Kelli O’Hara and Brian d’Arcy James star in a searing new musical about a couple falling in love in 1950s New York and struggling against themselves to build their family. The New York Times calls Days of Wine and Roses “a jazzy, aching new musical with wells of compassion!” (Critic’s Pick) and The Washington Post raves, “Kelli O’Hara and Brian d’Arcy James soar! One of the best new musicals this year.”
Adapted from JP Miller’s 1962 film and original 1958 teleplay, composer & lyricist Adam Guettel (Floyd Collins) and playwright Craig Lucas (An American in Paris) reunite in their first collaboration since their acclaimed The Light in the Piazza. Directed by Michael Greif (Dear Evan Hansen).
I really liked this a great deal Off-Brodway, and will definitely see it again on Broadway. Kelli O'Hara is giving what I think is the best performance of her career in this. Studio 54 is an interesting venue choice for this show.
"There’s nothing quite like the power and the passion of Broadway music. "
I guess the limited 16 week engagement is how they managed to fit this in with O'Hara commitment to The Hours at the Met in May. A tough time of year to launch a show, but perhaps this show would be tough at any time.
inception said: "I guess the limited 16 week engagement is how they managed to fit this in with O'Hara commitment to The Hours at the Met in May. A tough time of year to launch a show, but perhaps this show would be tough at any time."
Yes, they can always extend and give her a leave of absence to do HOURS. But this ensures the voters all get in with her in it.
BRIDGES also opened in the dead of winter. Tough time of year for a show like that.
The idea is to work and to experiment. Some things will be creatively successful, some things will succeed at the box office, and some things will only - which is the biggest only - teach you things that see the future. And they're probably as valuable as any of your successes. -Harold Prince
I feel like there needs to be a giant sit down with the various Broadway marketing companies and producers and ask them what the hell they’ve been thinking with the artwork we’ve been seeing recently.
"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."
That artwork is laughably misguided, considering the material. But hopefully we’ll see something a little more tonally appropriate come Playbill time.
I wasn’t a fan of the show, but I’d be willing to see it again, given this second chance. Not that they’re at all comparable, but I loathed Great Comet off-Broadway and was obsessed with it on Broadway. Now, Comet did quite a bit of work on its score and staging in between, and while I imagine Adam Guettel will do some tweaking, we’ll most likely be getting the same show with more polished sets.
In our millions, in our billions, we are most powerful when we stand together. TW4C unwaveringly joins the worldwide masses, for we know our liberation is inseparably bound.
Signed,
Theater Workers for a Ceasefire
https://theaterworkersforaceasefire.com/statement
It feels like another marketing strategy to make the show appeal to more audiences, but is ultimately misguided and will result in lots of people not knowing what they're seeing
inception said: "I guess the limited 16 week engagement is how they managed to fit this in with O'Hara commitment to The Hours at the Met in May. A tough time of year to launch a show, but perhaps this show would be tough at any time."
Maybe there’s something I’m missing but I can’t think of a musical this depressing with a successful open ended run. I could see this winning a Best Musical Tony and people who loved it refusing to watch it again at gunpoint.
Kad said: "I feel like there needs to be a giant sit down with the various Broadway marketing companies and producers and ask them what the hell they’ve been thinking with the artwork we’ve been seeing recently."
I have few friends in ads and art/design line of work, who have recently all got laid off due to the AI impact on the industry. A couple of them regrouped and frantically are trying to acquire entirely new skills. I think we should all expect more of these strange, not very well thought out ad campaigns, the art and design industry as we knew it is gone.