Worst Broadway Lyric ever? — Page 8
#177
Posted: 1/26/06 at 5:37pm
Another RENT adorer over here, but I CAN'T STAND the following lyric:
Why does distance make us wise?
I just HATE that lyric. Love the rest of the song, though.
Why does distance make us wise?
I just HATE that lyric. Love the rest of the song, though.
MARGARET: "Clara, stop that. That's illegal." - The Light in the Piazza
"I'm not in Bambi and I'm not blonde!" - Idina Menzel
"I'm not in Bambi and I'm not blonde!" - Idina Menzel
#178
Posted: 1/26/06 at 5:46pm
So many brooklyn lyric haters...yet I still think raven has some heart touching moments.
"I never had theatre producers run after me. Some people want to make more Broadway shows out of movies. But Elliot and I aren't going to do Batman: The Musical." - Julie Taymor 1999
#179
Posted: 1/26/06 at 6:55pm
That ones from RENT in You'll See
"And you broke your word, this is absurd" and "think twice before you pooh-pooh it" I do love the arrangement of that song but the lyrics are just ehh. The "I like boys" "boys like me" isn't the best fit either. Oh well, it is what it is.
-------------------------
Light in the Piazza with Megan and Emi
"Girl you got money runnin' in yo bloodline."-Carl the Bartender
"And you broke your word, this is absurd" and "think twice before you pooh-pooh it" I do love the arrangement of that song but the lyrics are just ehh. The "I like boys" "boys like me" isn't the best fit either. Oh well, it is what it is.
Light in the Piazza with Megan and Emi
"Girl you got money runnin' in yo bloodline."-Carl the Bartender
#180
Posted: 1/26/06 at 7:55pm
At least the Rent lyrics now aren't as bad as the NYTW lyrics.
"Can't find the...right brain" and "Use your right brain, there's so much to care about..." Come to mind
"You're the coachroach in my jam, the hepetitis in my clam, the extra ten pounds on my scale."
And from Wicked...the "We deserve each other" lines. They just really irritated me.
"Can't find the...right brain" and "Use your right brain, there's so much to care about..." Come to mind
"You're the coachroach in my jam, the hepetitis in my clam, the extra ten pounds on my scale."
And from Wicked...the "We deserve each other" lines. They just really irritated me.
Updated On: 1/26/06 at 07:55 PM
#181
Posted: 1/26/06 at 8:15pm
There are bridges we crossed we didn't know we crossed until we crossed.
"I'm gonna jump straight up, kick a hole in the moon. Don't know exactly where I'm going, but I'm know I'm gonna get there soon." - Jerry Lukowski (Patrick Wilson) in "The Full Monty"
#182
Posted: 1/26/06 at 8:23pm
I'm too lazy to look back and find out who said this... but whoever was talking about Roger randomly expressing his hate for a season:
You literally made me lol. I don't know why.. but.. hehehehehehe...
Mary
Bob Martin Online
You literally made me lol. I don't know why.. but.. hehehehehehe...
Bob Martin Online
#183
Posted: 1/26/06 at 8:28pm
I actually never thought about it as he hates a season. I always thought of it more that Roger hates it that his "fall" to a low point in his life once again and he's running away. Yes, I've analyzed this a lot.
#184
Posted: 1/26/06 at 8:39pm
Not the worst lyric, but the worst matching of a lyric to music. This, from WITH ONE LOOK in SUNSET BOULEVARD: 'THEY'LL say Nor-ma's back a-gain!". Why on earth didn't they write something like "Nor-ma's back where she be-longs"?
#185
Posted: 1/26/06 at 8:42pm
oh! La Vie Boheme! "Without You" is like, my favorite song from RENT. tear.
LET OTHERS RISE TO TAKE OUR PLACE UNTIL THE EARTH IS FREE!
#186
Posted: 1/26/06 at 9:00pm
"There are bridges you cross you didn't know you crossed until you crossed" - Wicked. It is one of my favorite show but that lyric annoys me soooo much!
#187
Posted: 1/26/06 at 10:50pm
They're not the worst lyrics ever, but what comes to mind are the lines in "You'll See Boys" from Rent where it says "boys" about 6 lines in a row...though the NYTW lyrics of Rent are by far the most awful lyrics I have ever heard in my life. Love Rent though.
