BrodyFosse123 said: "John Hurt NEVER played Molina. William Hurt played Molina in the 1985 film adaptation and won a Best Actor Oscar for it."
Thanks for the correction--I DO know that, I own the movie, but seem to have a mental block whenever I write which Hurt was in the role. At any rate, I am not a big fan of his performance, Oscar or not.
"In terms of casting the character - in the book, Molina is described as a homosexual male, in prison for soliciting sex from minors. I suppose if we look at the character's gender through the lens of today, perhaps he might be nonbinary, but if set period, I don't know the character would fully identify in that way at that time."
Right, this is how I feel. In the book, much is made of the fact that Molina is "a different side of being male" than Valentin. Casting the role transfemme, I feel, complicates things further which wouldn't be true of the era (and it seems, for many reasons, that it would be hard to make it contemporary) but also makes Molina a different character which the text of the musical doesn't support. There also seems a bit of a push for effeminate gay men depicted in the media right now to be shown as trans or nonbinary--a fear that they're not being true or authentic to the character if they don't. Which, I just don't think is the reality for Molina in the musical or even more clearly in the novel (although I admit the novel is far from clear on a lot of things.) Or true for many effeminate gay men who still worship and relate to female diva roles and performers.
muscle23ftl said: "Eric, do you think that a man that feminine wouldn't have survived a jail in Argentina?
Your comment may be controversial, but we all have the right to express our opinions, free speech on BWW! Haha."
I admit my own issue with my feelings about this is I don't want to be seen taking away a potentially major trans role--though I feel like Molina was one of the first complicated gay roles in commercial Broadway musical theatre (no disrespect to La Cage) and still one of the few lead gay roles in a successful Broadway musical and we'd be taking that away...
As for if Molina would have survived jail? Well--spoiler, he doesn't ;) but I do think Puig's novel and the musical especially (the movie muddies this a bit) show just how he manages to survive in the system.
"People have their opinions and that doesn't mean that their opinions are wrong or right. I just take it with a grain of salt because opinions are like as*holes, everyone has one".
-Felicia Finley-
BrodyFosse123 said: "John Hurt NEVER played Molina. William Hurt played Molina in the 1985 film adaptation and won a Best Actor Oscar for it.
"
Would you mind sending me a PM or an email? You sent me something a few years ago and I misplaced it and would very much appreciate your help if you have a moment!
We aren't banning Streetcar any time soon and Blanche has a similar backstory...
As for where Molina sits on a trans spectrum, I don't think there's any doubt he would identify as at least NB/GNC. In fact, the evidence that Molina presents and behaves is such a way *at that time* and in *such* a hostile environment means it has to be something core to Molina's identity. This isn't just a swishy gay man. But a character who actively identifies solely with female characters and uses whatever limited fashion expression available to appear more feminine. Most effeminate gay men wouldn't go through such hostility to attain that.
But of course, we're projecting our understanding and our values on a different time. So, it's all hypothetical!
And I'd argue the musical make this even more explicit with songs like She's A Woman, an entire I want song about wanting to be like Aurora, because she's ... a woman.
No one is banning anything, but it is a horrible depiction of homosexuality. Puig himself was deeply self-loathing and had disgust for other homosexuals that was typical of the era. I have read some of his work in the original Spanish, and frankly I found it interesting but superficial, sort of a cut and paste style of literature with swatches of popular culture thrown in for good measure.
A friend is working on this film (production wise) and principal photography begins this April 2024 so it is indeed in full pre-production right now. Big musical dance numbers are to be expected in this film adaptation.
Impeach2017 said: "No one is banning anything, but it is a horrible depiction of homosexuality. Puig himself was deeply self-loathing and had disgust for other homosexuals that was typical of the era. I have read some of his work in the original Spanish, and frankly I found it interesting but superficial, sort of a cut and paste style of literature with swatches of popular culture thrown in for good measure."
It is an honest depiction of homosexuality by a writer from his persective in a specific time and place. Why is it so difficult for people today to look at art and the way people perceived human behavior through the lens of the time in which it is created? What is so threatening about this?
Also - I remeber the charges against Molina being that he solicited a minor in a public restroom. Its inferred this was a teenager barely underage. If you want to call that child molestation, okay, but Molina's character flaws don't, IMO include pedophilia
“I knew who I was this morning, but I've changed a few times since then.”
BrodyFosse123 said: "A friend is working on this film (production wise) and principal photography begins this April 2024 so it is indeed in full pre-production right now. Big musical dance numbers are to be expected in this film adaptation."
Fantastic to hear. I was just wondering if anyone had an update, as I really hope this happens.
Plannietink08 said: "Started filming today according to Lopez’s Instagram."
I'm not seeing anything about this on her Instagram, either in posts or stories.
Edit: wait, I saw the story now... it's just a reshare of a quote that says "You're a doing a ****ing amazing job" and she added "Day 1" with a spider web emoji. I don't know that it necessarily means filming started, per se. It could be pre-pro or rehearsals.
"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."
BJR said: "As for where Molina sits on a trans spectrum, I don't think there's any doubt he would identify as at least NB/GNC. In fact, the evidence that Molina presents and behaves is such a way *at that time* and in *such* a hostile environment means it has to be something core to Molina's identity. This isn't just a swishy gay man. But a character who actively identifies solely with female characters and uses whatever limited fashion expression available to appear more feminine. Most effeminate gay men wouldn't go through such hostility to attain that.
I know numerous effeminate gay men who live exactly as you describe above. I'm thrilled that our community is expanding and deepening our understanding of gender. But femme gay men and butch lesbians still exist and shouldn't be shoved to the side with the pejorative 'just a swishy gay man.' I'm not the swishy-est, but my obvious gayness is just as much an important part of my identity as my maleness. I can certainly see a trans non-binary version of Molina. But there's also value in Molina being a cisgender male character.
My understanding is that Bill Condon wants Molina to be Trans for this film, which is not the story told in either the Bway show or the 80's film. It's a choice, which maybe will set this film apart in a unique way...?
Someone in a Tree2 said: "My understanding is that Bill Condon wants Molina to be Trans for this film, which is not the story told in either the Bway show or the 80's film. It's a choice, which maybe will set this film apart in a unique way...?"
Interesting. It has been many years since I saw the film and went to look at the plot for the film and Molina's character is described as trans. The description for the character in the Musical was a gay window dresser.
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
Jennifer is going to be FABULOUS.....and she can dance."
But she can't sing.
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.