Now that I'm completely smitten with it, I am saying "Women On The Verge Of A Nervous Breakdown." Infectious and gorgeous songs-poetry set to music.
I'll get shot in the head for this, but I also love "Sunset Boulevard". I think it was greatly underrated.
I also love the score for "Bright Lights, Big City" but nothing ever seemed to happen with that.
"The sexual energy between the mother and son really concerns me!"-random woman behind me at Next to Normal
"I want to meet him after and bang him!"-random woman who exposed her breasts at Rock of Ages, referring to James Carpinello
Women on the Verge of a Nervous Breakdown Sunset Boulevard The Scarlet Pimpernel- (yes I know it is Wildhorn, but I think the score has some absolutely stunning music)
"There’s nothing quite like the power and the passion of Broadway music. "
Like I haven't heard that before. Give me a break. I'm 17 smart ass. I just asked a question and gave my opinion. Just post your opinion and don't make a big deal out of anything.
Like I haven't heard that before. Give me a break. I'm 17 smart ass. I just asked a question and gave my opinion. Just post your opinion and don't make a big deal out of anything.
OK, love. My opinion is that the scores you think are underrated royally suck. You're welcome.
Listen, I don't take my clothes off for anyone, even if it is "artistic". - JANICE
Bloody Bloody Andrew Jackson. - From last year, I really felt this was one of the most misunderstood scores. I thought the shows mockery - or mocking of the material, slightly came off as mocking the audience, although i think some felt they were 'in' on the joking. i don't know. i feel that i it makes sense that the show wasn't as - cohesive as it might have been, i think being disjointed was part of it's structure intentionally. but in terms of a score being fresh and interesting i dug it.
i've been spending a lot of time listening to the bubbly black girl sheds her chameleon skin.
i'd totally agree that caroline or change is one of the great score of the past ten years. I remember reading, gosh fred ebb maybe, damn, in any event, someone was talking about how fabulous caroline was, except that it didn't have a book. I'm not sure how i feel about this statement. if the form is supposed to evolve, but cling to antiquated notions of what is or isn't a book or is or isn't an effective score - i don't know, aren't we limiting the work potential for the development?
Using the term underrated implies that you think you know better than the majority of people that think those scores are inferior. It's fine to like them, but using the term underrated gives you a "I know something you don't know" attitude.
This one isn't strictly Broadway, but I find it underrated AND underrepresented- Sondheim's "Dick Tracy." Count me in the school of those who feel like this is among Sondheim's best material, and deserves to have its score expanded or have a show built around it.
To me, the songs in Dick Tracy finish the mission that Sondheim inadvertently started when "Send In The Clowns" took off as a popular song- this score proves that Sondheim can write brilliant-but-accessible songs in the jazz-pop idiom without ever "dumbing down" his music or pandering to the lowest common denominator. If the songs were Sondheim as Tin Pan Alley, they were still the equals, if not the betters, of many of the actual songs of the Prohibition era, not to mention that the recurring internal rhymes in "What Can You Lose" are simple to hear, yet complex to read.
(Although I still stick by my friend's theory that "What Can You Lose" sounds like a trunk song from Merrily that got repurposed into Dick Tracy... maybe Look I Made A Hat will confirm!)