Oh, thank the Heavens... I thought I was alone in my opinion, too!
I agree with
DAME and
KathyNYC2 There are some really fine moments:
* The ballet is
beautifully performed by
Tiler Peck * I was very moved by
Kelli O'Hara's monologue to Billy just before
You'll Never Walk Alone *
John Cullum was very enjoyable as Starkeeper
But for the most part, I found the performances stodgy and wooden (especially
Nathan Gunn, who never seemed to know what to do with his hands, other than to point his fingers at everything).
Stephanie Blythe (as Nettie Fowler) wasn't able to emote beyond the choreographed arm gestures and blocking she was given.
In the park bench scene,
Kelli O'Hara is the most morose Julie Jordan, ever. Her "
If I Loved You" is so melancholy that you can actually see the tears welling in her eyes at the end.
Overall, I thought all musical aspects were too dark and "Wagnerian" sounding. The Carousel Waltz lacked any feeling of "lilt" from the orchestra, and the vocals from the ensemble were also consistently overly legato, and lacked emotion (all the 'rhythmic speaking' seemed particularly robotic). The operatic vocal heaviness of the ensemble also added to the feeling of "darkness". "
Clambake" was so drowsily legato I thought
I'd fall asleep! I mean, I
get that they're all full and probably ready for a nap, but this is the opening number for ACT II... Without the visuals of lighting and set pieces to create mood, this was just boring.
On the technical end, the sound is atrocious! Even if I ignore the wooden, operatic acting, I could not listen to this as a recorded concert. The chronic >CLOMP<, >CLOMP<, >CLOMPING< of feet, and the hissing from mics when there was no dialog is so distracting! It's as loud (and in some spots louder) than the performers' vocals.
I didn't hate this concert version, but I wouldn't feel badly if I'd missed it.
Updated On: 4/27/13 at 08:15 AM