PURLIE VICTORIOUS Previews — Page 2

God, this was just so good.

I was initially hesitant to go so early in the run for fear that there was a lot of fine combing with the comedy. Boy was I wrong. This is uproarious and yet still very measured and precise. Leslie Odom Jr is just so excellent. His monologue during the latter half of the play was so masterfully done.


But for me the real MVP is Kara Young. Hilarious and heartbreaking altogether. All are allowed to have their own thoughts, but I just think she’s one of the best stage actresses we’ve got right now in NYC and she’s totally nailing this.

I don’t usually make a return trip but I think I want to see this again after it opens to see how it grows.I wish I had more “critical” stuff to say but this was genuinely one of the rare few evenings where everything clicks and it’s pure bliss. Fastest 100 minutes I’ve spent in a theatre in several season.

Updated On: 9/9/23 at 11:35 PM

Separate from my review:

Merch - Windowcard, a few t shirts, a button set, a magnet, and a few other things.

Stage Door - Everyone (plus Kenny Leon) sans Jones, Pyzik, and Timoney. Odom was having extended conversations with everyone and could not have been more polite. Him and Kara seemed genuinely grateful that people came to support the show and encouraged us to spread the word.

RippedMan said: "Anything interesting with the design or direction ?"

My usual complaints with Leon’s direction is most of his shows have such a light hand that it feels like there isn’t a lot of method in the choices. This is a rare exception. A light hand that works. The transitions from the moments of comedy into the parts of the show where Purlie puts himself in great danger are done with such an understanding of keeping a layer of comedy under everything. Leon let’s the play work as written and doesn’t put anything on it, and the framework at the top of the show (having the actors come on and assume costumes, set the first scene) more or less is just there to let us know to sit forward and laugh

Cape Twirl of Doom said: "quizking101 said: "
He also does a nod to a recent “folding chair” controversy that broke the whole audience."

Oh that’s what that was! I saw the show last night and when he picked up a folding chair and pretended to swing it and the audience wildly cheered and laughed I had no idea what was going on or why it was supposed to be funny. Myself and the people on either side of me (who were all laughing constantly throughout the show) all thought we missed something in the show that it was referencing."



I still have no idea what this is referring to. Is it the recent bare bones "A Dolls House"?

George in DC said: "Cape Twirl of Doom said: "quizking101 said: "
He also does a nod to a recent “folding chair” controversy that broke the whole audience."

Oh that’s what that was! I saw the show last night and when he picked up a folding chair and pretended to swing it and the audience wildly cheered and laughed I had no idea what was going on or why it was supposed to be funny. Myself and the people on either side of me (who were all laughing constantly throughout the show) all thought we missed something in the show that it was referencing."

I still have no idea what this is referring to. Is it the recent bare bones "A Dolls House"?"

Black riverboat captain in Montgomery, Alabama, asks white boaters in pontoon boat who are in his boat's designated berth to move. They refuse for 45 minutes. When he gets off his boat to try moving their boat himself, the white men gang up on him and start beating him. Black people who are nearby immediately rush to defend him, including one man who starts hitting the white attackers with a folding chair.

How A Folding Chair Won The Montgomery Brawl — and The Internet

To many Black social media users, it's more than just a viral video



The Black History of the Montgomery Brawl Folding Chair

Saw the Sunday matinee. The most striking thing about this is how not dated it was. Kenny Leon gave a speech beforehand asking us to "meet it halfway" which had terrified I was about to sit through a museum piece. Instead it was ridiculously funny omg. Everyone was very good to me, but Kara Young and Jay O. Sanders physical comedy was a standout. Vanessa Bell Calloway also shined in a fairly small part. Like I said though, they were all good. It was really delivers on the farce even though it's very much a message play with some of those messages spoken directly to the audience.



I'm fairly neutral on Leslie Odom Jr, so I didn't expect a good or bad time but I thought he was great. Great at the comedy but his shining moment is very dramatic and intense. Which ties into my feeling about the ending being the white savior trope. It's really not to my mind. Purlie's desired ending could only come that way, but more importantly him getting his desired ending is just the icing. The true meat and potatoes is what Purlie says before the final reveal. That's what stops it from being a white savior story. He realizes what he wants is bigger than what he thought he wanted and stands on it.

bwayphreak234 said: "Has anyone done the Telecharge digital lottery for this? If so, where were the seats? Also, how are the far side seats in the orchestra for this show? Thank you!"

For the Saturday evening show, my friend from college actually got Orchestra C2.

As a general rule for most shows I see at the Music Box, I would avoid the double digit numbered seats until you are at least halfway back in the orchestra (Row J or further) or you risk cutting off sightlines.

Martin Luther King backstage with the original cast of Purlie Victorious

I see Alan Alda there. I wonder if they will get him to come out for this new production? He's the only one in this photo still alive.

bigbelterbaby said: "Martin Luther King backstage with the original cast of Purlie Victorious"

It’s not a huge leap to hear “Leslie Odom Jr is coming back to Broadway” and assume it’s a musical. I’m still wondering why they chose the play over the musical myself, but it’s not a big deal either way.

I rush around 10:30 today and got third row orchestra. Saw Gutenburg! last night and had an incredible time so this will have a hard time living up to it!

Normally I'm not a huge fan of comedic straight plays, but this was such a great time. The show has an incredible blend of humor and seriousness, it works so well. I was a bit thrown off by some of Young's choices, but overall I think she killed it in the most comedic moments. Some of the smaller lines felt a little odd, but those came and went quickly.

I enjoyed so much I genuinely can't believe this show hasn't been performed in so long! While Odom's monologue towards the end was very good, I found myself more moved by the smaller "throwaway" type lines strewn about (I can't remember some of them but I loved the Abe Lincoln one.)

One thing I noticed was the audience laughing at things that seemed... not funny. I think it was probably because the show has so many jokes it's hard to tell when they're serious, but it felt odd. Also probably could be because of people feeling awkward, I know audiences tend to do that when they're nervous or surprised.

I also did not get the folding chair joke, and honsetly I can't believe that so many others did!!! The entire theater was uprorious, I had no idea what was going on lol.

As someone else said, the 100 minutes really flew by. Between this tonight and Gutenburg yesterday I'm having an INCREDIBLE weekend for theater!