Mueller was perfection as Carrie, I've been waiting to see her in a role worthy of her talent. I think of her more as a character Actress with Killer vocals, I too thought of her Fannie in her close-ups, but can she belt?
This is simply glorious. I am speechless. The talent, the orchestra, the set, the lights, the costumes, and the staging... everything is absolute perfection.
"There’s nothing quite like the power and the passion of Broadway music. "
OK it wasn't just me. It's one of my favorite musicals but it was just sort of "off"...So many amazing voices - but dramatically, it just didn't really catch me the way I expected. I can't even explain why..
Nathan Gunn has an amazing voice but I don't see him as Billy, wrong personality. Same with Kelli and some of the supporting characters - I don't know.
Tiler Peck as Louise was my favorite part of the whole show - she was captivating in every way.
If we're not having fun, then why are we doing it?
These are DISCUSSION boards, not mutual admiration boards. Discussion only occurs when we are willing to hear what others are thinking, regardless of whether it is alignment to our own thoughts.
Oh, thank the Heavens... I thought I was alone in my opinion, too!
I agree with DAME and KathyNYC2
There are some really fine moments: * The ballet is beautifully performed by Tiler Peck * I was very moved by Kelli O'Hara's monologue to Billy just before You'll Never Walk Alone * John Cullum was very enjoyable as Starkeeper
But for the most part, I found the performances stodgy and wooden (especially Nathan Gunn, who never seemed to know what to do with his hands, other than to point his fingers at everything). Stephanie Blythe (as Nettie Fowler) wasn't able to emote beyond the choreographed arm gestures and blocking she was given.
In the park bench scene, Kelli O'Hara is the most morose Julie Jordan, ever. Her "If I Loved You" is so melancholy that you can actually see the tears welling in her eyes at the end.
Overall, I thought all musical aspects were too dark and "Wagnerian" sounding. The Carousel Waltz lacked any feeling of "lilt" from the orchestra, and the vocals from the ensemble were also consistently overly legato, and lacked emotion (all the 'rhythmic speaking' seemed particularly robotic). The operatic vocal heaviness of the ensemble also added to the feeling of "darkness". "Clambake" was so drowsily legato I thought I'd fall asleep! I mean, I get that they're all full and probably ready for a nap, but this is the opening number for ACT II... Without the visuals of lighting and set pieces to create mood, this was just boring.
On the technical end, the sound is atrocious! Even if I ignore the wooden, operatic acting, I could not listen to this as a recorded concert. The chronic >CLOMP<, >CLOMP<, >CLOMPING< of feet, and the hissing from mics when there was no dialog is so distracting! It's as loud (and in some spots louder) than the performers' vocals.
I didn't hate this concert version, but I wouldn't feel badly if I'd missed it. Updated On: 4/27/13 at 08:15 AM
I noticed that some of Carrie and Jigger's dialogue was cut during her "seduction" scene.
Minor quibbles aside, I really enjoyed the telecast last night. I had no intention of staying up to watch as it started at 10 (I taped it), but I watched the whole thing.
Hey Dottie!
Did your colleagues enjoy the cake even though your cat decided to sit on it? ~GuyfromGermany
Gunn has never been much of an actor--either on the operatic stage or singing Broadway in concert--but his voice is damn perfect for this music. It was great to hear Billy's songs elevated to a higher level. His voice and O'Hara's blended beautifully. Honestly, I can't think of anything I've liked O'Hara more in.
The smaller roles were so luxuriously cast, as only a concert can do--Cullum, Burton, and Hensley were all superb. I found Blythe to be a more than capable actress, and she sang the hell out of Nettie's music.
"You travel alone because other people are only there to remind you how much that hook hurts that we all bit down on. Wait for that one day we can bite free and get back out there in space where we belong, sail back over water, over skies, into space, the hook finally out of our mouths and we wander back out there in space spawning to other planets never to return hurrah to earth and we'll look back and can't even see these lives here anymore. Only the taste of blood to remind us we ever existed. The earth is small. We're gone. We're dead. We're safe."
-John Guare, Landscape of the Body
I've been trying all morning and can't get it to play either... Every other PBS video will play except that one. I've even updated all my software. Fingers crossed it'll get fixed...
I have found in general that the PBS website for Lie at Lincoln Center is very sporadic in working properly. The video can play perfectly one day and then another day, it will break up 10 times during one song. it's frustrating. I haven't been able to figure out a good reason why...time of day, etc.
But I would just hang in there and keep trying. It's just not reliable 100% of the time.
Here's my theory: miscasting is becoming more of a problem as these kind of concerts have become more like fully staged productions with minimal scenery. Nathan Gunn might be just the guy you want to hear singing Billy -- but he's totally miscast once it turns into a full production. For my money, every single person in this one seemed wrong for the part except maybe Blythe, mostly because they all read as too urban and literate for the parts they're supposed to be playing, esp. Mueller and Danieley, who seem like they've wandered in from Park Slope.
I think a few of the edits to the libretto were... weird (the Carrie and Jigger stuff was mentioned)--but I'm not sure why they just didn't do it uncut. There must have been at least 20 mins trimmed off.
Still, I'm glad I saw it, and it was beautifully sung. My one big disappointment was I knew the ballet would be wonderfully danced, knowing the performers--but the choreography was incredibly bland. They may as well have just used DeMille's or McMillan's from the last revival.
This confirmed why Carousel is my favorite musical. I thought Fisher conducted the rarified score with tremendous sensitivity and the cast, for the most part, was sensational. What was with Burton's dialect? Brighton by way of Williamsburg? No, Gunn isn't the greatest actor in the world and couldn't bring the emotional life to it that, say, Michael Hayden did, but he sang the living thing out of the score. The ballet is the best choreography I have see from Carlyle and I don't mean that as faint praise. Rando did a great job of staging it and I didn't sense the sound issues others have mentioned, especially considering that they were catching a live performance. All in all, an utter triumph IMHO.
An earlier poster thought O'Hara's reading of "If I Loved You" was too melancholy, but that's what's called for. Neither of them believe they deserved to be loved. "Soon you will go...", "Never ever to know...", "'round in circles...", "let my golden chances pass my by." These are not ebullient, carefree thoughts. I say congrats to all involved!