By my calculations the estate only has 9 years left before the copyright expires and thus enters the public domain. Having a recent Broadway production might inspire more regional theaters to mount productions in the coming years, and get the family some more income before time runs out.
Yes, my thought, too! Thomas seems to old for Webb, at nearly 73, he seems far better suited for the SM.
I truly adored Cromer's version (however many years ago now) and have my doubts that this can live up to my my very visceral experience with that.....but I'll let them try!
Oh, I didn't realize Mother Play was a limited run!
If we're not having fun, then why are we doing it?
These are DISCUSSION boards, not mutual admiration boards. Discussion only occurs when we are willing to hear what others are thinking, regardless of whether it is alignment to our own thoughts.
dramamama611 said: "Yes, my thought, too! Thomas seems to old for Webb, at nearly 73, he seems far better suited for the SM.
I truly adored Cromer's version (however many years ago now) and have my doubts that this can live up to my my very visceral experience with that.....but I'll let them try!
Oh, I didn't realize Mother Play was a limited run!"
To this day, seeing Cromer’s “Our Town” at The Hypocrits in Chicago is one of my favorite experiences inside a theatre I’ve ever had. And every so often the smell of Bacon brings me back to that very specific moment in time and in my life. I was actually in rehearsals for a Cromer directed WSS as a Jett when it was annnounced it would be transferring to NY. Crazy to think what has become of his career since then. Not at all unexpected from us who “knew him when” but glad the rest of the world got to witness his Genius.
When you're a Jet, you're a Jet from your first strip of bacon, to you're last dying day?
FosseTharp said: " To this day, seeing Cromer’s “Our Town” at The Hypocrits in Chicago is one of my favorite experiences inside a theatre I’ve ever had. And every so often the smell of Bacon brings me back to that very specific moment in time and in my life. I was actually in rehearsals for a Cromer directed WSS as a Jett when it was annnounced it would be transferring to NY. Crazy to think what has become of his career since then. Not at all unexpected from us who “knew him when” but glad the rest of the world got to witness his Genius.
Jim Parsons is prominently featured, but he still isn't above the title. If I was seeing this for any particular actor I'd maybe wait until closer to a performance date to buy tickets since there's no guarantee no one gets the flu etc through the Autumn.
EDSOSLO858 said: "Box office opened this morning at 10 AM; the first 100 people on line today and tomorrow will receive an exclusive gift.
"
Don't care for any gift, no matter how "exclusive". Should've been a long overdue discount code or a box office opening in person sale, similar to what Gatsby did with their $50 promo tickets. Helped to build a very positive WOM.
Matt Rogers said: "Good lord. The madness continues. The greed knows no bounds."
I'm sympathetic with this view, but I have mixed feelings about it. Most shows lose money for their investors. In particular, a lot of the shows that I love lose every penny the investors put up. Considering Broadway investors as a group (and I know that's an oversimplification), it's really hard to characterize them as greedy. I imagine there are, on average, much more profitable ways for multi-millionaires to use their money. And maybe some of these investors have to make a ton of money on star-driven plays so that they can afford to lose their shirts on Days of Wine and Roses or American Psycho.
Onstage seating is usually partial view, so I’m not sure what’s going to be different to justify this price tag"
They'll be some light interaction with the cast. So, if people want Jim, Katie, Zoey, etc to look at them or people want to see them really up close, these are the seats for you.