Avoided this thread until we saw the show tonite - September 27. Couple side notes - 22 pieces in the orchestra. Lighting operator said about 500 lighting cues for the show. Also, that the show has been unchanged for the last two weeks. The musical numbers were still on an insert.
My 16 year old loved it. The audience loved it. But, there were a lot of very very young theatregoers - who were mostly well behaved. The young lady (in an Aurora dress) sang through Let It Go. Batman sitting next to Aurora was thrilled when Anna smacks Hans. But, the family in front of us had to leave near the end of Act One because their young lady was too fussy. But, the "Anna" sitting to her right made it through the show. So, it does seem like this show will be a nice gateway for young theatregoers.
We sat in the second row of the mezzanine in the center.
Ok. On to my views.
I liked it. I didn't love it.
Good: Caissie Levy was terrific. They are not going to change Let It Go because she absolutely slays that number as is. When Act One ended - the place erupted and was just buzzing. The song works. Yes - it could have more of a "wow" effect. But, it's already getting a strong audience reaction. The dress reveal/change seemed to happen with a light flash tonite - so it wasn't too apparent that the dress was pulled back.
I didn't think the "ice palace" or whatever was too cheap looking - but neither was it extravagant. And Ms. Levy absolutely kills "Monster" which is probably the best of the new songs - ok, it's the best number in the show.
Jelani Alladin as Kristoff has such a sweet voice. I wish his lullaby in Act Two was longer.
Sven: Steals the stage upon entry. Disappointed that Sven stayed as Sven during curtain call instead of revealing the actor. The cast list says it was one actor? Wow - I thought it was two.
Colder in the Minute - when Anna freezes - just wow. That's stage magic. You can hear the whole audience gasp.
Fixer Upper - I was dreading this song. But as others have said, Ashford has managed to make it a fun number.
Hygge - aka the Sauna number. I thought it was a lot of fun. I think the adults in the audience got a big kick out of it. The ensemble certainly seems to be having fun and selling it.
Meh:
Patty Murin - she was all over the place vocally tonite. Her acting was fine - but she looks (even from the mezzanine) too old for Anna compared to Elsa.
John Riddle - as Hans - No complaints. But, they have written him much more sympathetically so when his evil plan is revealed, it's not a shock because it feels like it came out of left field. He acts very concerned about Anna when her dress is brought to the palace. And, if your plan is to kill Elsa, why do you have her captured and brought back to the Palace? Dumb. Really dumb.
Gregg Hildreth was Olaf - I think this could be "good". I enjoyed it but Olaf wasn't anything special. A little more tapping in In Summer would be great.
What do you Know About Love - perfectly fine. My 16 year old said it reminded her of "I Got You Beat" from Shrek. To me, that's not a compliment.
The bad:
The HiddenPeople and Pabbie - the Hidden People king? I mean, it's better than the trolls. But why is Pabbie narrating some of the time - but not others? And, when they take the King and Queen off, it looks like the Hidden People killed the King and Queen. Just wrong. Just kill the narration parts. They are not necessary except to cover costume changes.
Back to Let It Go - it's not just that we haven't seen Elsa for a while. It's that she just wanders onto stage and starts singing. There needs to be something to introduce it - set the scene. Just a few lines of dialog. Elsa: out of breath - "They'll never get to me up here at the top of the mountain." or have Anna, Sven and Kristoff race across the stage in front of curtain saying something simple like "Elsa! Elsa! Where are you!" Something.
True Love - I think they wanted to push this song - because if you pre-order the OBC, you get the sheet music for this song. Which is forgettable. And, yes, as one or another have said, Really? You're freezing to death and you belt out this ballad. And the melody isn't that great. Plus, it's the third slow ballad in a row - following the lullaby, and Monster. (Well, there's a little Hans of the Southern Isles reprise first, but it's very very very little).
Dangerous to Dream - My 16 year old loved it. I understand the song. I understand it's placement. I understand its message. But, it just felt flat to me. So, a split decision on the song from my family.
Overall:
I enjoyed it. Based on the audience, it will be a huge hit. The show could use some tinkering (the Hidden People, Let It Go, True Love), but I don't know if it will really get it.
Updated On: 9/28/17 at 01:28 AM