Is it me or is this fall crazily packed with exciting events? Audra in Gypsy? Robert Downey Jr at LCT? Adam L in Cabaret? The Roomate with Patti? Sunset with Nicole? And now Keanu Reeves in Godot?
I've been shocked over the past couple years at how exciting some of the shows in both London and New York have been. Business may be tough, but so much good creativity going on.
EDIT: Wait wat, 2025????? lol.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
BoringBoredBoard40 said: "I never understand what the point of announcing something this far out is"
I think it's similar to them announcing Othello a full year in advance. They want it to be an event that people are anticipating and thinking about for a long time.
Also, he gets trashed but Jamie Lloyd seems like the hottest director in both London and New York right now. Tom Hiddleston in much ado about nothing, Sigourney Weaver in The Tempest, Tom Holland in Romeo & Juliet, Nicole S in Sunset, Keanu Reeves and Alex Winter in this show, Jessica Chastain in a Doll's House.
This is a crazy, crazy resume. And he has Sondheim roots (he did Passion at the Donmar and directed Aaron Tveit in Assassins).
He probably can't top a Sondheim event that was the Merrily revival, but if there was something who could get close!!
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
binau said: "Also, he gets trashed but Jamie Lloyd seems like the hottest director in both London and New York right now.Tom Hiddleston in much ado about nothing, Sigourney Weaver in The Tempest, Tom Holland in Romeo & Juliet, Nicole S in Sunset, Keanu Reeves and Alex Winter in this show, Jessica Chastain in a Doll's House.
This is a crazy, crazy resume. And he has Sondheim roots (he did Passion at the Donmar and directed Aaron Tveit in Assassins).
He probably can't top a Sondheim event that was the Merrily revival, but if there was something who could get close!!"
You forgot a hot-off-Game of Thrones Emilia Clarke in a fantastic London modern language version of The Seagull!
He is my favorite director. He has directed the single best Assassins, Urinetown and Sunset I have ever seen (and I've seen those shows a lot).
I hate Godot, so even though I love him, this winky out-of-the-box casting sorta screams gimmick-over-substance...so I think I might miss it...
BoringBoredBoard40 said: "I never understand what the point of announcing something this far out is"
It's a way to signal to investors, agents, and the theatre community "this is real & actually happening, they are fully contracted, you can't get your client out of this now."
Which is more logical for Broadway than something like next year's Shakespeare in the Park, which announced so prematurely: actors make pennies there & can easily get out of a contract.
Owen22 said: "I hate Godot, so even though I love him, this winky out-of-the-box casting sorta screams gimmick-over-substance...so I think I might miss it..."
I don't think the casting was intended a gimmick but I'd be into it if say George Carlin is credited as Godot in the Playbill.
For me it would feel a LOT more gimmicky if directed by someone other than Jamie Lloyd. He gives this weight and gravitas, at least on paper. If the director was someone like Jerry Zaks or Scott Ellis + a schlockier American producer, my opinion would be quite different.
This being announced over a year in advance is crazy.
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
Play Esq. said: "Kevin Spacey (in his big comeback performance!) and Annette Benning in Long Day's Journey
…would never admit that I saw this, but damn it if I wasn’t first in line for tickets🥸"
This instantly made me picture a revolving door of toxic, problematic or cancelled performers, beginning with Kevin Spacey as Screwtape and Tiffany Hadish as Toadpipe, in "The Screwtape Letters." The run would climax with perhaps the most toxic pairing possible at this point: Neil Gaiman and Amanda Palmer.