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Great review from Green. Like Green, I was also very touched by Bernadette's monologue before Parade and her delivery of the entire number. I can't wait to see how she's evolved in the role since her first week.
The Hollywood Reporter is a Rave, and his opinion of Bernadette's performance is nearly verbatim of Green's, noting the tenderness and poignancy she brings to the role.
She pulls off another triumph here, infusing her Dolly Gallagher Levi with a pathos that, while making the character less a force of nature, makes her far more relatable. When her Dolly speaks to her dead husband Ephraim, such as when she implores him to let her go so she can get on with her life and be happy, it's not just a prelude to the big, first-act closing number "Before the Parade Passes By" but also a tearful plea from the heart. https://www.hollywoodreporter.com/review/hello-dolly-1087158
EW is another Rave, also noting the vulnerability she brings to Parade.
"When she’s alone, she softens, bringing out the widowed Dolly’s vulnerability. Peters’ unparalleled ability to act through song (she is a Sondheim staple, after all) is clearest in the Act 1 capper “Before the Parade Passes By,” which moves from mournful to jubilant as Dolly bounces back to life. Some Dollys seem like they’d be happier joining a stage show, but Peters crafts a woman who carries just enough grief that you actually believe she wants a happy ending with Horace Vandergelder."
Another Rave from the Washington Post, again agreeing how heartfelt her Parade and conversations with Ephraim are.
With Peters, Dolly’s melodically wistful musings about not wanting the parade to pass her by — did any parade ever dare pass Midler by? — are more heartfelt. And her conversations with her late husband seem to emanate from a more poignant place; she really does seem to be pouring out her soul to him, and to us.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
I love how they are all practically verbatim on Bernadette's poignancy and tenderness as Dolly. I was so touched by her entire delivery of Parade, I can't wait to see it again.
I am so sad that I may never get to see her perform the role again - but yes her "Parade" (and lines leading up to it) were a highlight. It also was not overdone either as people are often afraid of with Bernadette.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
ljay889 said: "EW is another Rave, also noting the vulnerability she brings to Parade.
"When she’s alone, she softens, bringing out the widowed Dolly’s vulnerability. Peters’ unparalleled ability to act through song (she is a Sondheim staple, after all) is clearest in the Act 1 capper “Before the Parade Passes By,” which moves from mournful to jubilant as Dolly bounces back to life. Some Dollys seem like they’d be happier joining a stage show, but Peters crafts a woman who carries just enough grief that you actually believe she wants a happy ending with Horace Vandergelder."
I had barely considered seeing this again for our trip this June (we saw the 2nd preview with Bette and I couldn’t imagine anyone coming close to that performance). But now these reviews make me want to run back to that theater! Any speculation on how these raves will affect ticket availability?
Bernadette has a career planned beyond "Dolly". I purchased a ticket to see her in concert in Los Angeles in January 2019. Note that the person who wrote this text seems to think she has already completed her Broadway stint. (And, can the woman wear a dress, or WHAT??!!)
I didn't get to see Bette...but after seeing Bernadette I'm totally fine with that. She was stunning; bringing me to tears during Parade Passes by.. She seemed to be having so much fun and her subtle command of the role was inspiring. And Charlie Stemp was the most charming Broadway debut I've seen in a long time.
I’m so glad that I saw her a week into performances. She does such a fantastic job with the role and I can’t wait to go back - something I definitely didn’t say after seeing Bette.
GiantsInTheSky2 said: "I’m so glad that I saw her a week into performances. She does such a fantastic job with the role and I can’t wait to go back - something I definitely didn’t say after seeing Bette."
Please girl. It was because you couldn’t get a ticket. Beautiful reviews for Bernadette and the show. I hope now it gets a box office boost.
"It’s a gay Sophie’s Choice, and it’s happening on Broadway right now....
(Garber and Peters) have no chemistry whatsoever, and do not even attempt to magic some up. Peters’ Dolly seems a little too outside the universe of the musical around her, and Garber’s performance compares poorly to David Hyde Pierce’s engaging incarnation—he was both a match and foil for Midler—in the earlier production."
"But here's the paradox: Both women understand that to play Dolly is to play yourself, and so the thread binding their performances is also what makes them unique"
I saw the show last night, and, while I enjoyed it (of course), I have mixed feelings. If this had been my first time seeing the show, I would be over the moon about it, but it was my fourth time, so I can't help but compare it to my previous visits. The show with both Bette and Donna, along with the full original cast, was a transcendent experience for me. Last night was not. It's difficult to explain, but the show just felt "smaller." I can't pinpoint what was lacking for me, since I thought all the actors were great, individually. In the end, though, it all added up to less than the sum of its parts, in my opinion. I will say, though, that Jennifer Simard was perfection, as always.