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West End CABARET Revival (and B’way Transfer?) - News & Discussion Thread — Page 21

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#502

West End CABARET Eyeing Broadway Transfer to the Hudson?

This will be the first show on my trip next month. What a great way to kick off some West End shows. I'm also seeing Guys and Dolls, Dylan... you've got my hyped for both shows now!

#503

West End CABARET Eyeing Broadway Transfer to the Hudson?

jacobsnchz14 said: "This will be the first show on my trip next month. What a great way to kick off some West End shows. I'm also seeing Guys and Dolls, Dylan... you've got my hyped for both shows now!"

Awe, that’s good! Thanks! 


The idea is to work and to experiment. Some things will be creatively successful, some things will succeed at the box office, and some things will only - which is the biggest only - teach you things that see the future. And they're probably as valuable as any of your successes. -Harold Prince
#504

West End CABARET Eyeing Broadway Transfer to the Hudson?

For anyone who has seen the production in London - is there a better side of the stage to view the production from? There is the side with the additional upper circle and then the side with just the dress circle.


"Oh look at the time, three more intelligent plays just closed and THE ADDAMS FAMILY made another million dollars" -Jackie Hoffman, Broadway.com Audience Awards
#505

West End CABARET Eyeing Broadway Transfer to the Hudson?

Get a seat on the side of the venue that was not built for this production, which is the side with the Upper Circle. A large portion of the production is staged towards that side of the theatre despite being in the round.

#506

West End CABARET Eyeing Broadway Transfer to the Hudson?

Seemingly early leak on NYTix - 

 https://www.nytix.com/shows/cabaret


Cast Members

Emcee

Eddie Redmayne

 

Sally Bowles

Aimee Lou Wood

 

Clifford Bradshaw

John McCrea

 

Cabaret Summary

  • Show Status: Future
  • Genre: Musical
  • Cabaret is 2 hours 45 minutes long, including an intermission of 15 minutes 
  • 8 Shows per week
  • Previews Begin: February 7, 2024 
  • Show Opens: March 2, 2024 
  • Show Closes: Open ended

 

Updated On: 7/3/23 at 10:05 AM

#507

West End CABARET Eyeing Broadway Transfer to the Hudson?

I hope to god this is legitimate! 3 British stars coming to Broadway!


The idea is to work and to experiment. Some things will be creatively successful, some things will succeed at the box office, and some things will only - which is the biggest only - teach you things that see the future. And they're probably as valuable as any of your successes. -Harold Prince
#508

West End CABARET Eyeing Broadway Transfer to the Hudson?

Isn't that website notorious for doing exactly this and always being wrong? In particular that Cliff casting seems to go against the director's pretty clear intention so that might be a giveaway that is just made up.


Give me claws and a hunch, just away from this bunch.

Updated On: 7/3/23 at 10:17 AM

#516

West End CABARET Eyeing Broadway Transfer to the Hudson?

Adrienne would kill it. But, to me, Sally's naivete and lack of care come across much stronger and work better if she is white and it is her white privilege that affords her the ability to be naive and not to care. I think especially with the choice to make Cliff Black in this production, there is a strong contrast implied where the color of his skin makes it so he does not have the luxury of just standing by while she does. 

I don't know if any of this has really been thought out by the creative team or if it's just my read. But, to the best of my knowledge, every Sally in this production has been white and every Cliff Black. 

#517

West End CABARET Eyeing Broadway Transfer to the Hudson?

Between these three I would definitely be most interested in Michaela (though I don't know Cristin so not sure how much of a pull she is), between her age skewing younger and how much of a buzz she's generated for her performance as Lucille.

#519

West End CABARET Eyeing Broadway Transfer to the Hudson?

EDSOSLO858 said: "Cristin would be the PERFECT Sally for this revival."

I know Micaela and Adrienne would be exceptional, but Cristin returning to Broadway as Sally Bowles would be magical!


"I saw Pavarotti play Rodolfo on stage and with his girth I thought he was about to eat the whole table at the Cafe Momus." - Dollypop
#520

West End CABARET Eyeing Broadway Transfer to the Hudson?

None of these people seem interesting in the way of a Jessie Buckley or Aimee Lou Wood and their inherently transgressive energies. And we've gone over Buckley not being that known of a name here, but I thought they would aim for at least not-quite-so-unbalanced name recognition. 

#521

West End CABARET Eyeing Broadway Transfer to the Hudson?

jkcohen626 said: "Adrienne would kill it. But, to me, Sally's naivete and lack of care come across much stronger and work better if she is white and it is her white privilege that affords her the ability to be naive and not to care. I think especially with the choice to make Cliff Black in this production, there is a strong contrast implied where the color of his skin makes it so he does not have the luxury of just standing by while she does.

I don't know if any of this has really been thought out by the creative team or if it's just my read. But, to the best of my knowledge, every Sally in this production has been white and every Cliff Black.
"

I think the staging of I Don't Care Much places a very clear burden of choice on Sally, and with more of a contempt for her choices than other characters (excluding Emcee obv.) and they could restage that, but otherwise they would be undermining it without a white woman in the role. 

#525

West End CABARET Eyeing Broadway Transfer to the Hudson?

Eddie Redmayne of course!


The idea is to work and to experiment. Some things will be creatively successful, some things will succeed at the box office, and some things will only - which is the biggest only - teach you things that see the future. And they're probably as valuable as any of your successes. -Harold Prince

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