Also, I love T.S. Eliot, but if you didn't know that Cats was based on his poems, you'd probably think that Cats had the most screwed-up lyrics ever...
Also, I love T.S. Eliot, but if you didn't know that Cats was based on his poems, you'd probably think that Cats had the most screwed-up lyrics ever...
Updated On: 1/26/06 at 10:50 PM
#188
Posted: 1/26/06 at 11:18pm
Regarding "leave your cheese to sour"... isn't that because cheese and crackers were often served before performances and durig intermission? Or am I just crazy...?
"I am ready to disclaim my opinion, even of yesterday, even of 10 minutes ago, because all opinions are relative. One lives in a field of influences, one is influenced by everyone one meets, everything is an exchange of influences, all opinions are derivative. Once you deal a new deck of cards, you've got a new deck of cards."
— Peter Brook
#189
Posted: 1/26/06 at 11:45pm
I love ON THE TWENTIETH CENTURY but remember these lyrics:
"She's a nut. She's a nut. Mrs. Primrose is a nut. Mrs. Primrose is a nut but but but but but but. It's a lie, it's a lie, she's as sane as you are I!" Oy!
"Life Is Like a Train" was equally awful.
"She's a nut. She's a nut. Mrs. Primrose is a nut. Mrs. Primrose is a nut but but but but but but. It's a lie, it's a lie, she's as sane as you are I!" Oy!
"Life Is Like a Train" was equally awful.
#190
Posted: 1/27/06 at 10:33am
Hi Necro,
Regarding "Leave your cheese to sour", I have always assumed that Pippin is presented as a representation of travelling plays in the middle ages. Basically, set up on a box with magic and dancing and stories etc. Pippin is the story of a troop of players and the "Leading Player" invites we, the audience to sit and enjoy this impromptu story (hence the limited sets etc). But anyway, I'm sure you knew all that.
As for the line, I think it is referring to that in the middle ages, people obviously made cheese, maintained fields etc etc. What the Leading Player is saying to the people of a "village" so to speak is leave your field tending and cheese making (which without constant upkeep would lead the fields to flower and the cheese to sour) and come and sit down and enjoy this musical by the man who will one day compose Wicked.
That was sarcasm by the way.
Regarding "Leave your cheese to sour", I have always assumed that Pippin is presented as a representation of travelling plays in the middle ages. Basically, set up on a box with magic and dancing and stories etc. Pippin is the story of a troop of players and the "Leading Player" invites we, the audience to sit and enjoy this impromptu story (hence the limited sets etc). But anyway, I'm sure you knew all that.
As for the line, I think it is referring to that in the middle ages, people obviously made cheese, maintained fields etc etc. What the Leading Player is saying to the people of a "village" so to speak is leave your field tending and cheese making (which without constant upkeep would lead the fields to flower and the cheese to sour) and come and sit down and enjoy this musical by the man who will one day compose Wicked.
That was sarcasm by the way.
#191
Posted: 1/27/06 at 11:26am
It never made it to Broadway (folded in a Texas tryout tour that came through Dallas), but the worst lyrics I've ever heard in a show - Selena, the Musical, are as follows:
I want to have your babies
No "buts," no "ifs," no "maybes"
I swear that those lyrics were sung. We left approximately 1.2 seconds afterwards
I want to have your babies
No "buts," no "ifs," no "maybes"
I swear that those lyrics were sung. We left approximately 1.2 seconds afterwards
#192
Posted: 1/27/06 at 11:31am
O agree with whoever said
I feel charming oh so charming
It's alarming how charming I feel
That is just bad
I feel charming oh so charming
It's alarming how charming I feel
That is just bad
#193
Posted: 1/27/06 at 12:03pm
w a woman who'll kiss on a very 1st date,
Is usually a hussy,
And a woman who'll kiss on the second time out,
Is anything but fussy,
But a woman who'll wait 'till the 3rd time around,
Head in the clouds, feet on the ground,
She's the girl he's glad he's found,
She's his Shipoopi.
Shipoopi, Shipoopi, Shipoopi,
The girl is hard to get.
