brian1973 said: "I don't get the hysteria about this show. It's a tuneless hot mess, like some student show. ....
That aside, this is a mess of a situation. 1. The stupidity of these producers thinking that just because some guy has been in Hamilton he will sell tickets, and 2. That Oak (whom I'd never heard of before) was dumped so unceremoniously. He owes those producers nothing after that treatment. The whole show is tainted now and it will close very fast.">>>>>
I agree with Brian on some issues. Producers see green $, not actors. The producers of TGC and Amelie tried to exploit Hamilton to make their product a success, to no avail. I've said for months, and in this blog, that I couldn't understand how they expected an actor known mostly to Bway goers to replace an internationally known actor such as Josh. And I believe the ticket office knew it as well. I also questioned the announcement that the producers "hoped Oak" would return in the fall. They announce Mandy w/o knowing if their current lead will be back?????? Are they kidding? I immediately suspected that Oak's performance wasn't cutting it.
I've seen the show multiple times from different locations. I saw Oak's performance in his first week. Many of us could barely hear him speak his lines in the last song and he didn't show much passion throughout as Josh did. We figured he would get better with time. We also noticed that Lucas Steele who played Anatole stole the show with his animated antics which didn't happen so much with Josh.
I I liked Oak in Ham, but the performances of both actors were distinctly different. A lot of folks I met said they simply went to see Josh and not for the show itself. The other problem is that it was difficult to understand the lyrics. I wasn't sure if it was the acoustics or if the music was so loud it drowned out the singers. I listened to the album dozens of times so I knew it, but I could understand how others wouldn't get it. I noticed a lot of empty seats after intermission. I looked forward to seeing Mandy, but telecharge refunded my money once this mess was announced.
Perhaps producers should focus on making their product better and not use one actor to carry it forward. Such is the case with Dolly. Ticket sales drop off when Bette isn't there, and I thought Donna Murphy had a better voice. But I also read that Dolly producers said they weren't going to do the revival unless they got Bette. So another show just for a specific actor.
Just shows it was all about name recognition and $ draw, and not because they think Oak is bad. They replaced Brittain temporally with Ingrid, but didn't admit it until this mess. I don't see this mess as a race issue. I see it as producers trading actors like Wall St stock....who will produce the most $. Wait until Bette leaves the show. It will likely close as well.
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