Am I the only one excited about Merrily????? — Page 4
Posted: 10/24/13 at 12:51am
Updated On: 10/24/13 at 12:51 AM
Posted: 10/24/13 at 1:01am
Posted: 10/24/13 at 1:05am
Posted: 10/24/13 at 1:15am
Updated On: 10/24/13 at 01:15 AM
Posted: 10/24/13 at 1:27am
I really loved the way the opening was staged.
I thought Cousin Oliver did a great job as Frankie!
Posted: 10/24/13 at 1:31am
Posted: 10/24/13 at 7:36am
Charley never sang any of "Not a Day Goes By," in any version. FRANK ended up singing the Act I rendition in the original production, but that was a desperation move due to the inadequacy of the original Beth. In all productions since then it has belonged to Beth (even in the reunion concert of the original cast -- though it went to the original Beth understudy, Liz Callaway).
I thought this was a good production, well directed by Maria Friedman, and I'm glad that the "official" video of this show will be of a production of this quality. But I didn't find it the mindblowingly perfect rendition some have -- there were niggling but damaging details that detracted, like the unit set that didn't quite cover all the required locations, the occasional wobbly accent, the most-reduced (and emptiest-sounding) orchestrations for this show yet, and yet another "idea" for the final curtain that just kind of fizzled. I must have seen that staged a dozen different ways by now -- to my mind the best is the Kennedy Center solution, just have them link pinkies on the button of "Our Time," and stop there. Curtain. In fact, in general the Kennedy Center production remains my own gold standard for this show (and Encores had the best orchestrations). But this was a high-quality production, and I'm glad so many London theatergoers have enjoyed it so much.
Posted: 10/24/13 at 8:17am
I guess "Hills of Tomorrow" and the graduation scene are forever banished from Merrily, which is a shame. But I did like this ending MUCH better than the one Lapine rewrote for the Encores production where Charlie and Frank met for the first time on the rooftop.
Posted: 10/24/13 at 8:54am
Not sure I thought Franklin was such a jerk. He had some professional opportunities given to him that he would be foolish to refuse. It's not his fault that his female friend had a crush on him for 20 years and drank herself silly. He wouldn't have stopped Charley from finding another writing partner if a project meant so much to him. In short, people's priorities change as they mature and responsibilities are taken on. The three could have remained best friends had they wanted to.
Posted: 10/24/13 at 9:26am
As with Jamie in THE LAST FIVE YEARS, even when Charley's words are right, he's being an a**h**e about it.
Posted: 10/24/13 at 9:31am
I just think the show is problematic. While the interminable preview (complete with scene and moment spoilers) claimed they'd "solved the problem" - they didn't. None of the characters - except maybe Gussie - are likeable enough in the beginning that I care how they got there. The chorus between scenes tries to get you interested and the chorus asks the right questions - but I didn't really care about "why" or "how". So each revelation is nice and clever and I appreciate the art - but it didn't move me. I am wondering whether that is due to seeing a film, instead of seeing performers on stage live. The live theatre might have invested me more by having those people really singing and acting to me - but film with close-ups and long shots and two shots - just didn't get me interested.
I like the music. I sort of liked the unit set and what they did with it. I thought Gussie was really good - there was a real sense of her character throughout. I liked "Mary" at the beginning, but she grew tiresome to me. And I didn't get the "love" she was supposed to have for Franklin - she just looked like a lovesick teenager. Charlie was incredible with Franklin Shepard Inc. but that was about it for him. He was a nonentity for much of the rest of the show. His "anger" about the option sale was just odd to me. (Question: we don't see Charlie sign the option contract and I got the sense that Franklin was going to forge Charlie's name on it - and that was part of Charlie's anger and potentially even resentment of the money he would earn) I can't decide if I didn't like Franklin because of the performance or the character. I did sense a little frustration at the end of the first scene from him about where he had ended up and that he didn't want to be a "villain", but not that much to make me care. And as he got younger - that raising the voice just didn't work. A person I was with said he became a "dork" - and thus neither of us found him charming.
And the show never answers why these people are friends - old friends - best friends. That might have made the evening satisfying to leave you with the sense of youth and hope and the future but knowing it wasn't really going to work out. I get that is what the show is going for - but it didn't succeed for me.
