I'm still very perplexed how this is is moving to Broadway -- I thought it was great but very niche, and I don't really think it was strong enough to move to Broadway. Not to mention the level of audience interaction/immersivity utilized off-broadway is definitely offputting to Broadway's older audience (compared to Ars Nova's typically younger audiences).
But hey, if someone wants to try it, then it's a nice way to expand the Broadway audience and the existing audience's minds. And who knows, maybe it's been seriously re-worked.
PERSONNEL CONCEIVED BY WOODSHED COLLECTIVE + JASON KIM BOOK BY: JASON KIM MUSIC + LYRICS AND MUSIC PRODUCTION BY: HELEN PARK
MUSIC + LYRICS BY: MAX VERNON DIRECTOR: TEDDY BERGMAN ASSOCIATE DIRECTOR: SEONJAE KIM CHOREOGRAPHER: JENNIFER WEBER ASSOCIATE CHOREOGRAPHER: BO PARK MUSIC DIRECTOR: SUJIN KIM-RAMSEY PRODUCERS: TIM FORBES + JOEY PARNES
The creative team has been reworking it to fit a more traditional proscenium house since it opened at Ars, as a commercial run on Broadway and beyond was the ultimate goal. From what I've heard, Ashley is indeed still attached.
I am so excited to see this come to Broadway! Six has viable concert competition if it survives. I wonder if taking the Great Comet route will benefit the show... starting at Ars Nova and reconfiguring the stage space/audience seating for a proscenium theatre.
VotePeron said: "The creative team has been reworking it to fit a more traditional proscenium house since it opened at Ars, as a commercial run on Broadway and beyond was the ultimate goal. From what I've heard, Ashley is indeed still attached."
I'm surprised any show would announce they're planning to come next season.
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
Given how South Korea is one of the few countries where live theater is still happening (i.e. POTO world tour), I wonder if this show will perhaps do a stint in Seoul sometime in the fall before going to Broadway.
Found this video clip of Ashley Park singing a song from KPOP at 54Below earlier this year. I saw her as Mwe back in 2017 at Ars Nova and blew me away. Her scene was inside her dressing room and as an audience member you were really up close!
I love how she does the Korea finger heart at the end of the video!
I am not a huge fan of kpop music, but I've heard that their popularity grows. It's fantastic how lately this genre of music, took over the music industry. I work as a substitute teacher, and for one of the lessons, students had to prepare o project about their favorite music artist or band. Most of them prepared a project about a well-known band - BTS. I then informed more about them; I was surprised to see that they are a boy band also known as Bangtan Boys, and because of their hits, they became popular around the world.
Casting Notice is out for a run at Signature Theater in Virginia-rehearsing November, running from the end of December to the end of January, just in time to come in for the Tony cut-off, if we are looking at a more normal timeline next spring.
RippedMan said: "Interesting. Really curious how they've reworked this."
Same here. I really enjoyed this off-Broadway, but the show will need to become something very different if it plans on playing Broadway.
It does look like they're already making significant changes, as I don't remember two of the principles listed in the casting notice (Juny and Harry) appearing in the original production. The description of Harry's character, in particular, seems to hint at a new documentary-esque framing device:
"HARRY - 30s. An American Sundance sensation who's hired by the label to direct a concert documentary. He's a "woke" dude, an artist, an auteur. He believes himself to be a humanist, a millennial Martin Scorcese, and a man for whom the work comes before all else. Principal."
Looks like this is heading to the Signature Theatre in DC for its "pre-Broadway" run, this December/January. Will definitely be keeping an eye on it and might just make the trip down.