Ok, long form thoughts incoming. The TLDR is; there is good things in stagedooring. I've seen them. There's also a lot of bad, and the current model is not serving the needs of the actors. Things need to change, one way or another.
I do not think that today's stagedoor culture (referring not to the act of stagedooring itself, but people who are toxic, feel they are entitled to a star's time, don't take no for an answer, and do dangerous things in order to get time with a star) is a mark of that generation.
To put it simply, people have always been people. There have always been an unfortunate subset of people (and it is more common in the young, who haven't yet achieved the maturity, but is certainly not exclusive to them) who head into the obsessive. You can find plenty of stories about people being weird and obsessive about their favourite media and stars since media was invented. You want to talk about the girl who almost died trying to mail herself to the Beatles? Or Plato's fantastic Symposium about the hypothetical sex life of Achilles and Patroclus?
People have always been people.
However, it's clear that obsessive tendency is a recent addition to theatre in general and stagedooring in specific. And I think a huge part of it is the rise of social media that makes stagedooring more accessable - How many people would totally have stagedoored 20 years ago, if they only knew it was an option? I still meet people all the time to whom it's an exciting revelation.
The other part is social media makes stars more accessible. It's no longer "Oh I saw you sing tonight, this was the first time I heard your name, but you were great" aka the star and the audience interacting together and on the same page. Now, hundreds of fans know you intimately in ways your own family don't. They know as much about Christy Altomare as they do about their friends. Enough to feel like they're friends. Almost. But that's understandably alarming when the person doesn't know you at all.
So yes, in my view people have always been people, but the rise of social media in the theatre scene is what resulted in that behaviour being more prevalent in the theatre community. The bigger question is, what can be done about it? The current model is clearly not working - stars are getting harasses and feeling uncomfortable, pressured, etc.
I think unfortunately where this is going to end is an end to stagedooring at all. More stars putting out "no stagedoor" policies, resulting in less pressure to stagedoor, and more stars not doing it, until it's a thing of the past. And that would suck. I would rather no stagedooring happen at all than an actor feeling uncomfortable, I think there can be a lot of beauty and magic in respectful stagedooring.
The other side is that it can be beneficial to actors careers. It can. I think a huge part of Derek and Christy's rising stars is their absolute dedication to stagedooring. Broadway can feel like a lot of "who?" with many names and new faces, so anything that gets you to stick in their memory can be a benefit. There have also been reports that an actor's social media following has been looked at as part of the casting process.
While I would love to have a culture shift to everyone following some no-nonsense rules* about stagedooring, and we police each other, I also don't think that's likely to happen. Cat's out of the bag. It's much harder to stop an existing behaviour.
I wonder if it might be a benefit to switch to a model that allows engagement without the stagedoor. To have more signings, speaking engagements, classes, talkbacks, etc so fans and creatives alike can benefit, while making it a little more formal (which would cut down some on people acting creepy) and let them sleep after doing a show. Would be be easier/better to do a signing for an hour on your offday, or teach a dance class, or something rather than signing for an hour every night when you're exhausted after a three hour show? There's also a possibility that it could increase revenue streams for actors who are up and coming popular but not set for life.
I don't know. It would have to be driven by the actors themselves I think. They're perfectly capable of coming up with their own ways of getting the benefits of interacting with fans while staying safe. As theatre fans I think our job is primarily to police each other and to be vocal in our support for anyone doing what they need to in order to feel safe/comfortable interacting with fans.
* Basic rules I would like to see would be something like
- No one has to come out. Ever. They do not need a reason to not stagedoor, "don't feel like it" is perfectly fine. They are not accountable to you and don't need to share any reason
- They do not have to stagedoor in the way you prefer. Respect, and do not complain about, rules like "no selfies" or "I don't have time to sign tonight but I'll wave and say thank you for your support"
- Do not approach actors unless they have specifically signified they don't mind being approached in that moment. Usually, that means they are at the stagedoor signing. Do not bother them on the way into the theatre, if they leave another way, if they have left the line and are heading down the street. In addition, do not invite them anywhere, ask them out, or try and get asked somewhere.
- Understand that they need to worry about their safety. Don't touch them without asking, don't give them food that is not store bought and sealed (I have seen actors, not even well known ones, given cupcakes laced with glass before), etc. Even though you have the best intentions, not everyone does.
- Be brief and keep it light. Alice Ripley spoke about how she dreaded the stagedoor for N2N because people would be so moved by the show and start telling her all their tragic life events that were similar. And keep in mind they've got to be places, so don't monopolize their time.
- Be nice to other folks, pass things forward, be collaborative. Make things as simple and streamlined as possible for everyone.
- Enjoy all the wacky fandom stuff you want, but it's not the actor's business. Fandom is for us, not them, even though they inspired it. Do not drag them into fandom stuff. Their opinion on this ship vs that ship is irrelevant. They will likely not understand your fandom jokes that are meant with affection.
Updated On: 11/15/18 at 12:36 PM