City Center Encores! 2023-24 season: PAL JOEY • ONCE UPON A MATTRESS • JELLY'S LAST JAM • TITANIC — Page 14

RUkiddingme said: "Huss417 said: "I think I prefer Nicholas Christopher bald over this wig. I didn't even know it was him at first."



That wig is just awful! Makes me NOT want to see the show.

"

lol it's a wig dude the wig is perfect as it looks like Jelly Roll he wasn't bald! review bits - Even the wigs (by J. Jared Janas) are exceptional.

Whether all that goodness recommends a Broadway transfer, as has been rumored, is not for me to say. The book has unsolvable problems, but then so do most musicals, until they are solved — or bulldozed. Even then, few give you a first act like this one, or a subject — the creation of American music in the furious cauldron of race — as hot. I mean hot as entertainment, of course, but also, even hotter, as history.

*We are seeing next week but damn this show is not selling tons of tickets so hopefully the positive reviews will entice and motivate those on the fence to now just GO!

Updated On: 2/22/24 at 09:28 PM

Robbie2 said: "RUkiddingme said: "Huss417 said: "I think I prefer Nicholas Christopher bald over this wig. I didn't even know it was him at first."



That wig is just awful! Makes me NOT want to see the show.

"

lol it's a wig dude the wig is perfect as it looks like Jelly Roll he wasn't bald! review bits -Even the wigs (by J. Jared Janas) are exceptional.

Whether all that goodness recommends a Broadway transfer, as has been rumored, is not for me to say. The book has unsolvable problems, but then so do most musicals, until they are solved — or bulldozed. Even then, few give you a first act like this one, or a subject — the creation of American music in the furious cauldron of race — as hot. I mean hot as entertainment, of course, but also, even hotter, as history.

*We are seeing next week but damn this show is not selling tons of tickets so hopefully the positive reviews will entice and motivate those on the fence to now just GO!



"

Updated On: 2/22/24 at 09:32 PM

ErmengardeStopSniveling said: "Jesse Greenmentions rumors of Broadway aspirations for this revival...who's behind it?"

Could this take The Broadhurst after Beautiful Noise closes?

Matt Rogers said: "This will probably be an unpopular opinion but I saw this tonight andfound it to be pretty excruciating, overall.


Great choreography,and seeing Leslie Uggums was amazing.

However, the sound was not great and it was impossible to hear lyrics clearly. I was in the back, and no one around me had any idea what was going on.

Well, hopefully people enjoy this. I did not.


"

We thought it was... fine? The cast was great, the show is just -- not great. And the sound was iffy from the front orchestra.

UWS10023 said: "In regards to the NY Stage review I think the mission of Encores has changed. The changes have been publicly stated as well as written about by the artistic director. The mission echos the mission of the theatre in general."

This is all true, though the function of Encores within NYCC has also changed. What started as "hey this would be a fun way to fill a theatre with lesser-known shows for 3 weekends a year" has now become a significant revenue stream for City Center. City Center also benefits greatly from enhancement money from commercial partners (which they had on Pal Joey, Parade, and Mattress) and from commercial transfers.

My assumption is that Lear and Jenny Gersten were hired with the directive of "we need to increase revenue from Encores shows."

GiantsInTheSky2 said: "Was Billy on tonight?"

I was also curious if he was with the passing of his mother yesterday. I am going back for a second time tonight and will post to let you know.

I saw the show last night, and Billy was in. In my opinion, this is the best musical in New York at the moment, a complete triumph.

I saw Jelly's Last Jam today. What I loved: the performances, the choreography, the music. Especially Nicholas Christopher -- wow! I saw him as Sweeney so i knew he could sing, but it's such a different style and I did not know he could also dance! Also loved Joaquina Kalukango. Only saw her in Slave Play. She was awesome! The tap choreo was amazing too. I also really enjoyed the Morton songs.

I didn't think the actual musical was great though. Ticks all the boxes of a bio-musical, that's all.

Is there a comprehensive list of the original songs that the show is based on? Wikipedia lists some of them and I think people have said that Last Chance Blues is based on Blue Blood Blues, and George C. Wolfe has also mentioned Jungle Blues in interviews, but I can't find a list online that has each corresponding track. Or is it just that the arrangements have "remixed" some of them enough that they wouldn't necessarily be recognizable? I'd love to compare the original Jelly Roll Morton songs to the way they ended up being done for the show.

Updated On: 3/4/24 at 01:29 PM

Broadway Flash said: "Any rumors of a transfer?"

If it were to happen, it likely won't be till sometime next season. Hope they can keep some of the Encores cast intact. Especially with Nicholas Christopher & Billy Porter.

So disappointed with this production. I was in the second row of the Balcony on the left side. The seat was fine but I couldn’t hear most of the lyrics from the get go. It was that tiny treble sound that I hate at City Center. I tuned out right away. This doesn’t have to be. I saw Dear World at the Center and had no trouble hearing from the Balcony section. The dancing was great but the book for this show never gets going. Time passes but you would only know it by someone saying, “it’s been a long time, Jelly”. I had no trouble hearing the incredible Mr. Christopher in Sweeney Todd recently but, again, like most of the show, he was muddled here. Great seeing Ms. Uggams. The original Hunnies were great but give them a full number to themselves! I wanted to like this but it didn’t happen for me on Sunday.

Wardelljclark2018 said: "The response from dear friends, artist in the community, and at large have been overwhelming to this production. You come on this board, and mostly complaints...its fascinating,"

It's a time-honored tradition. White shows are "surprisingly good" whereas Black shows are "disappointing".

In reality, Robert O'Hara's production is spectacular, with dozens of artists performing at an insanely high level. And Wolfe's book is actually very strong, with snappy dialogue and a real sense of dramatic and social heft. But reading this thread, you'd think it was nothing special.

Updated On: 3/5/24 at 02:58 PM

Dylan Smith4 said: "Broadway Flash said: "Any rumors of a transfer?"

If it were to happen, it likely won't be till sometime next season. Hope they can keep some of the Encores cast intact. Especially with Nicholas Christopher & Billy Porter."

I don't see a reason to do the show without them...