Kad said: "...The 7 dubious posts pointing out the logical flaws in Rudin's argument exhibit the naivete of this board in full bloom?
Not the two other substantially longer, hysterical and outraged threads about this topic?"
In fairness to me, I DID say "another"
@Joe Dee, publicity (free or otherwise) is not the exclusive province of the needy. On your theory, why is Rudin spending a decent chunk of change on ad buys week in and week out?
I can absolutely see a world in which this affects how Tony voters mark their ballots. While I think Bette will still win, Scott Rudin's name is the first you see in the list of producers for Hello, Dolly!
Every show every year has had to restage their numbers for the Tony Awards in some way. Sometimes it's less than ideal. But you know what's even less than that? Leaving David Hyde Pierce out to dry with a dud of a number. You know this is a bargaining tool for Scott Rudin. He could have offered "Ribbons Down My Back" or "It Only Takes a Moment" or even Bette doing "So Long Dearie" front and center with no set at all.
Rehearsing Donna is not an excuse. They made their own schedule. They knew when the Tony Awards are. Every other production is in rehearsals right now on top of 8 shows a week to rehearse their modified numbers for the telecast. This is not Scott Rudin's first rodeo.
Yeah, this is not cute. Everyone brace themselves for potential upsets.
To everyone who thinks the Tonys need Bette, you are completely wrong.
YOU "need" Bette.
Bette Middler performing on the Tony Awards will not boost ratings or do anything beneficial for the vast majority of people watching, except for those obsessed with her, or the show itself - but the show has proved they don't even CARE: they have a $50 million advance! Good for CBS. Would've been a terrible precedent to introduce, imo. If Dolly had been awarded this, I guarantee any of the other Best Musical nominees, which all feature extravagant sets that enhance the storytelling (save for CFA, although those trees are real), would've been insisting on doing the same.
HeyMrMusic, you sum everything up perfectly. Unfortunately, when someone suggests that Dolly might not have the lock on the revival and best actress categories as it once had, we are called "bitter queens." Obviously, it's still the frontrunner in both categories, but I wouldn't be completely shocked if there was an upset somewhere.
HeyMrMusic said: "I can absolutely see a world in which this affects how Tony voters mark their ballots. While I think Bette will still win, Scott Rudin's name is the first you see in the list of producers for Hello, Dolly!
Every show every year has had to restage their numbers for the Tony Awards in some way. Sometimes it's less than ideal. But you know what's even less than that? Leaving David Hyde Pierce out to dry with a dud of a number. You know this is a bargaining tool for Scott Rudin. He could have offered "Ribbons Down My Back" or "It Only Takes a Moment" or even Bette doing "So Long Dearie" front and center with no set at all.
Rehearsing Donna is not an excuse. They made their own schedule. They knew when the Tony Awards are. Every other production is in rehearsals right now on top of 8 shows a week to rehearse their modified numbers for the telecast. This is not Scott Rudin's first rodeo.
Yeah, this is not cute. Everyone brace themselves for potential upsets.
"
So what's going to upset it? A show that closed back in January that likely a large portion of the out of town voters didn't see (not to mention the fact that no closed show has ever won Best Revival of a Musical in the history of the Tonys) or Miss Saigon?
That's my point--sure, you can say it's stingy and maybe even slightly unethical for them not to feature Bette, but from a business standpoint why should they care when they're sold out for months and are still a virtual lock for the Tony?
The show still seems like a lock for Best Revival. Midler may see that Leading Actress slowly slipping away though.
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
I agree that this ends up effective Better more than the show. The competition is stiffer in her category.
She'll still take the award, but I'd imagine it becomes a closer race - not that we'll ever really know.
"Oh look at the time, three more intelligent plays just closed and THE ADDAMS FAMILY made another million dollars" -Jackie Hoffman, Broadway.com Audience Awards
1. Not a lot of people watch the Tonys in TV terms.
2. The number and demo of who does watch makes it a great opportunity to advertise your show.
3. A lot of the not a lot of people who watch the Tonys tune in to see what's new; Neither Bette nor Dolly is new.
4. This is not likely to be a particularly good or memorable Tony show. Between the shows, the talent and the host, there is not much of the A team on display.
5. Scott Rudin hopes that when he is dead and gone his name will be mentioned in the same breath as David Merrick. This whole silly nonsense comes from that playbook.
Oh, of course Bette and the production will still win. If it was a different year without a breakout Erivo-like performance, perhaps this could hurt her. But she'll still win.
