The great work has truly begun with this truly stellar and first rate production. Marianne Elliott has once again worked pure magic with her amazing direction. I have never seen a production of Angels live, but I have read and studied the play, watched the HBO miniseries, and I am currently about halfway through the new book The World Only Spins Forward (a must read, by the way). Seeing this story come to life onstage for the first time was an incredible experience.
This cast is so great. I saw the National Theatre Live broadcast, so I was familiar with the performances from most of the cast going in, but seeing them bring these characters to life live added a whole new level of appreciation to their performances. Andrew Garfield is giving a revelatory performance. Nathan Lane is brilliant as always, and he really brings the terrible Roy Cohn to life. I also thoroughly enjoyed Lee Pace’s performance. He did not seem like the newcomer to the cast at all. Denise Gough blew me away in People, Places & Things last year, and she blew me away once again in Angels.
The physical production is quite impressive. After seeing the National Theatre Live broadcast, I was wondering how in the world this production would work in the Neil Simon Theatre. I am happy to report that it definitely works. I loved the use of the three turntables and the stark and abstract walls highlighted with neon edging. The use of traps and elevators in the final act was genius.
The iconic Angel scene at the end was one of the coolest things I have seen. The sound and lighting effects were quite jarring, and when the Angel appeared I got chills. Elliott has taken a different approach to the Angel, and it’s beautiful and scary at the same time.
This is a really remarkable production of a classic play. I’m eagerly anticipating part 2!
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