I agree with Jordan this show is just wonderful, I caught it for the second time yesterday for fear Omicron might shut everything down soon and I had a smile on my face the whole time. It's just pure joy, visually spectacular and I agree the songs really work in the way they have used them (I am sure if this makes it to Broadway people here could find ways to criticise but honestly, if this was an original score I think we'd be claiming it's one of the best/most melodic/catchiest of all time). I have a bit of a prejudice against jukebox musicals but this is really special. The entire 'concept' of the show within a show is a great device for some very funny moments (in addition to the humour within the 'show' itself).
One caution I would say is the actors really make all the difference - the first time I saw the show with a bunch of understudies (including Juliet) I thought the show was enjoyable but a little sloppy and lacked a bit of emotional honesty. However, watching it again especially with Miriam-Teak Lee it was a completely different experience. She is a very strong vocalist (I guess you can hear it from the recording), a stunning dancer and most importantly an excellent actor. A genuine triple threat. She brings so much depth to the emotion of her scenes and songs that we are 100% committed to and invested in her plights. She also has extra special 'thing', Charisma or x-factor you need in a lead/star. Without this honesty, I felt the show was kind of winking at itself and the audience (especially in the first act) too much with little depth.
I'm not one to think that there is often a reason to transfer West End casts to Broadway because I think the greatest musical stage actors in the world are in New York City (see the Company Revival for a good example of why). However, the three actors I would want to go with the show (or hope they really can find adequate replacements) are:
* Miriam-Teak Lee as Juliet * Cassidy Janson as Anne * Melanie La Barrie as Nurse
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
I am thrilled for the continued developments on a transfer. I had a conversation with someone earlier this week on which route they would go were they to cast stateside and not transfer any of the West End cast. Names I tossed around for Juliet, without any idea of which route casting would actually go, included Celia Rose Gooding, Hailey Kilgore, Adrienne Warren, Brittney Johnson, etc.
Owen22 said: "The best news about this is that it will be introducing director Luke Sheppard to Broadway. I preferred his London version of "In the Heights" to Broadway's and his West End musical "Adrian Mole" was a joy. I'm seeing his "Rent" next month in Manchester, which is supposed to be terrific."
I saw the London production of "In the Heights" and thoroughly enjoyed it!
I caught this show in a London in December. Absolutely loved it. I was looking for news of this coming and came across this thread. Hopefully some of the original cast will come over. Can’t imagine it without Miriam.
I’m hoping some of Martin’s newer and lesser-known songs can feature in the North American premiere. But then again, the show seems to be effective enough right now.
EDSOSLO858 said: "I’m hoping some of Martin’s newer and lesser-known songs can feature in the North American premiere. But then again, the show seems to be effective enough right now."
The songs all fit so well! The one song I wish they had included though, is My Life Would Suck Without You.
The question now is which theatre in NYC would house the show. If the Shuberts produce it, I would bet on the Cort Theatre as that's reopening later this year. If the Nederlanders produce, I would expect their flagship theatre after Mr. Saturday Night is done.
The idea is to work and to experiment. Some things will be creatively successful, some things will succeed at the box office, and some things will only - which is the biggest only - teach you things that see the future. And they're probably as valuable as any of your successes. -Harold Prince
Dylan Smith4 said: "The question now is which theatre in NYC would house the show. If the Shuberts produce it, I would bet on the Cort Theatre as that's reopening later this year. If the Nederlanders produce, I would expect their flagship theatre after Mr. Saturday Night is done."
No way this is playing the Cort. This show needs a midsize / larger house. FWIW, it’s playing at a 1400-seat house in London right now.
EDSOSLO858 said: "Dylan Smith4 said: "The question now is which theatre in NYC would house the show. If the Shuberts produce it, I would bet on the Cort Theatre as that's reopening later this year. If the Nederlanders produce, I would expect their flagship theatre after Mr. Saturday Night is done."
No way this is playing the Cort. This show needs a midsize / larger house. FWIW, it’s playing at a 1400-seat house in London right now."
The only theatre that would equal the capacity size from London would be the Imperial, but Cinderella is probably going there this fall. I doubt the Shuberts would give the show their flagship theatre. The Cort would be perfect as it would be reopening later this year.
The idea is to work and to experiment. Some things will be creatively successful, some things will succeed at the box office, and some things will only - which is the biggest only - teach you things that see the future. And they're probably as valuable as any of your successes. -Harold Prince
Jordan Catalano said: "The Cort is an AWFUL theater for a big musical like this."
Ok, never mind. What theatre would you suggest for a musical like &Juliet?
The idea is to work and to experiment. Some things will be creatively successful, some things will succeed at the box office, and some things will only - which is the biggest only - teach you things that see the future. And they're probably as valuable as any of your successes. -Harold Prince
I saw Once Upon a One More Time in DC and LOVED Aisha Jackson! She would truly shine as Juliet! I'm sure that's not a likely move, but...that would be great! Haven't seen &Juliet, just obsessed with the cast recording.
cLo7 said: "I saw Once Upon a One More Time in DC and LOVED Aisha Jackson! She would truly shine as Juliet! I'm sure that's not a likely move, but...that would be great! Haven't seen &Juliet, just obsessed with the cast recording."
She is currently Joaquina Kalukango’s standby in Paradise Square. How long it survives on Broadway could possibly affect her potential availability.
While I’d love to see Adrienne warren as Juliet I’d also be interested to see Laura Osnes as Juliet. At her cabaret a few years back she did a show from rock of ages. And it was so good. For Romeo I’d love Lucas Steele or Kyle Dean Massey For Shakespeare. Cheyenne Jackson
Well, Mockingbird is going to the Belasco, so that won't work. Beetlejuice will probably be at the Marquis for a while. The Lunt-Fontane could be possible if Tina doesn't last. My money is on the Nederlander Theatre once Mr. Saturday Night completes its run.
The idea is to work and to experiment. Some things will be creatively successful, some things will succeed at the box office, and some things will only - which is the biggest only - teach you things that see the future. And they're probably as valuable as any of your successes. -Harold Prince