In the latest edition of The Schwartz Scene, Stephen Schwartz discussed working with Jeff Goldblum and Michelle Yeoh for the recording sessions as well as his visit to the set. https://www.theschwartzscene.com/quarterly-newsletter/issue-75-summer-2023/?fbclid=IwAR0bFYmdZiM4d7W98FX7Nl2v5g0KQbBmZmZmaiZTbiy4iB2NAkGinBQ1JlQ
Does anyone have intel on the impact of the SAG-AFTRA strike on Wicked principal photography? Last I heard, they are literally like two or three days away from completion. I understand the significance of the strike, but it would be terrible if they've made it this far into seven months of shooting and can't finish up this tiny home stretch...
ElephantLoveMedley said: "Does anyone have intel on the impact of the SAG-AFTRA strike onWickedprincipal photography? Last I heard, they are literally like two or three days away from completion. I understand the significance of the strike, but it would be terrible if they've made it this far into seven months of shooting and can't finish up this tiny home stretch..."
They cannot continue filming.
"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."
I’m sure the shooting schedule was heavily adjusted to have any material featuring any actors to be fully completed first with the pending actor’s strike eminent. All current projects that were in production were able to do so as their scripts were completed prior to the writer’s strike. These strikes were expected so they didn’t just happen unexpectedly. All productions prepared in advance.
That person claims to have inside knowledge yet has never given a serious piece of information and only seems to pop up to shoot down any insinuation that Dorothy is appearing in the film. Take what they say with a grain of salt.
That person claims to have inside knowledge yet has never given a serious piece of information and only seems to pop up to shoot down any insinuation that Dorothy is appearing in the film. Take what they say with a grain of salt."
Indeed, several things they say go directly against what I know
One thing coming from anyone involved I’ve spoken to, is they are taking a lot of material from the book and trying to lean into the darker tones.
People have been saying that working on the movie, it feels like it’s a mess tonally BUT that the bits that feel as though they are working, are truly special. Obviously the hope is that everything works out in the edit. But literally anyone I know working on the movie has said that parts of are really, really special and that there is an enormous amount of care being taken.
Orchestration is a big question. There has been experimentation to bury some of the more bubble gum 2000s pop music feel, to make things more sweeping and cinematic to line up with the darker tonal shifts (which makes sense as that score is pretty campy) so we might end up with something like one of the old school movie musicals in which the soundtrack really stands apart from the cast recording, over some of the more straight adaptions of recent years.
That does sound much more honest than just "it's perfectly good". Especially with director Jon Chu. I felt the same thing about In the Heights, stunning moments with a shaky structure holding it together. It does make me really worry about the end product. Going darker is a very big risk with such a fun, family-friendly, colorful show. I was hoping they'd take a couple concepts from the book and strongly rework them. think Part 1 might do reasonably well, but long term fans won't like the new version of the story and regular audiences might not be impressed with a tonal mess. So I worry that Part 2 will probably go unnoticed when it drops a year later.
Oh well, no matter what we'll get a great soundtrack. I'm looking forward to that at least.
Pretty big fan actually. It's not exactly Avenue Q. The music is pop, the jokes are all light-hearted, maybe there's some scary moments, but overall it's pretty PG. I mean nobody dies. It's the kind of event you would recommend to a family with tween girls. Honestly, I'd say it's messages and themes speak best to children between 8-13. I saw it at age ten and had no problems.