Conversely, the ending of the Last Five Years does work for me - I feel the exhilaration of Cathy and remorse of Jamie. Also, while Cathy starts out depressed as all get out - that generates sympathy. Then Jamie comes on all youthful and energetic and potentially charming. In this production of Merrily - Franklin starts out egotistical and we see that no one likes him. We see him cheating on his wife. Mary is just a bitter drunk. And Charlie is not even there. (And the lines about the new Charlie Kringas play were delivered so quickly that the importance of "Charlie" was muted).
So, I admire the concept - the songs are very nice (except for the deliberately bad "Broadway" song to open Act II). But, I don't think I'll ever be a fan of the show.
Posted: 10/24/13 at 9:42am
Posted: 10/24/13 at 10:00am
Side note: costuming on Mary was poor. She looked pregnant through the whole show.
Posted: 10/24/13 at 10:34am
I loved the beginning party. The drama of it was gripping and showed promise for a meaty story. I also loved the final scene. There was definitely some emotional payoff from having gotten to know these characters and understanding where they were headed. But my problem is with everything in between. It just seemed a lot of inconsequential chatter set to great music. There was no suspense or tension since it was clear from the beginning that we would be traveling from bitter, angry old people to optimistic, happy young people. So it was all just details. I never felt emotionally engaged until the final scene.
Still it was great to see and the performances, direction and glorious score made it a treat.
Posted: 10/24/13 at 11:04am
Updated On: 10/24/13 at 11:04 AM
Posted: 10/24/13 at 11:26am
Updated On: 10/24/13 at 11:26 AM
Posted: 10/24/13 at 11:28am
I could easily watch it again. In fact, it would probably be even better with a second viewing.
Posted: 10/24/13 at 11:39am
Posted: 10/24/13 at 12:20pm
I've seen the show several times (original in previews with the paper pool!, Arena Stage, Kennedy Center, Signature Theatre) and every time I really, really want it to work "this time." I love the score so much. And every time, I'm really, really disappointed. But I'll go back the next time, hoping for the best.
Saw it at the AMC Tysons. The theatre was a bit more than half full, which pleased me as I thought I'd be all alone. I saw Company at the AFI Silver, which I thought would be full, and there were a dozen of us in a huge theatre...ah well. Also, they had problems getting the program started, so we didn't see any previews. After reading this thread, I think I'm glad.
Posted: 10/24/13 at 12:26pm
I also think they need to move that preview to the end or just show it during intermission. The audience was quite annoyed and restless during that sequence. Plus, who really cares how well they got along during the production?
The accents didn't annoy me as much as I feared, other than the laughable little kid's, who sounded like he was stepping of out Mary Poppins.
Otherwise, I enjoyed it immensely, although I do agree there was something still lacking. Maybe it was me, but it didn't have emotional oomph I expected. Still, it was quite solid and was happy that we might actually have a real filmed version available.
Posted: 10/24/13 at 12:42pm
Posted: 10/24/13 at 12:54pm
check that off my to do list...
Posted: 10/24/13 at 4:16pm
One other quibble: Did anyone else notice that in the first song, and in random places in the rest of the show, that the sound was not synched correctly? In the first song I couldn't watch anyone's lips because the sound was so far off.
Overall I loved the show, but I always have liked it, especially the score as others have said. The leads all impressed me. My understanding of the script that Frank is holding at the beginning and the end was the script for Take A Left, which he was holding when he walked up to the roof just before Our Time, having just read it I believe.
Posted: 10/24/13 at 4:38pm
I saw it in Danbury, too, (small coincidence, Stage Door Sally!) and I thought the group had an overall negative reaction to the behind-the-scenes opening 20 minutes; so negative, in fact, that when the "host" came back on screen to say "that's all from us" people began applauding and cheering! I'm all for behind-the-scenes cast and creative interviews, I love bonus features on DVDs and such, but this was just poorly conceptualized. It should have been at the end of the show for those who wanted to stay. It felt like they were trying to sell the show to a room full of people who a) already bought tickets and b) are anxiously awaiting to see it!
I thought the production overall was very good! My main gripe would be the technical aspects of the show on camera, i.e. many times the picture being out of focus and the colors being significantly off, and unimpressive acoustics for hearing a score in a movie theater. Those are very minor qualms about an otherwise great evening and a really good production of Merrily. Obviously there are many people that express problems with the show and the book, but I think accepting those flaw going in makes for a more enjoyable evening. It's not a perfect piece of theater, but the score is terrific and I care enough about the characters to be invested in the story.
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