Everything mentioned above and i have one thing to add. I did a scene from "The Normal Heart" the second scene between ned and ben (I was playing Ben). But, everytime we ran it or whatever i barely made it through with out crying. What a beautiful show
OH! I forgot the end of "Drowsy Chaperone" I was laughing nonstop til the power blew and afterwards o god! I wept.
"Look on the Bright Side
Not on the Blackside
get off your backside
shine those shoes!
This is your golden opportunity:
Your the lightning and the news!"
-Assassins
Into the Woods always makes me cry, no matter if I'm watching it, listening to it, or (one year) performing in it. There's just this tremendously sad lilt to the music that always gets me.
Last year's production of THE BAKER'S WIFE at the Paper Mill. When Alice Ripley sang "Gifts of Love", I had a few tears in my eyes. By "Meadowlark", they were full-on sobs.
NINE, first preview of the recent revival. Laura Benanti's "Unusual Way" simply floored me and I started to cry.
THE TRIP TO BOUNTIFUL. When the man tells Lois Smith's character that her only friend left in Bountiful had died the day before she arrived. The expression on Ms. Smith's face was so real and so devestating.
The last scene of RABBIT HOLE.
Nearly every song Natascia Diaz and Gay Marshall perform in JACQUES BREL.
"Anytime (I Am There)" from ELEGIES.
At the final performance of RAGS on Broadway, when Judy Kuhn sang the title song, I was a wreck. By the end, when she exclaims "I'm just one more Jew in her rags!", the entire audience was sobbing uncontrollably. An amazing performance.
Admittedly, I've lost it at just about every show I've ever seen at some point or another because I think that musicals are just so powerful. Except Sweet Charity, which I saw without knowing anything about it and was so greatly disappointed in because...well, it was the only show I got to see on that trip to New York. I DID cry, however, when we walked past the Nederlander on our way back to the hotel. But I...am pathetic. Anyway.
To state the obvious, Ragtime, RENT, (as much as I HATE to admit it) Wicked, Aida (my school did a production of it this year that had me bawling at "The Gods Love Nubia" and the reprise of "Elaborate Lives.") There's a ton more but I'm totally blanking right now...
"I can't figure out what kind of life this is, comedy or tragedy, I just know it's showbiz. And what if I don't agree with the lines I have to read? They don't pay me enough, the way I see it."
Each time I saw LES MIZ, I left crying- although depending on who was who, I may have cried at some points in between The final performance on Bway back in '03 was the hardest.
PHANTOM- the first two times, after that, I didn't.
WICKED, RENT and INTO THE WOODS had me teary.
"TO LOVE ANOTHER PERSON IS TO SEE THE FACE OF GOD"- LES MISERABLES---
"THERE'S A SPECIAL KIND OF PEOPLE KNOWN AS SHOW PEOPLE... WE'RE BORN EVERY NIGHT AT HALF HOUR CALL!"--- CURTAINS
I saw a production of Ragtime at a community theatre in Norwell. Let me put it to you this way. For weeks, I could not think about the production without welling up. After the first act, I was reduced to a sobbing wreck. As I write this, I'm thinking about the very end when the family walks off into the sunset. I'm welling up as I type this.
That same theatre did The Sound of Music. The Von Trapp family appears on top of the mausoleum they're hiding in to simulate climbing into the mountains. That final tableau brought a lump to my throat.
As did that theatre's production of Beauty and the Beast the second time I saw it (I was ushering).
And, this will sound weird, but I welled up during the curtain calls of that theatre's Teen Conservatory production of Grease. To answer any impending questions, here's why:
I was going to audition for that production but a school assignment on Edgar Allen Poe's Masque of the Red Death as well as a test in Wellness prevented me from doing so. I had many friends in the cast who were like a second family to me. I was just so damn proud of them after seeing them give such knockout performances and absolutely crushed that I couldn't be up there with them.
Butters, go buy World of Warcraft, install it on your computer, and join the online sensation before we all murder you.
--Cartman: South Park
ATTENTION FANS: I will be played by James Barbour in the upcoming musical, "BroadwayWorld: The Musical."
I also came close to crying while listening to the cast recording of Seussical. How do Ahrens and Flaherty do it? For a show about Dr. Seuss (or rather based on his works), this show sure was moving.
