Click below to access all the Broadway grosses from all the shows for the week ending 5/7/2023 in BroadwayWorld's grosses section.
Also, you will find information on each show's historical grosses, cumulative grosses and other statistics on how each show stacked up this week and in the past.
Majority of shows taking a dip this week. BAD CINDERELLA still managing to avoid a closing notice somehow.
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
Week 1 of Tony noms gave a giant boost to SOME LIKE IT HOT ($115K), and solid boosts to SHUCKED ($69K), GOOD NIGHT OSCAR ($62K), and SWEENEY ($43K). NYNY and SUMMER OF 1976's ~75K rises have an asterisk, since the previous weeks they had comped openings + press.
All the other nominated shows' numbers went down, so we can assume they would have gone down even more with no noms.
Also a nice pre-closing bump of $96K for DANCIN.
$326K would be a bad number for most plays, let alone a musical as massive as BAD CINDERELLA.
I should know this answer, but how much should we blame the weather when you get the first really nice weekend of the spring? Obviously "people will see a hit in any weather" blablablabla, but I can't imagine a lot of casual buyers were looking to spend last weekend inside, and the week leading up to it + previous weekend was miserably rainy several days.
School vacations are over and summer tourism won't start for another week or two. But a lot of these shows can't afford a drop (Kimberly, Leopoldstadt, Fat Ham, etc).
Agree Shucked and SLIH +/- NYNY gaining some ground from the nominations. Let's see if it persists into June. Rough times for Bad Cinderella and Life of Pi.
Too early to tell about Hadestown. It may be just a slow few weeks with attendance down and people wanting to see the shows getting awards/nominations. They just released a block of tickets from Labor Day until mid-November (no clue if that actually means anything).
Delightfully surprised sweeney was still able to see a bump despite Groban being out for a performance. I wonder if that a testament to the show being the star and not him, specifically.
In our millions, in our billions, we are most powerful when we stand together. TW4C unwaveringly joins the worldwide masses, for we know our liberation is inseparably bound.
Signed,
Theater Workers for a Ceasefire
https://theaterworkersforaceasefire.com/statement
These numbers were bad, now worse, and trending to terrible. There's no way this is making any money. Worse still...what hope are these producers holding on to that sales are going to improve?
1. They slid 11.4% in attendance in one week? And now they're playing to just above 50% capacity.
2. The average ticket price is a mere $53?! That's disappointing for any show - let alone a musical. (And a high-budget, "blockbuster" musical at that.) That's less than half of Broadway's current average ticket price at $117. And they can't even get to half of that. Take the plays out of those averages and the disparity gets hilariously worse.
3. This week's total gross was only $326,000?!?! MY GOD for a show in a 1,400 seat theatre that's almost insulting.
Look I'm sure there are people enjoying the performance, and I'm glad these artists are being employed. I sincerely believe the audience can find better entertainment and the artists a better job at one of the other 40 Broadway theatres.
EDSOSLO858 said: "I mean, good forSome Like It Hot, but I still think the Tonys have less and less influence on the box office every year."
It sure seems that way. And I hear people say reviews mean less and less, and quote ads don't work anymore, and print advertising is less effective if at all....and so on. So what DOES have influence in this emerging new normal?
pethian said: "EDSOSLO858 said: "I mean, good forSome Like It Hot, but I still think the Tonys have less and less influence on the box office every year."
It sure seems that way. And I hear people say reviews mean less and less, and quote ads don't work anymore, and print advertising is less effective if at all....and so on. So what DOES have influence in this emerging new normal?
"
Stars, word of mouth, and luck.
See Parade: Ben Platt, STELLAR word of mouth, got protested by Nazis and got SOOOOO much free press because of it (it's so awful, but true).
pethian said: "EDSOSLO858 said: "I mean, good forSome Like It Hot, but I still think the Tonys have less and less influence on the box office every year."
It sure seems that way. And I hear people say reviews mean less and less, and quote ads don't work anymore, and print advertising is less effective if at all....and so on. So what DOES have influence in this emerging new normal?
"
Big-name celebs, familiar material, and iconic brand names.
For the most part, high art wins Tonys, and high entertainment sells more tickets. Rarely do the two intersect these days...
For the most part, high art wins Tonys, and high entertainment sells more tickets. Rarely do the two intersect these days...
Correct. The Academy Awards gave Best Picture to a brilliant but not popular film. Meanwhile, it was Top Gun: Maverick that brought people back to cinemas and made over a billion dollars.
I'm hoping Kimberly Akimbo continues to do well. Hopefully, once they win big honors at the Tonys, people will pack the Booth theatre like there is no tomorrow!
The idea is to work and to experiment. Some things will be creatively successful, some things will succeed at the box office, and some things will only - which is the biggest only - teach you things that see the future. And they're probably as valuable as any of your successes. -Harold Prince