Broadway Star Joined: 6/14/11
Felt very honored to have been at the closing performance this afternoon. I know this production and its performances have been divisive, but it is one that I think has grown leaps and bounds since first preview and my appreciation for the work of all artists involved deepened with each visit.
This afternoon was an enthusiastic, but incredibly respectful audience. Loud cheering when appropriate, a restrained number of standing ovations, and an incredibly joyous curtain call.
I won't go on about the performances because I know people will disagree, but I found the main trio's performances grew and settled over the run and these past few times I've gone I have been floored by the work Audra, Danny, and Joy were doing on that stage. Maybe the production will be "dismissed more and more over time," but it is one I will remember for a very long time.
To the person who said George C. Wolfe didn't want to speak because he was probably embarrassed, that's a lovely fantasy for you, but it's more likely they withheld speeches because curtain call started at 6:02pm and they were already in over time.
(nvm)
getatme said: "Felt very honored to have been at the closing performance this afternoon. I know this production and its performances havebeen divisive, but it is one that I think has grown leaps and bounds since first preview and my appreciation for the work of all artists involved deepened with each visit.
This afternoon was an enthusiastic, but incredibly respectful audience. Loud cheering when appropriate, a restrained number of standing ovations, and an incredibly joyous curtain call.
I won't go on about the performances because I know people will disagree, but I found the main trio's performances grew and settled over the run and these past few times I've gone I have been floored by the work Audra, Danny, and Joy were doing on that stage. Maybe the production will be "dismissedmore and more over time," but it is one I will remember for a very long time.
To the person who said George C. Wolfe didn't want to speak because he was probably embarrassed, that's a lovely fantasy for you, but it's more likely they withheld speeches because curtain call started at 6:02pm and they were already in over time."
I agree and support this statement 100%. Saw this production twice and was impressed both times. So glad I brought my brother back to see Gypsy for his first time.
I agree and disagree. I did not think the production looked cheap at all. It just felt very much in line with the aesthetic of the time period. There's just one qualm I have with the directing. In the finale scene there is the dressing room set. And Audra does this walk around while talking and steps off the set piece onto the actual stage. For some reason, that came off as super sloppy directing to me.
I was lucky enough to see this production. While I realize some people (no pun intended) had issue with Audra's vocal performance, she was one of the great actors to play Rose -- it was absolutely transcendent. And I loved her in the role so much
Broadway Legend Joined: 2/10/11
Ftworthguy said: "I was lucky enough to see this production. While I realize some people (no pun intended) had issue with Audra's vocal performance, she was one of the great actors to play Rose -- it was absolutely transcendent. And I loved her in the role so much"
I saw Angela Lansbury, Tyne Daly, Linda Lavin, Bernadette Peters, Julia Murney (Cape Playhouse), Audra MacDonald and, on film, Bette Midler and Rosalind Russell, many of them multiple times. I did not see Patti Lupone because I was 'all Gypsy'd out' at the time and had limited slots available in one of my trips to NYC while it was open.
Of them all, the only one who I felt was wrong in the role was Audra. I didn't really have a problem with throat voice vs. chest voice at all. She has a great voice for the ages and who says that the songs can't be sung a little differently from everyone else. I did have a problem with Rose's Turn. I felt that her vocal inflections were just 'too black' for a character who never would have been black in the real world. I also felt that she overacted a little too much during that number. I found myself worrying more about the risk of ruining her voice than I did about Rose coming apart at the seams.
I have loved Audra in everything that I have seen her in, jut not Gypsy. It probably didn't help that the performance I attended seemed so lackluster.
Jarethan said: "Ftworthguy said: "I felt that her vocal inflections were just 'too black' for a character who never would have been black in the real world.”
Oh.
Broadway Star Joined: 6/14/11
TotallyEffed said: "Jarethan said: "Ftworthguy said: "Ifelt that her vocal inflections were just 'too black' for a character who never would have been black in the real world.”
Oh."
Real quiet part out loud moment.
Understudy Joined: 12/16/24
I know there’s a lot of hate on this board for Gypsy, but I saw this back in January and loved every second.
I’d never seen Audra McDonald on stage before and felt honored to be in her company for one night. Her performance, to me, was a once in a lifetime experience.
I adore the cast recording and my partner is quite sick of it at this point.
i enjoyed seeing Audra all summer in The Gilded Age and yelled Mama Rose every time she first appeared in an episode.
It was all roses for me. Congrats Audra!! I hope to see you stage again soon.
Jesus Christ. Let me guess how you felt about a black mermaid, Jarethan.
Broadway Star Joined: 3/8/22
Jarethan said: "Ftworthguy said: "I was lucky enough to see this production. While I realize some people (no pun intended) had issue with Audra's vocal performance, she was one of the great actors to play Rose -- it was absolutely transcendent. And I loved her in the role so much"
I saw Angela Lansbury, Tyne Daly, Linda Lavin, Bernadette Peters, Julia Murney (Cape Playhouse), Audra MacDonald and, on film, Bette Midler and Rosalind Russell, many of them multiple times. I did not see Patti Lupone because I was 'all Gypsy'd out' at the time and had limited slots available in one of my trips to NYC while it was open.
Of them all, the only one who I felt was wrong in the role was Audra. I didn't really have a problem with throat voice vs. chest voice at all. She has a great voice for the ages and who says that the songs can't be sung a little differently from everyone else.I did have a problem with Rose's Turn. I felt that her vocal inflections were just 'too black' for a character who never would have been black in the real world.
I've been reading your posts on here long enough to give you the benefit of the doubt, but there's probably a better way to word this, brother. And for future reference, the term is "head voice" not "throat voice." No snark intended, I appreciate your reviews etc.
Yes I think a better way would be to say that the characterisation works against the text......although I personally think it gives the revival a reason to exist and from what I've 'heard' this is probably one of the areas that Audra grew into from previews and how the revival changed over time.
The best thing about Audra is her book scenes are next level compared to other Roses, and they give you goosebumps as if you are watching an August Wilson play. With Audra, it doesn't feel like you are trying to get from one number to another, but rather each musical number happens because of the book scenes.
And to those who feel uncomfortable seeing a Black Rose because Rose "never would have been black in the real world," it must be a shocker to you that June Havoc admitted that she never performed on the same stage with Louise. What a blasphemy to have them both in Let Me Entertain You and the Vaudeville numbers!
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