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SARAH BRIGHTMAN To Star in Australian SUNSET BLVD. — Page 14

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#328

SARAH BRIGHTMAN - injury

Lol Jordan, well maybe it's looking good for you. Have you been to Sydney/the Opera House before? (assuming this is where you are seeing). Also a stunning venue to see too. 


Give me claws and a hunch, just away from this bunch.
#329

SARAH BRIGHTMAN - injury

I went to Sydney about 25 years ago and we took a tour inside but I’ve never seen a show there. So…..maaaaaaaybe I will, now? 

#331

SARAH BRIGHTMAN - injury

Apparently Sarah has been out again, since July 18. 

On Sunday, Sylvie posted (after-the-fact) "A full week on for the incredible role of Norma Desmond" on her Instagram story, which the official Sunset Boulevard Australia account shared to its own Instagram story.

 


"I'm seeing the LuPone in Key West later this week. I'm hoping for great vocals and some sort of insane breakdown..." - BenjaminNicholas2
#334

SARAH BRIGHTMAN - injury

The costuming, including hair, aren't doing her any favors.

#335

SARAH BRIGHTMAN - injury

This is a really bad fit of actor and character. Whomever thought she could pull this off probably lost a lot of money (and other people’s money as well). 

#336

SARAH BRIGHTMAN - injury

BorisTomashevsky said: "Oh, dear. No matter how hard they worked on this in post, it’s still abysmal.

As If We Never Said Goodbye
"


I agree, clearly mismatched. It's interesting that comments are turned off for this video.

#337

SARAH BRIGHTMAN - injury

Play Esq. said: "This is a really bad fit of actor and character. Whomever thought she could pull this off probably lost a lot of money (and other people’s money as well)."

Hate to be that person, but it's "whoever."

#338

SARAH BRIGHTMAN - Sunset Blvd in Sydney

This whole production has been bizarre to watch from afar.  The set and lead up to Melbourne seemed appropriately hyping things up.  Then the reviews (audience and critics) seemed to say what many of us suspected, that Sarah Brightman was miscast in this.  Then weeks of Sarah absent with Silvia taking over many (most?) of the performances due to Sarah's injuries and illnesses and getting lots of acclaim.  Now three months later they FINALLY release a substantial clip of Sarah actually singing in the show?  And not to pile on negativity on her, but having seen many Normas and knowing the score, they carefully selected the least impactful moments of that song... Not sure why they didn't just release Sarah from her contract at this point - blame it on the injuries and go with Silvia for the run in Sydney.

#340

SARAH BRIGHTMAN - Sunset Blvd in Sydney

I wanted to go back and just could t bring myself. It still is the worst performance I’ve ever seen on any stage. 


Well I didn't want to get into it, but he's a Satanist. Every full moon he sacrifices 4 puppies to the Dark Lord and smears their blood on his paino. This should help you understand the score for Wicked a little bit more. Tazber's: Reply to Is Stephen Schwartz a Practicing Christian
#341

SARAH BRIGHTMAN - Sunset Blvd in Sydney

I had thought that the Brightman voice might bring a kind of Havisham-like dimension to the role, the operatic reaches would suggest the melancholy life of a shut-in, the thin, ethereal tones creating a distinctive older character; we'd lose the belt and thus vocal energy of prior Normas but the trade-off might be intriguing. Though I see evidence that such a take might work, her tentativeness in the clip - she seems to be working hard to place the song, like an imitation of an opera diva - mars the emotional impact. Norma is expressing the ineffable, but Brightman has Norma instructing the crew with an odd Mrs. Anna-like precision rather than releasing long denied feelings. It's just sad. 


"I'm a comedian, but in my spare time, things bother me." Garry Shandling

Updated On: 8/29/24 at 06:46 AM

#343

SARAH BRIGHTMAN - Sunset Blvd in Sydney

Out of place classical style of singing of a pop ballad aside, vocally she sounds fine with this clip. The problem for me though is that there is zero acting happening - no vulnerability, joy, or catharsis for one of the biggest moments in this character's life. I know it's an 80 second clip, but considering that this is an essential scene in the show, it's rather telling.

She's also doing that weird breathing technique that some critics pointed out...rather distracting.

#344

SARAH BRIGHTMAN - Sunset Blvd in Sydney

“I’m coming out of make-uhh, the lights already burney!

Not long until the cameras will start turney!”


You can always count on me 🎶
#345

SARAH BRIGHTMAN - Sunset Blvd in Sydney

I agree that it's not awful, even if it's a disconnect from what we're used to hearing in the role. 

I still don't understand the choice to sing this so high and breathy. Sarah has such a natural lower chest-register. She used to sing with it a lot during the 80s and 90s, especially on the Music of Andrew Lloyd Webber tours.  It would be much easier (for her and the audience) if this was sung in a key similar to what Glenn Close used in the 2017 revival. It would give her voice more power and she'd come across as much more confident.


"I'm seeing the LuPone in Key West later this week. I'm hoping for great vocals and some sort of insane breakdown..." - BenjaminNicholas2
#346

SARAH BRIGHTMAN - Sunset Blvd in Sydney

Curious when this was filmed. Didn't people say she improved all of that when she came back from her injury?

#347

SARAH BRIGHTMAN - Sunset Blvd in Sydney

Jordan Catalano said: "Curious when this was filmed. Didn't people say she improved all of that when she came back from her injury?"

I didn't hear that she got better post injury. Didn't she miss again after the injury too? 

#348

SARAH BRIGHTMAN - Sunset Blvd in Sydney

I've only seen her in the national tour of Aspects of Love, in which she used her full voice but decidedly favored her classical sound. She was vocally and physically robust, a decisive factor in her success there (if one liked both the show and her overall performance, which was chilly). As I noted above, I'm not necessarily against this fragile, flute-note-centric Norma. If Brightman were acting the song with this register, it might be heartbreaking, as I said above. But she's singing  as if in a concert, a diva past her prime, not Norma Desmond finding her buried sense of artistic purpose. The song bursts with rebirth and epiphany. Brightman seems to believe it's about explaining herself to the gathered grew. Or something. The interpretation lacks intent, motive. It's just a set of ideas about a comeback. 


"I'm a comedian, but in my spare time, things bother me." Garry Shandling

Updated On: 8/29/24 at 11:30 AM

#349

SARAH BRIGHTMAN - Sunset Blvd in Sydney

Auggie I agree entirely and you’ve given me the best laughs with your two Sarah posts. Thank you!!


You can always count on me 🎶
#350

SARAH BRIGHTMAN - Sunset Blvd in Sydney

rosscoe(au) said: "I wanted to go back and just could t bring myself. It still is the worst performance I’ve ever seen on any stage."

Wouldn't go that far. I've seen some community theater acting that was way worse.

Sarah was never an actress. She could sing less operatically, I guess, when she was younger, but she's been relying on that opera sound for so long it's her default setting. She sounds like an old woman in a choir. And I grew up loving her in her prime.

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