& JULIET On Broadway - Reviews & News Thread — Page 7

Last night Sondheim was not turning over in his grave at the glorious preview of “& Juliet.” Unlike the night he passed and the awful “Mrs. Doubtfire” was in his namesake theatre. What I thought of most last evening was how much Sondheim loved “The Wiz.” The contemporary approach to a classic tale, told so creatively with such a strong pop sound. This is “& Juliet.” If “mamma Mia” was the beginning of all these years of jukebox musicals, may “& Juliet” be the bookend because it just can’t get better than this. The book is hilarious and the pop songs are brilliantly weaved in for those who love the songs and those few who will be new to them.

For me, this and “Kimberly Akimbo” are the must have tickets of the season so far.

Get your tickets!

I also don't know how Bedella won the Olivier for that part, but given no one is even talking about, I think Szot won't even be nominated hahaha

After all those reviews about the cast, I'll certainly add this one to my list. Is there only digital rush?

Tag said: "HeyMrMusic said: "ElephantLoveMedley said: "DramaTeach said: "What age would you recommend for this? Is it inappropriate at all? Thanks I’m advance."

I don’t recall anything inappropriate. I think this is perfectly suitable for families with young kids."

According to the cast album, there’s profanity in one song. The website says 8+ with adult language."

From what I remember there is much emphasis on the f-word in Pink's 'F*ckin' Perfect'.

"

Yeah. That's it.

Can't wait to see this tonight after my Halloween duties are all done!

I think it's will call only w/ TodayTix. I won 2 yesterday for 2 different shows and they were both will call.



EDSOSLO858 said: "For those who have received tickets via TodayTix digital rush:

Were the tix you received electronic, or did you have to go to the Sondheim and pick them up? And if they were electronic, are they transferable?"

Saw it tonight. Had a great time. Would I have cut a song or two? Maaaaybe? They really did pack them in there, but it felt like a party and I'm glad we got most of the songs and not like...3 lines or a chorus as part of a medley after medley.

I kept thinking how fun it could/would be if the original singers of some of these songs start attending or even doing surprise appearances - though I also see how that would overshadow the cast's performances which are all great imo.

Also, Bill - the costumes aren't confusing if you see the show. They aren't trying to be historically accurate here.

p.s. I'm a little obsessed w/ Betsy Wolfe now.

Paulo Szot is a stand out in the show. He is hilarious, and to hear his voice sing those pop songs is hilarious. Betsy Wolfe runs away with the show, in my opinion.

I feel like this is the party show we all need to let go for 2.5 hours, and just enjoy the sugary confection that is &Juliet. After the past few years, let's just have fun for a while.

VernonGersch said: "Any idea why Miriam Teak-Lee didn't transfer with it? She deservingly won the Olivier for role.”



I don’t remember exactly what she said but we were talking last year and the transfer came up and it seemed like it was an issue with work visas and things like that, not her not wanting to do it here.

I saw this last night and it was delightful. The sound cut out during a song and they left the stage. The stage manager came out and she got a huge round of applause. She said "Happy Halloween, everybody". Cute. After a few minutes, the magical show resumed.

I saw this in Toronto but I had children behind me asking "what is this about" "when can we leave" "why why why why" and drunk people in front of me, so I did not enjoy my time seeing it there.

Im so glad this is in New York. Everyone was amazing, Stark is so cute, Lorna is a star, Betsy is sensational as ever. But, the best singer in the cast is wasted here. Paulo has a gorgeous song and he lets the audience KNOW he is an opera singer but the score is so pop, I feel like the tepid applause he got compared to other songs was sad. His voice belongs in the Met, not in this show. Anyways, this show is so fun and everyone was having a great time. What more could you ask for in a musical these days?

For someone who didn't love this in London, is this worth another watch? (That said, my London experience was soured by the fact that the person next to me was coughing the entire time, so I spent the first 20 minutes relocating myself.)

The songs were fun and high-energy, and the performances were generally good, but I found the book to be a little lackluster (too ambitious and not hitting everything). But if the Broadway cast elevates the material, then I may go see this again.

I saw the preview last night, super-excited because this show hits a lot of my buttons. But EGADS, I can't describe how much I hated it. It lost me before the show even started -- the casual way the performers came out showing off for the audience and by the time Sands made in his entrance, all I could think is "I liked this better when Borle played is in SOMETHING ROTTEN! Can't I just watch that again?"

My biggest problem is the horrible direction. The director seemed to give no direction other than "be as silly and goofy as you can be." That might work for a song, but for an entire show, it felt exhausting. Moreover, these actors aren't capable of that. I've seen high school improv students with better comic timing than Wolfe and Sands (along with better chemistry.) I felt humiliated for Szot and based on what I saw, I don't believe for a second La Barrie is a professional. I've seen more credible performances from a fish. The only two performers who didn't get the "just act stupid" note were Arroyo and Sullivan. Not coincidentally, theirs was the only storyline that carried any emotional weight -- though I didn't buy it for a second.

The choreography was horrible and the director really doesn't know how to stage a musical number. Essentially it seems the director knows when a moment should land, but doesn't know how to achieve that without turning up the bass or having a confetti canon explode.

There are things about the book to like, but there are also problems with it -- but again, the goal just seems to be silly. Nobody seems to care that the book actually undercuts the "down with the patriarchy" vibe that the show so desperately wants to project.

By the end of it, I genuinely felt embarrassed for everyone involved.

While some of the numbers were fun, I genuinely think I would've enjoyed a colonoscopy more.

^Correct. How miserable.