I'm still hoping for a tie, for which there is ample precedent, but I feel the need to defend both of these talented women. I don't agree with Cone that
O’Hara is serious and glorious in a revivified masterwork, and Chenoweth is being her deliciously brassy self in a retro romp.
I think that he is belittling KC's talent. As if playing Lily in 20th Century or Cunegonde in Candide is no big deal because she was only being herself.
I would compare Chenoweth to Fanny Brice, a wonderful comedienne with a voice to separate her from all other comediennes. Like Chenoweth, she tried to establish herself as a dramatic actress and even had a nose job to try to escape her caricature as a funny ethnic Jew. Like Chenoweth, she did not succeed, but she went back to her comedy and song and was much loved. Streisand's performance in Funny Girl helped push Brice into legendary status.
I also don't get the accusations that KO is bland and just suited to playing R&H leads. It makes no sense because she has been in other roles besides R&H, which everyone here knows. Earthy in Pajama Game and a match for Jeanette MacDonald in Bridges, which despite all her efforts was saddled with too much baggage by the creative team to be a success.
Can Kelli do comedy? She had the thankless job of the Judy Holliday role in Bells Are Ringing, but did fine with it. She got the usual fine reviews for her role in the rather pointless Nice Work.
But to showcase her versatility I would pick her recent role in The Merry Widow at the Met, which she squeezed into her schedule just before King and I rehearsals began. I don't know how many saw it, but I went to my local IMAX for the live broadcast. She was grand in the highlight 3rd Act scene with the Grisettes chorus girls. Entering tipsy with an empty bottle, joining the kick line with the girls half her age, and filling the huge Met with her unamplified voice.
Opera aficionados who hated the idea of Broadway taking over a translated version of this operetta and who were very harsh with Renee Fleming still found "the remarkable Kelli O'Hara, a queen of Broadway, in her Met debut." (Times) And "Kelli O'Hara was a wonderful surprise, making not just her house debut, but her operatic bow as well." (Classical Review)
Some critics of Kelli probably envy her apparent success in all aspects of her life. Hell, I envy her.
Tomorrow I see 20th Century for the third time, but the first since early previews. After all this praise, I hope I don't come out feeling let down.