ErmengardeStopSniveling said: "There can also be arbitration with Equity to determine whether a role is classified as Principal or Ensemble. So this could be a technicality there."
There's only an arbitration if the producer disagrees with Equity's determination. An Equity rep comes to see the show right before opening and issues a determination of who is and is not a Principal. Angie's role was beefed up considerably during previews -- so it's understandable that they considered her a Principal.
I am not back in NYC until May, only have 6 slots this trip, and have been slow to purchase anything. I usually get to NYC three times between May and October, and hold off for limited engagement runs in May. At 1:00am, I broke down and got tickets for this for May. The Times review had me struggling to remember the last BIG original musical comedy I loved. I think it was Kinky Boots. I loved Hamilton, but it’s not a classic big brassy musical. Moulin Rouge is a big brassy musical, but its score is jukebox. Now, I only have to wait 5 1/2 months. The only other thing I have gotten is A Doll’s House, which is probably iffy, but I love the play and Jessica Chastain. I am reminded that Jessica Lange got terrible reviews for her first show, I think even her second, but won a Tony on her third try. I don’t care if Chastain wins a Tony — there is going to be a lot of competition this year even if she is great — but I certainly hope she is really good this time out.
Jordan Catalano said: "I don’t believe her part has changed at all since the first preview. But she is one of the most memorable parts of the production so I’m glad she’s getting higher billing."
Has anything notable changed during the preview period? I asked a few pages ago but think it either got lost in the shuffle or maybe it's just because nothing changed. I saw the show in it's first week of previews and had a great time but I thought the show still some changes.
After last night's reviews, a friend who does not like to buy online asked me to get 4 tickets for Saturday night, if possible. I purchased the seats but was amazed at how undersold it still is for Saturday night.
For people trying not to spend a lot, the front of the second balcony has pretty good views. There is not a single seat sold in the first four rows of the second balcony and 95% of the mezzanine is still available (I would guess that half of the orchestra seats are still available, although the premium seats are well sold).
Clearly, no one had interest in seeing this before the reviews, so the advance was awful. I still would have expected there would be a lot of purchasing going on after those reviews, based on the number of long lines I waited in in the past, long before on-line purchasing made things so much easier. I hope this is not another by-product of Covid: splashy new musical based on a well-loved movie gets a bunch of money reviews and doesn't become a quick(ish) hot ticket. Instead, people see Wicked for the 7th time...
Honestly, the ticket prices are so ridiculously high it's pathetic. the cheap seats are only in the rear mezz and the balcony. Even the discount isn't that good to get a decent orchestra seat for $100.
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
ACL2006 said: "Honestly, the ticket prices are so ridiculously high it's pathetic. the cheap seats are only in the rear mezz and the balcony. Even the discount isn't that good to get a decent orchestra seat for $100."
I saw the show last Tuesday night with a discount for $100 seats, and I saw far left orchestra and had a partially obstructed view. I really enjoyed the show, especially the choreography, but would have probably enjoyed it more had I had a better view of the entire stage. I'm happy the show got these wonderful reviews, and it's certainly one that I would consider seeing again very soon only to see the entire stage!
I assume that many of you know that the Florida scenes in the movie were actually filmed at San Diego's historic and beautiful Hotel Del Coronado (The Del). Assuming that the stage version portrays a hotel and beach and ocean, I'm curious to learn how the set is consructed. Real sand?
For fun, I am posting "then and now" videos and pictures dating to when the movie was filmed.
Highland Guy said: "I assume that many of you know that the Florida scenes in the movie were actually filmed at San Diego's historic and beautiful Hotel Del Coronado (The Del). Assuming that the stage version portrays a hotel and beach and ocean, I'm curious to learn how the set is consructed. Real sand?
For fun, I am posting "then and now" videos and pictures dating to when the movie was filmed."
There are no scenes explicitly set on a beach; they are set inside the hotel (a backdrop, a few automated et pieces, and many bellhops/luggage carts).
SOME LIKE IT HOT Sets the Jazz Age Ablaze — Theatrely Review
Some Like It Hot, blazing a three-alarm fire with charm and wit to remind us of the joys that beautiful people, electric performances, exciting choreography and foot-stomping, finger-snapping, neck-pulsing music can inspire.
I’m so, so happy this show is getting love from the critics. I hope it has a healthy and lengthy run!
Also, just notified this now - the rush and digital lottery prices (which were both announced as $40 during previews) are now $65 and $45, for anyone interested.
How Some Like It Hot Star Adrianna Hicks Got Ready for Opening Night The actress plays Sugar Kane, the role originated by Marilyn Monroe, in the hit Broadway musical.
I thought the book was the best thing about the show. Very cleverly written and performed well!
The tap dancing was great as it usually is from a Casey show.
I thought the score was… blah. Couldn’t hum or sing one song 5 minutes after I left the show. All the songs were sung well but nothing blew me away - even the big ballad sung by Sugar.
I felt bad for the ensemble members - none of their parts really added anything to the show. Push this luggage cart across the stage, open this door, walk upstage and exit - It was all very… I don’t know, mindless. Happy they got to tap!
Overall, I liked the show…I thought it was good… just not WOW! Would I recommend it to someone… I don’t know?
DrMonicaDeMoneco said: "I felt bad for the ensemble members - none of their parts really added anything to the show. Push this luggage cart across the stage, open this door, walk upstage and exit - It was all very… I don’t know, mindless. Happy they got to tap!"
I might suggest you stick to chamber musicals as it sounds like you take issue with the idea of an ensemble in general based on this description of what they're doing here/its insignificance when it's clear this is one of the hardest working ensembles on Broadway currently.
OhHiii said: "DrMonicaDeMoneco said: "I felt bad for the ensemble members - none of their parts really added anything to the show. Push this luggage cart across the stage, open this door, walk upstage and exit - It was all very… I don’t know, mindless. Happy they got to tap!"
I might suggest you stick to chamber musicals as it sounds like you take issue with the idea of an ensemble in general based on this description of what they're doing here/its insignificance when it's clear this is one of the hardest working ensembles on Broadway currently."
Can you suggest a chamber musical I should see? Maybe we can go together?
I didn't find the song particularly memorable, but it seemed charming and fun enough! I'm not the biggest fan of tap or dance-heavy shows in general, but I'd definitely get a ticket for this if it's still open when I make it to NY.