Live from the Lincoln Center Discussion Thread — Page 9

Myron - I saw the performance at Bryant Park last month and the performer was Laura Osnes, not Kelli O'Hara. O'Hara only returned to the production in the last week and a half.

bwaylvsong - I agree with you about enjoying Andrew Samonsky's performance. I wouldn't say that I absolutely loved him but I sure don't think he was bad - and no worse than Matthew Morrison. What was so horrible about his acting? It's nothing to brag about, but I saw Morrison in the original cast (and in Piazza) and I don't think his acting was amazing either. I think Samonsky portrayed Cable well, in a perfectly viable way - initially cocky and arrogant, off-putting and unaffected. He's a young officer who comes swooping down on this island sure that an older Frenchman he has never met with teach him about the islands and take him there on this deadly mission. Cable doesn't even think that de Becque would say no to the mission and has a bit of a temper tantrum when his sure-fire plan is shut down. Samonsky's Cable changes as the show progresses to become a tender and loving man, frustrated by the war and conflicted with the societal/race issues around him. I think he was fantastic in the scenes at the Thanksgiving Follies - snide and sarcastic (ex: the line about Mr. and Mrs. Joseph Cable entertaining at a housewarming party and no one came) and all the while acting as a man in ailing health. I thought he had decent depth to his performance and his voice is incomparably better than Morrison's.

I was at the taping last night, in loge row A of the mid-500s. I initially noticed at least 6 cameras in the orchestra: 1 each about 4th row on the inside aisle of the 100s and 500s; 1 about the 4th-5th row in the middle of the 200s; 2 center in the 300s about mid-house or perhaps a little closer to stage; 1 moving on a boom that was mounted on a platform in the 400s. Each camera took up a couple to a few seats except for the platform for the moving camera which covered the back of the 400s. About 5-10 minutes into the production, they had 2 men with another camera come into the house from the extreme house left down the outside aisle of the 100s and set up a camera at about the 4th-5th row, outside aisle (they weren't too discreet either). I can't say if they had another team in the extreme house right/outside aisle of the 500s because it would've been almost directly below me.

At the stage door, I saw Laurissa Romain (the girl who played Ngana) and her mom. She said that they had worked hard to try and make it happen for Matthew Morrison to come back to play Cable and had even scheduled his rehearsals and such, but that it didn't work out.

The audience last night was a great audience and it was nice to see that everyone was so enthused with so much energy. It's too bad that they have to close this production - it's so gorgeous and I'll miss it, but I can't wait to see what other great shows LCT will do soon.

I don't find Samonsky horrible. I just think he's not attractive. But I was not impressed by Morrison's Cable either. I guess I just don't care about this character.

I just saw the show for the 2nd time earlier in the month. I HATED Samonsky, but thought he faired slightly better on film.

Billis is not gay. Nor does Danny play it that way.

Thank you for pointing out to Myron that Kelli wasn't at Bryant Park. I liked Osnes, but MUCH prefer O'Hara.

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In enjoyed the broadcast, it was a beautiful preformance. I have seen the Liat, Li Jun Li, in the last U.S. "Miss Saigon" tour in the emsemble. It was nice to see her in a role where she stand out a little more. Overall, I thought she did a good job with her expressions, and everyone else in the cast was pretty good too, from what I saw.

What a glorious broadcast. The production really is flawless; Bart Sher seems he can do no wrong!

Count me in with the (small) lot who enjoyed Samonsky's performance as Cable. I thought his voice was lovely and acting was effective. I doubt Matt Morrison did much better.

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As I said in my original post, although Andrew Samonsky's acting choices were a bit jarring at first, they grew on me and I could definitely see the inner turmoil going on inside of his head in act two. He started out as an arrogant character, but in the end you felt for him and felt a lump in your throat on hearing of his death. I must say that watching the movie version had never affected me the way that watching this glorious stage production did last night. I cannot get it out of my head this morning, and that is what good theater does to you - it lingers with you forever.

Burstein reminded me of a cross between Nathan Lane and young Don Rickles.

"What was with Samonsky's weird "ngghhh" sounds during the scene where he and Nellie are talking about their mothers? Truly weird."

Lizzie, yeah, I noticed that, it was strange. And the way he delivered the line about not telling his mother everything he does made it seem like a joke about not telling what he does on dates with girls tee hee giggle, where Morrison managed to make it seem rather grimmer, as if he wasn't sharing his darker wartime experiences.

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Sure if a gaping black hole is what you want in the role!

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Who's bare bottom did we see last night?

I thought it was a lovely production. I had never seen it staged. Agree with what most of what has been said. However, my daughter and I were a bit distracted with Loretta's lips and how they vibrated so much when she sang. Especially the lower lip. just sayin'

Please PM/e-mail me if anyone needs a copy of this fantastic production. I recorded it in HD on dvdr. I really enjoyed this !