I rarely see shows a second time, but the one exception I've made was seeing ONE MAN, TWO GUV'NORS three times. The audience interaction and related ad-libs were of course delightful each night, but what I didn't expect was how loose the cast with each other (and the brilliant script) as the run went on. The last time I went, in the show's last week, it was clear that the two years they'd been doing the show had been driving the cast a little stir-crazy (in the best, most delirious possible way) and so while they did the script full justice it was somehow 5-10% funnier because of the extra silliness they were throwing in around the edges. Plus, the greatest single ad-lib I've ever seen (which I'm sure was prepared but when perfectly deployed by Oliver Chris when James Corden went up on a line in Act II was the single hardest laugh I've ever heard or felt in a theatre: "And they gave you the Tony...")
ETA: Oh, right, duh. My profile pic.
Words don't deserve that kind of malarkey. They're innocent, neutral, precise, standing for this, describing that, meaning the other, so if you look after them you can build bridges across incomprehension and chaos. But when they get their corners knocked off, they're no good anymore…I don't think writers are sacred, but words are. They deserve respect. If you get the right ones in the right order, you can nudge the world a little.
Updated On: 10/23/13 at 10:37 PM