ATerrifyingAndImposingFigure said: "While I went in last night expecting it to go home empty, if you told me a year ago a Hugh Jackman led Music Man directed by Jerry Zaks and costarring Sutton Foster and all those other big Broadway names wasn’t gonna win a single Tony, I’d have thought you were mad.
Fee bad for Hugh, he really was psyched to do this show, and I feel with a different team he could’ve had a much better received performance and production. Obviously he’s just fine, he’s Hugh Jackman, but it’s gotta sting a bit to get so underwhelming a response to finally doing your dream role."
I’m sorry I just don’t get his appeal. Certainly not the appeal to pay hundreds and hundreds of dollars to see mediocre singing and passable dancing.
"The sexual energy between the mother and son really concerns me!"-random woman behind me at Next to Normal
"I want to meet him after and bang him!"-random woman who exposed her breasts at Rock of Ages, referring to James Carpinello
Re: Angela Lansbury not being there, this can really only mean she’s not doing well. She’s shown up to the openings of envelopes for the three quarters of a century.
Sondheim: "Like very few others, she sings and acts at the same time. Most performers act and then sing, act and then sing.....Bernadette is flawless as far as I'm concerned. I can't think of anything negative."
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I kind of understand why people don't 'get her' sometimes, she truly has the strangest and most bizarre singing voice I have heard come out of any person ever (part of why I love it so much!). But in addition to bringing an incredibly unique vocal sound not just to theatre but the world, I can just really hear the acting coming through her voice in a way that I don't hear in others - there is so much depth in the expression that it's hard for me to hear anyone better "SUNDAY IN THE PARK WITH GEORGE", "STAY WITH ME", "I REMEMBER", "ANYONE CAN WHISTLE", "SEND IN THE CLOWNS" or "IN BUDDY'S EYES". I think I will create a new thread sometime soon outlining song-by-song why she just seems to nail Sondheim and what are the specific moments that are notable to try and convert the uninitiated.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
I really would have liked a much larger tribute to Sondheim, I was hoping to hear from the Broadway Inspirational Voices (who I believe are Tony Winners).
I'd love for Joaquin's win / performance to save Paradise Square. But, let's be honest: it's not likely. She may get them some excitement for the next few weeks, but there is already another show taking the theatre in September.
Alexander Lamar said: "I really would have liked a much larger tribute to Sondheim, I was hoping to hear from the Broadway Inspirational Voices (who I believe are Tony Winners)."
something creative, with a little thought put into it. i didnt mean to just ding Bernadette Peters (though her best singing days are behind her), im saying having someone sing a song weve heard her sing before and then...thats it? For the death of the greatest genius in this craft? It just felt like a complete flop/waste of an idea. He, like the understudies and swings that were "being honored" simply deserved more.
BorisTomashevsky said: "Re: Angela Lansbury not being there, this can really only mean she’s not doing well. She’s shown up to the openings of envelopes for the three quarters of a century."
It just means she's 96 years old and like most 96 year olds probably isn't getting out and about as much as she used to (especially when she lives in California and the Tonys are in New York). If I'm not mistaken, the last time she was at the Tonys was in 2010, so this is nothing new.
Broadway61004 said: "BorisTomashevsky said: "Re: Angela Lansbury not being there, this can really only mean she’s not doing well. She’s shown up to the openings of envelopes for the three quarters of a century."
It just means she's 96 years old and like most 96 year olds probably isn't getting out and about as much as she used to (especially when she lives in California and the Tonys are in New York). If I'm not mistaken, the last time she was at the Tonys was in 2010, so this is nothing new."
In that case, curious that there wasn’t a pre-recorded video saying “thank you for this honor”. She’s definitely the type to be grateful and humble so it’s strange there was not even some media.
People forget she’s 96. They still expect to see her doing a kick line to “Mame.” If anything, I’m surprised they didn’t have someone film a video message. I’m sure there are a handful of people around her who could have done the honors for grandma.
binau said: "I think I will create a new thread sometime soon outlining song-by-song why she just seems to nail Sondheim and what are the specific moments that are notable to try and convert the uninitiated."
I look forward to reading and contributing!
"Sticks and stones, sister. Here, have a Valium." - Patti LuPone, a Memoir
BorisTomashevsky said: "Broadway61004 said: "BorisTomashevsky said: "Re: Angela Lansbury not being there, this can really only mean she’s not doing well. She’s shown up to the openings of envelopes for the three quarters of a century."
It just means she's 96 years old and like most 96 year olds probably isn't getting out and about as much as she used to (especially when she lives in California and the Tonys are in New York). If I'm not mistaken, the last time she was at the Tonys was in 2010, so this is nothing new."
In that case, curious that there wasn’t a pre-recorded video saying “thank you for this honor”. She’s definitely the type to be grateful and humble so it’s strange there was not even some media."
That's a fair point and I was a little surprised they didn't have any type of message from her. But I wouldn't read too much into it other than she's 96 so of course isn't appearing at a lot of these functions anymore (to be clear, I have absolutely no clue what her health is like right now--just saying that this itself wouldn't really raise any red flags about it, at least in my book).
Bettyboy72 said: "ATerrifyingAndImposingFigure said: "While I went in last night expecting it to go home empty, if you told me a year ago a Hugh Jackman led Music Man directed by Jerry Zaks and costarring Sutton Foster and all those other big Broadway names wasn’t gonna win a single Tony, I’d have thought you were mad.
