EDSOSLO858 said: "Correct. Redmayne and Rankin to be announced tomorrow morning."
Jesus Christ, this is going to be an epic production especially with Gayle leading. The "WHO?" question will flood socials tomorrow but this show doesn't need a massive celebrity to shine in NYC.
blasvader said: "Pierre Marais, sure sure. Guy played the role like he was playing Christian in Moulin Rouge, replete with sentimental lovelorn piano playing."
and Eddie Redmayne sounds like Kermit the Frog and does the emcee like a gremlin so what?
Sutton Ross said: "EDSOSLO858 said: "Correct. Redmayne and Rankin to be announced tomorrow morning."
Jesus Christ, this is going to be an epic production especially with Gayle leading. The "WHO?" question will flood socials tomorrow but this show doesn't need a massive celebrity to shine in NYC."
People will try to dismiss her as she's not a name, but she's so chameleonic. I was just looking back and I've seen her in so many things by now without even realising in a way. She'll bring back some of the surreal energy and bite to Sally in this production that Buckley and Low Wood brought
Kost is a great part, even got Peg Murray the Tony, but calling it the lead is very strange. If anything, Rankin having played Kost somehow makes her a more interesting choice for Sally
Sutton Ross said: "The "WHO?" question will flood socials tomorrow but this show doesn't need a massive celebrity to shine in NYC."
I guess we'll see, but the last two revivals of Cabaret have basically run because of the names attached (look how quickly the 2014 revival closed after Sienna Miller took over, who is a far bigger name than Gayle Rankin). This should easily sell the first 6 months or so based on the name recognition of Cabaret and the NY theatre community flocking to see it, but beyond that? Could be a little trickier.
Just looked at the seating map. It looks like the auditorium will be similar to the Playhouse.
The idea is to work and to experiment. Some things will be creatively successful, some things will succeed at the box office, and some things will only - which is the biggest only - teach you things that see the future. And they're probably as valuable as any of your successes. -Harold Prince
Anyone else's little sad the rumors were right (about Gayle)? I'm not talking about HER at all, just the overallness that we seldom actually get surprises anymore. Gayle's name has been rumored for months, and we've known about Eddie since the very beginning. Kind of already knowing your birthday presents before unwrapping them.
That being said, I am very much looking forward to this, I love Cabaret.
If we're not having fun, then why are we doing it?
These are DISCUSSION boards, not mutual admiration boards. Discussion only occurs when we are willing to hear what others are thinking, regardless of whether it is alignment to our own thoughts.
I sort of understand what you mean dramamama, and I'll add to that, the general excitement about this production seems to already have peaked a bit. Perhaps that will change a bit when it actually opens, but audiences haven't exactly been enthralled this season by other immersive works that have taken years to get to Broadway (Here Lies Love). Plus, we have the similarly themed "Harmony" already running, plus there have been numerous revivals of "Cabaret" in NYC already. This feels like a very expensive gamble to me.
“I knew who I was this morning, but I've changed a few times since then.”
By casting a nobody as Sally, they’re really rolling the dice with such an expensive production. They’ll be entirely relying on word of mouth from the moment they start previews to ramp sales up. And that just doesn’t happen the way it used to. If it did, Shucked would have been making $1mil a week after it’s first couple weeks of previews with how effusive that chatter was. You need look no farther than what’s happening at the Broadway to know that selling “an experience” isn’t enough to make it these days. What this show has though is relevance in current events along with a known title in a way Here Lies Love does not. On the flip side, how much of the core theatergoer audience feels like they’ve already seen Cabaret enough between the broadway revivals and countless community productions.
Eddie Redmayne is also not a bankable name in and of himself. But I’d be thrilled if I were wrong here, but his star was at its peak here a decade ago.
QueenAlice said: "I sort of understand what you mean dramamama, and I'll add to that, the general excitement about this production seems to already have peaked a bit. Perhaps that will change a bit when it actually opens, but audiences haven't exactly been enthralled this season by other immersive works that have taken years to get to Broadway (Here Lies Love). Plus, we have the similarly themed "Harmony" already running, plus there have been numerous revivals of "Cabaret" in NYC already. This feels like a very expensive gamble to me."
Agree - as someone who absolutely adored Alan Cumming's portrayal of the emcee and saw it several times, I can't imagine paying a bloated price for this. A regular price maybe out of curiousity, but an inflated one - definitely not. I've also heard from friends that saw it in London that it's actually not all that immersive, just the entering and exiting the theater where you wind your way through hallways (like great comet?) and that otherwise it's basically the sam mendes production down to the same cocktail tables they had at studio 54.
If we're not having fun, then why are we doing it?
These are DISCUSSION boards, not mutual admiration boards. Discussion only occurs when we are willing to hear what others are thinking, regardless of whether it is alignment to our own thoughts.
Can someone summarize where the best place(s) to sit will be, in terms of viewing the actual show but also experiencing the preshow, based on the London production. We plan to splurge on this one but eating/drinking in the “Pineapple Room” sounds better than at a table by the stage. Is one end (or side) of seats better? Any help would be appreciated! My Amex is ready for Wednesday!
Sammy232 said: "Agree - as someone who absolutely adored Alan Cumming's portrayal of the emcee and saw it several times, I can't imagine paying a bloated price for this. A regular price maybe out of curiousity, but an inflated one - definitely not. I've also heard from friends that saw it in London that it's actually not all that immersive, just the entering and exiting the theater where you wind your way through hallways (like great comet?) and that otherwise it's basically the sam mendes production down to the same cocktail tables they had at studio 54."
I saw it in London and you're correct. Other than getting in and out of the theatre, and maybe a couple cocktail tables, it's not really immersive. The show was fine but I won't see it again in New York. It has a couple intense moments (it is Cabaret) but I didn't find this production particularly ground-breaking. Glad I got a cheap ticket because I wouldn't have found it worth it especially if you've seen Alan Cumming.
American Express® Card Member early access begins October 25, 2023 at 10AM EDT. Tickets will go on pre-sale to those signed up to the CABARET AT THE KIT KAT CLUB website mailing list, ATG email subscribers and SeatGeek subscribers at on November 1, 2023. Tickets go on sale to the general public on November 2, 2023 at 10AM EDT.
Did we now Redmayne and Rankin were only doing FOUR months?
If we're not having fun, then why are we doing it?
These are DISCUSSION boards, not mutual admiration boards. Discussion only occurs when we are willing to hear what others are thinking, regardless of whether it is alignment to our own thoughts.