jimmycurry01 said: "I do think think the full year in between the two films is not a wise idea. A year is a long time, and while it gives time for excitement to build if part one is truly great, but if it is anything less than great, it will give everyone time to pick apart its flaws and build up a sense of indifference for part two. If they were releasing part two in the summer, part one will have recently stopped playing in the smaller secondary markets, it wouldn't have as much time to settle and build up as much negative energy if it is anything less than perfect."
A year is not a long time between film sequels, especially when there's been 12 years between Avatars, 2.5 years between Dunes, 3.5 years between SpiderVerses...etc. The year between also allows for WOM to build on streaming after it's in theaters. Don't want to oversaturate the market with Wickeds. It also sets up something of a tradition - "we saw Wicked with the family last Thanksgiving, let's do the same again this year."
There's also the matter of VFX, editing, ADR, incidental scoring, and other post-production tasks. Sure they were able to do some stuff during the strike hiatus, but they're going to be working at breakneck speed just to get Part 1 ready for test-screenings (and then further editing) and ready to go by Thanksgiving (or earlier if it plays a film festival). And then immediately on to Part 2. The response from Part 1 could also theoretically allow for reshoots, retooling, fixing effects, etc. for things that get a poor response in the first film.
You don't want this to be a CATS situation where the VFX were barely done by the time the DCPs were delivered.
What's crazier is this Kevin Costner Western "saga" at WB, Horizon, which he independently financed and is releasing Part 1 on June 28 and Part 2 on August 16.
Updated On: 1/26/24 at 02:42 PM