That said, it stinks of smugness. It'll be the elephant in the room the entire night - the biggest event of the season deciding it didn't want to perform (and didn't have to perform, which is how other producers paying out of pocket to restage their numbers).
And years from now, folks will wonder why she didn't perform, hear the story, and still not understand. But it stinks.
So is this issue definitely over? there's no time left for a last second capitulation on either side? Too bad that there wasn't some type of arbitration to bring the two ten year olds in line.
There is a generation or two who don't know who Bette Midler is or what Hello, Dolly! is. I think it will be a huge missed opportunity to not have the show and the star perform. I don't consider myself young anymore, but I haven't ever seen a performance of Hello, Dolly! on the Tony Awards, although I do know who Bette is and know the show. And let's not pretend the old queens won't tune in just to see Bette; many will. Yes, not enough to draw in the numbers the network would want, but we will hear a collective gag around the nation.
"So what's going to upset it? A show that closed back in January that likely a large portion of the out of town voters didn't see (not to mention the fact that no closed show has ever won Best Revival of a Musical in the history of the Tonys)"
So what? It's a critics' darling, one that the elites would love to use to show up Dolly! I thought it had a good chance of winning even before this dust-up. It stands an even better chance now. Of course, if Sunday in the Park With George had been eligible, it would have won in a walk. The powers that be would have been in seventh heaven. Happily, they were deprived of that thrill. But never, ever count them out. There's a backup choice at the ready.
Broadway61004 said: "Let's also not forget that Donna Murphy starts performances the Tuesday after the Tonys, which means the stage managers are busy rehearsing her during the day and scheduling a put-in rehearsal with the entire cast, most likely next week. So while I agree it would be nice for them to perform, I can also understand why they wouldn't be thrilled about finding even more extra time to re-stage and rehearse a new number. Especially when they having nothing to gain since they're sold out for months.
"
You could say the same for Hamilton or DEH and they still managed/are managing to perform. I don't know whose really to blame here, except that its a shame the general public won't get to see Bette.
Broadway61004 said: "Let's also not forget that Donna Murphy starts performances the Tuesday after the Tonys, which means the stage managers are busy rehearsing her during the day and scheduling a put-in rehearsal with the entire cast, most likely next week. So while I agree it would be nice for them to perform, I can also understand why they wouldn't be thrilled about finding even more extra time to re-stage and rehearse a new number. Especially when they having nothing to gain since they're sold out for months. "
I guarantee you that the stage managers and crew would be ecstatic about making extra money and making some over time.
After Eight said: ""So what's going to upset it? A show that closed back in January that likely a large portion of the out of town voters didn't see (not to mention the fact that no closed show has ever won Best Revival of a Musical in the history of the Tonys)"
So what? It's a critics' darling, one that the elites would love to use to show up Dolly! I thought it had a good chance of winning even before this dust-up. It stands an even better chance now. Of course, if Sunday in the Park With George had been eligible, it would have won in a walk. The powers that be would have been in seventh heaven. Happily, they were deprived of that thrill. But never, ever count them out. There's a backup choice at the ready.
"
You mean like when closed critics darling Follies beat the still running controversial Porgy and Bess??
Of course Falsettos COULD win--streaks are made to be broken after all--it just seems extremely unlikely that all of a sudden a long closed show is going to topple a sold out and equally critically praised mega hit. (And remember, those elitists you reference aren't the bulk of the Tony voters)
After Eight said: ""So what's going to upset it? A show that closed back in January that likely a large portion of the out of town voters didn't see (not to mention the fact that no closed show has ever won Best Revival of a Musical in the history of the Tonys)"
So what? It's a critics' darling, one that the elites would love to use to show up Dolly! I thought it had a good chance of winning even before this dust-up. It stands an even better chance now. Of course, if Sunday in the Park With George had been eligible, it would have won in a walk. The powers that be would have been in seventh heaven. Happily, they were deprived of that thrill. But never, ever count them out. There's a backup choice at the ready."
Your delusional conspiracy theory posturing shtick is getting old. No, that's not true. It's been old for ages already. Worn out, banal,meaningless, drivel.
Is anyone else over this revival of Hello Dolly besides me? What's the point of doing a Hello Dolly number on an awards show without Dolly? I love Bette, but I think this is all so extra.
No. Not over it. Going again next month and in December. Wish I had another ticket for one more show. Its is a great production. All this tony bra bra will never take that away from it.
I'm going to call it - the cast will do an Acapella version of "Broadway Here I Come" in their red carpet outfits, while David Hyde Pierce runs off to Rudin.
Caption: Every so often there was a rare moment of perfect balance when I soared above him.