Fee bad for Hugh, he really was psyched to do this show, and I feel with a different team he could’ve had a much better received performance and production. Obviously he’s just fine, he’s Hugh Jackman, but it’s gotta sting a bit to get so underwhelming a response to finally doing your dream role."
I’m sorry I just don’t get his appeal. Certainly not the appeal to pay hundreds and hundreds of dollars to see mediocre singing and passable dancing."
I agree that Hugh’s not a great singer in the conventional sense, but he’s the kind of performer who brings out a lot of passionate emotion and really acts through whatever lack of technical skill he has. I disagree that his dancing is only passable though, I’ve always thought he was very talented in that regard, mixing the right steps with winning charisma.
I’m not going to say much, but it was an absolute THRILL to be there last night. Much more exhilarating in person, though the sound quality was a little muffled (probably to prevent speaker feedback).
YvanEhtNioj, did you feel HOT inside Radio City? Because I certainly did.
Don’t think I saw too much about this one, but I Jesse Tyler had one of my favorite speeches of the night. Very funny and warm. Glad to see him getting this recognition, I’ve always been a fan.
As Matt Doyle left the stage after receiving his award, he muttered something about becoming the "next bride". In the online photos, it is obvious that his significant other, Max Clayton, is wearing a wedding band. Are these two already married?
Ariana was fantastic. As much as I think she can veer a little close to Taylor Swift/Anne Hathaway levels of "Oh my goshness" she kept that show going with energy, enthusiasm, and sheer talent. I was really impressed. And to be able to ad-lib and jive with no co-host? And rock some gorgeous dress changes? One of the best hosting jobs in recent award show history. Astonishing.
Did we need all the cutaways to Lin-Manuel, especially in the first hour? I mean I love him, but it's a love/hate. Love that he loves theatre, hate that he's perpetually tearing up.
Adored the Sondheim tribute. To have one his most notable interpreters sing one of his most haunting songs, it was simple yet lovely. We could focus on his words and his melodies, without distraction. Sondheim would never want a big glitzy number made about him.
I mean bravo to Joaquina Kalukango for winning for singing a terrible song and being able to hold the notes while screaming, but you can't tell me that was a good song. It was atrocious and instantly forgettable, and it's shocking how easily Twitter, and I guess Tony voters, were wowed into thinking it was a good show based on that performance.
I don't care. Kenita was robbed. Was anyone really saying Phylicia Rashad? A show that closed months ago, and didn't get the best reviews to begin with? Kenita was robbed.
I don't know why biopics and bio-musicals are such catnip to Tony voters, and really for any acting awards, but really? MJ, which got okay reviews, saying it was entertaining enough, basically? And this Myles Frost acceptance speech was a little eerie, saying things that Michael might say, in a Michael-like voice. It was a little confusing for me.
Why does Julianne Hough always seem like she's talking so much?
I do like that the In Memoriam songs on award shows have been shifting to more interesting choices. I feel like for years it was the same five songs in rotation.
I do like the opening number for A Strange Loop, but it does drive me crazy, both in the theatre and on the telecast, that the overlapping lyrics start to turn into a muddle. But up until then, it was a great way to introduce the show.
I wish Company had chosen another song. Considering it crests with Katrina high-pitched "You I loves" when there's so many great moments for her and the cast to choose from. Though I do appreciate any chance to see Christopher Fitzgeralds's calves again.
I could understand how some felt some of musical numbers can feel a slower or underpowered. I hate that Radio City is the venue for the Tonys. Those years when they were at the Beacon were some of their best. It was a large enough venue, but felt intimate enough. Drives me crazy when they use that passerelle at Radio City. Like hey, there's the rest of the cast a good 30 feet away at least from whatever is going on over there!
"Hey little girls, look at all the men in shiny shirts and no wives!" - Jackie Hoffman, Xanadu, 19 Feb 2008
everythingtaboo said: "I don't care. Kenita was robbed. Was anyone really saying Phylicia Rashad? A show that closed months ago, and didn't get the best reviews to begin with? Kenita was robbed.
I do like the opening number for A Strange Loop, but it does drive me crazy, both in the theatre and on the telecast, that the overlapping lyrics start to turn into a muddle. But up until then, it was a great way to introduce the show."
Rashad's performance was one of my favorites of the entire season. I'm so glad she won for it. (The show being closed doesn't matter; I don't know why you think it does.
Also, as you probably know, that's not ASL's opening number. It was a medley of the first two numbers.
Most of the perfs were solid IMO, but I chalk that up to being there! The audience reception felt more genuine than forced, even for Kalukango’s “Let It Burn”, as I hear it gets the same mid-show ovation regularly. Every show did their job, and did it well. The only thing I disliked was DeBose’s opening number. She’s a fantastic dancer and she has so much charm, but Marlow and Moss did not quite deliver the goods.
At one point, before one of the commercial breaks ended, it was silent in the theatre, so I made a heart with my fingers for Ariana and she pointed me out! I’ve been a fan of hers for a decade now so that touched my heart.
Sally Durant Plummer said: "Dollypop, I don't know if it was a reference to Doyle's personal life, but he was quoting the end of his scene in Company."
I felt he was quoting that line but I wondered if he and Max got married backstage. Anything is possible today.