When I was in Godspell at that community theatre, I played Judas. We were in the rehearsal room and I was "offstage" watching them rehearse On the Willows. The Crucifixion scene was particularly powerful.
Butters, go buy World of Warcraft, install it on your computer, and join the online sensation before we all murder you.
--Cartman: South Park
ATTENTION FANS: I will be played by James Barbour in the upcoming musical, "BroadwayWorld: The Musical."
These are all shows that I never got to see, but listened to or read, which had this effect on me. Imagine if I could have actually seen the pruductions.
Tick, Tick, BOOM! The first time I listened to the cast recording, I actually couldn't move. I sat, and cried, and listened to it from the beginning again.
The Normal Heart. I read this play, and I finished it one morning alone in my school's cafateria, and I just cried and cried and cried. Also, a teacher I am very close with was involved in casting the original production, and hearing him speak about how important the prosuction was to him set me off again.
Angels in America. Nonstop.
And I did get to see the revival of Cabaret at Studio 54. After that last scene I couldn't move.
"We don't value the lily less for not being made of flint and built to last. Life's bounty is in it's flow, later is too late. Where is the song when it's been sung, the dance when it's been danced? It's only we humans who want to own the future too."
- Tom Stoppard, Shipwreck
"The Diary of Anne Frank" and "Bent. I saw "Bent" in a small, nearly empty theater, so my sobs could be heard by the actors. I sense they were energized by my reaction, making their performances all the more powerful, especially in the harrowing final scene. Ain't live theater amazing?
Hmm lets see... well I don't cry at RENT even though I loooooooove it. It's very odd.
I think the onlly shows I've cried at are Bee and Q! I know, it's weird they are comedies. But at Bee when the kids are eliminated I always get teary eyed. I don't know.. it just makes me sad. And then Q is my favorite show and when I won the lottery as the show was coming to a close I got very sad... especially during For Now.... it was just such a great experience and it was all over and i got very upset haha.
I saw one of those types of shows today. A NERVOUS SMILE by the late John Belluso at the WILLIAMSTOWN THEATRE FESTIVAL. It starred Amy Brenneman, Gloria Reuben, Scott Cohen, and Deirdre O'Connell.
When the show was over, I couldn't stand up at first, but then I lead the standing ovation. The cast was so moved by our response. They took some extra bows (it was the closing performance, too).
Then I sank back down to my seat. I couldn't feel my knees. People trying to leave on my aisle had to climb over me because I couldn't get up.
I was sobbing like a bitch. I was trembling. I was speechless. And being that the show was over only 20 minutes ago, I am still trembling and still unable to breath. I'm at work and everyone is looking at me like I'm crazy.
This is why I live. For instances in the theatre such as what I just experienced.
"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle
Phantom--the end of each act...and on Oct. 1st I was bawling thru most of the show...
AIDA--the very end...KILLED me
Les Miserables--Enjolras dead on the barricade. every time. (when I did the production, the final night it was all i could do to not cry the entire time I was onstage)
JACQUES BREL IS ALIVE AND WELL AND LIVING IN PARIS...every single time...I'm a mess once Fanette starts and then i calm down...but the second act 2 breaks into Old Folks, I'm a wreck again and I stay that way for the rest of the act.
As I knew it was the last time I was probably ever going to see it, the last time I saw Lennon I was a mess. I held it together through most of the show, but Chuck started his police officer dialogue at the end and I was gone. I bawled through 'Imagine.' The cast kept sending me supportive glances, though.
Also, the first time I saw Wicked (my first show), closing night of Brooklyn (So much energy). Awake and Sing! shook me up pretty good too. Rabbit Hole.
Yes, i also cried a lot closing night of Lennon--it was the only time i saw it...but will chase made me an emotional mess...and then when Julie started...god they all just killed me.
Fiddler - When Tevye dosen't talk to his daughter and says he has no daughter. And the Leave taking.
The Producers, DRS, Avenue Q, Spelling Bee and many other comedies in laughter!!!!
"I'm tellin' you, the only times I really feel the presence of God are when I'm having sex and during a great Broadway musical." - Nathan Lane - Jeffrey