Shipoopi, Shipoopi, Shipoopi,
But you can win her yet.
Walk her once just to raise the curtain,
Then you walk around twice and you make for certain.
Once more in the flower garden,
She will never get sore if you beg her pardon.
Do, re, mi, fa, sol, la, si, do,
Si, la, sol, fa, mi, re, do.
Squeeze her once when she isn't lookin'.
If you get a squeeze back that's fancy cookin'.
Once more for a pepper-upper,
She will never get sore on her way to supper,
Yeah....that's the best it gets!
Is usually a hussy,
And a woman who'll kiss on the second time out,
Is anything but fussy,
But a woman who'll wait 'till the 3rd time around,
Head in the clouds, feet on the ground,
She's the girl he's glad he's found,
She's his Shipoopi.
Shipoopi, Shipoopi, Shipoopi,
The girl is hard to get.
Shipoopi, Shipoopi, Shipoopi,
But you can win her yet.
Walk her once just to raise the curtain,
Then you walk around twice and you make for certain.
Once more in the flower garden,
She will never get sore if you beg her pardon.
Do, re, mi, fa, sol, la, si, do,
Si, la, sol, fa, mi, re, do.
Squeeze her once when she isn't lookin'.
If you get a squeeze back that's fancy cookin'.
Once more for a pepper-upper,
She will never get sore on her way to supper,
Yeah....that's the best it gets!
#194
Posted: 1/27/06 at 12:07pm
A lot of people are expressing dislike to a lot of RENT lyrics, but I honestly think the lyrics are fitting for the show. I think those lines add to the style of the show and the characters. Can you imagine the show without those lyrics? I can't!
#195
Posted: 1/27/06 at 1:42pm
"Don't want the pie that's in the sky...I want the pie before I die" -- JENNI
"Love the Art in Yourself. Not Yourself in the Art." -- Stanislavski
#196
Posted: 1/27/06 at 2:14pm
How'd we get 8 pages in without someone mentioning Starlight Express? I just pulled out the booklet from my two-disc OCR (which I'm ashamed to admit I own), to try to find the worst one. I couldn't do it. It's the whole show. Every stinking word.
And no one grew into anything new, we just became the worst of what we were."
#197
Posted: 1/27/06 at 2:22pm
Maybe it's just an unspoken sort of agreement that most people find Starlight Express to be awful, wonderwaiter.
"My name is Lancelot./I'm big, and strong, and hot./Occasionally I do/Some things that I should not" from Spamalot always hurts. It pains me, namely because I'm such a Python freak, but I just can't bring myself to really like Spamalot.
"My name is Lancelot./I'm big, and strong, and hot./Occasionally I do/Some things that I should not" from Spamalot always hurts. It pains me, namely because I'm such a Python freak, but I just can't bring myself to really like Spamalot.
Stop looking at my charisma.
Updated On: 1/27/06 at 02:22 PM
#198
Posted: 1/27/06 at 2:55pm
anyone notice how many times Stephen Schwartz comes up in this thread? Pippin, Godspell, Wicked, any Children of Eden? hmmm, what does this say about the man - well i know it serves to further support a mindset i have about him.
Don't f*ck with me fellas. This ain't my first time at the rodeo.
#199
Posted: 1/27/06 at 3:07pm
"Would it be all right by you
If I de-greenify you?" from Wicked
"I'll just get fat, its the one vice left when you're dead meat" from Rent
If I de-greenify you?" from Wicked
"I'll just get fat, its the one vice left when you're dead meat" from Rent
"I wish the stage were as narrow as the wire of a tightrope dancer, so that no incompetent would dare step upon it." Goethe
#200
Posted: 1/27/06 at 3:12pm
don't know if anyone has said this one yet....
"we'll fight our way through life
we'll disagree the best we can..."
(Little Women)
when i heard that lyric i knew that Louisa May Alcott was rolling over in her grave. it made me want to throw up. seriously.... did the lyricist read the book?
"we'll fight our way through life
we'll disagree the best we can..."
(Little Women)
when i heard that lyric i knew that Louisa May Alcott was rolling over in her grave. it made me want to throw up. seriously.... did the lyricist read the book?
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