Caught last night's 6:30pm evening performance - having seen this cast in their first week and finding all quite great, last night everyone was *next level* fantastic.
A lot has been written about which performer makes Mary their own (and I credit Cole Escola's writing, that it affords that amount of interpretation to the people who don the bratty curls) - but JCM has created a gloriously demented, Norma Desmond but more campily desperate for a dream out of the role. Many different line readings than the first time but still a *lot* of physical comedy that totally worked.
Similar with Simu Liu - he's much more relaxed and into the role, playing up *such* sincerity and sweetness during the initial scenes, then going 100 miles per hour hilarious in the barroom bit with Abe. I do hope he comes back to Broadway!
Hannah was on for Mary's Chaperone and fantastic, playing it very prim and proper presenting / fraying at the edges from Mary's torment.
I know JAM's Abe has had a lot of discussion, but again, I really feel like he found the same great comic rhythm as the rest of the company. The ability to bounce between rage, lust and fear over how he's perceived, both politically and personally, came across strongly.
And yes - Tony Macht is the secret weapon here, playing the "straight man" character so perfectly. MVP.
Definitely try to catch this cast in its final week if you haven't. JCM is a queer arts icon to me (Kiki, Herb, and Hedwig walked so Mary Todd could belt madcap medleys.)
And I decided to stage door, a rarity for me personally, but JAM, ,Simu and JCM all came out and were incredibly gracious. Got to compliment JAM on his "Strange Loop" performance, thank Simu and quickly tell JCM how meaningful Hedwig has been to me / how powerful his final performance in the last revival was. JCM and Simu respectfully declined selfies but were more than kind to talk to everyone - Simu signed, and JCM did indeed have a basket of *fabulous* "VOTE FOR MARY" pins that he's signed on the back for everyone who wanted one.
And the small but joyful crowd at the stage door was very notably kind and respectful of both the performers and everyone else (moving around let people in front after they got autographs, offering to take pictures for each other). I sadly know it's not always the case, but gave me very "Broadway Community" vibes.
Updated On: 4/13/26 at 03:21 PM