Yeston is my favorite composer for the theatre.
Titanic is a favorite of mine.
I think Carrie is dreadful and bad material for a musical.
In the past decade, I think the Tony for best musical went to the right show only once.
I think South Pacific has a dull book that isn't helped by the fact that the character's problems come from her own racism.
While I love Bernadette Peters in some shows (Sunday, especially) her voice really annoys me, and it just gets worse as the years go on. I really don't like what people are calling her "soprano" (meaning her head voice) that she uses in Follies. Her long, slow phrases in the show (or, on the album, at least) are really annoying.
I can't stand Carolee Carmello's huge vibrato
Gaveston2, I thing the problem with the lyric is "and the other was blue" sounds like it's fishing for a rhyme. I've imagined a line reading making sense of it by saying it in disgust, conveying that one was borrowed and the other is blue, which is not my color. Unfortunately, I've never heard that line reading, so I wonder "why is it important that the other was blue?" and it doesn't make much sense without justification.
Updated On: 11/27/11 at 12:36 AM