Moulin Rouge! Previews — Page 5

Was there last night and…WOW…that was probably the most fun I ever had at a show. The set, the costumes, the lighting, the cast, I seriously don’t know where to begin. I’ve wanted to see this ever since I saw the stage pics from Boston and read the NYT review (and I’ll see Danny Burstein in anything). Worth every penny. Leaving the theatre on such a high like this is how I wanted to feel after TCS. But these guys delivered.

Walking in, all you’re doing is staring up and around the theatre in awe. Reminds me of that moment at the end of Part 1 in Harry Potter. And from the time the cast appears on stage (before the show even starts) to the end, it’s non-stop action. There’s so much going on it’s overwhelming at times. The opening number alone has everything but the kitchen sink.

Bad Romance is a show-stopper—LITERALLY! Absolutely thrilling. And they mashed it up with one of my favorite pop songs which doesn’t hurt. The dancing in this…there are no words.

Aaron and Karen had better chemistry than I thought they would when I’d see them in promos, and they sang their a**** off. I think Karen has a shot at the Tony. And my beloved Danny was perfect and funny. His intro reminded me of Cabaret. He also sings Chandelier with the boys. Great number.

Loved the music. Bonus point for sneaking in Torn, one of my favorite 90s songs! Only thing is my friend who saw it with me yesterday said they cut down Rhythm of the Night in the beginning and added this other song I never heard of. He liked it better before. I’ll agree since this new song does nothing for me. Maybe something dancier?

Some of my other favorites: Roxanne + Rolling in the Deep. Karen singing Firework gave me goosebumps. She’s the real deal. I was close enough to see her facial expressions…really moving.

Long story short, this is the show to see folks!

Some Random thoughts:

-Not liking the movie is a huge plus, based on comments. I know the feeling of seeing a favorite film on stage (which shall remain nameless) and wanting certain things to remain intact. Luckily I didn’t have that here. But am taking my mom, who’s a big fan of the movie, on the 23rd so I’ll definitely report back and see if they changed anything. And hopefully one day I’ll score a lottery.

-The Duke is hotter than holy hell!!!!!!!!!! That is all.

-My friend also said they added the flying acrobats at the end of Act 1 vs. Boston. One on each side of the stage.

-Sat in Row E…incredible view but thinking this is definitely one you’ll want to see from the front mezzanine so you can take it all in.

-About the comment before on the A/C, I didn’t find it warm where I was sitting, but those boys were definitely sweating it out up there.

-Bummed I missed the cast on the fire escape.

Updated On: 6/29/19 at 03:13 PM

RedDina said: "How was the line to get in? It looked absolutely crazy yesterday and I’m seeing it tonight. Should I get there earlier, or come at 7:50 and hope if there’s a queue they wait until we’re all in to start the show lol"

Better to get there early to take in the atmosphere and enjoy the show before the show (mostly dancers walking around on stage). I think last night’s show started after 8:00, probably like 8:06. A lot of people had to wait to be seated after the opening number (about 20 minutes in).

RedDina said: "How was the line to get in? It looked absolutely crazy yesterday and I’m seeing it tonight. Should I get there earlier, or come at 7:50 and hope if there’s a queue they wait until we’re all in to start the show lol"

The line moves a little more slowly than at other shows, since there are metal detectors that everyone goes through after emptying pockets and searching bags. I think the metal detectors are an ATG thing (like the exorbitant ticket prices).

What an exciting evening of theater. Sensory overload is an understatement. We were in Row F and the close-up view was incredible. The choreography is exceptional, especially during Bad Romance. Really enjoyed the movements of the ensemble during the pre-show.

I thought there was chemistry between Aaron and Karen but the age difference is noticeable. I get what Jordan says about the ending. It does fall flat and doesn’t have the same emotional tug the movie did. However the woman on my left (my wife), the woman on my right and the woman in front of me were all sobbing like crazy at the end so maybe it’s a guy thing.

Missed I’ll Fly Away but Firework worked very well in its place. (I wouldn’t have thought that going in.). Roxanne is a highlight in the movie and I liked what they did with it on stage eve though it’s not the same. It may just be Bad Romance comes first and is just that so good everything that comes after pales in comparison.

I didn’t like the laughter every time someone started singing a song that wasn’t in the movie especially at the end when laughter wasn’t appropriate. Also disliked the way the audience went crazy at the beginning of Roxanne and the clapping during another song (maybe Chandelier but can’t remember for sure.)

People we talked to who sat in front of us said they saw it twice in Boston and it is unchanged. Sure to be a hit with the public and likely critic-proof.

Updated On: 6/30/19 at 12:46 AM

barcelona20 said: "I haven't seen the Broadway version yet, but it's insane to me that they hardly made any changes from Boston. Almost like them saying, this show will succeed no matter what, why bother trying to improve it."

Or, it means THEY are happy with it. Esp since they have been some changes.



To the best of my knowledge, there are no discounts, it seems to be selling very well.

the.hard.part said: "Also there is a cancellation line (I was first in line around 5pm, got my ticket at 6:45) and the box office said they will be reassessing SRO after previews as the creatives need the standing space currently."

How much was your cancellation ticket and where was the seat located?

dmwnc1959 said: "theaterlover10 said: "We were row L , house right mezz. In the middle. (fineseats for Kinky Boots). For Moulin, wehad a very limited view of the runway surrounding the cocktail table seats. Could only see the topof some heads. Could not see much ofopening number action on the runway.

If you want afull views from themezz, you need to be in the first five rows. Probably center section.

The elephant blocked other views."



I’m in seat G1, same one I had for Kinky Boots, and it’ll be on the Windmill side. Hopefully this won’t have obstructions like you’ve mentioned - it’s the first row just after the cross-aisle in the lower mezzanine, house left...

https://www.broadwayworld.com/seatingchart/Al-Hirschfeld-Theatre

"

I wouldn't get too worked up about this. Views of the end of the runway from the upper levels would be an issue in almost every Broadway house, depending on how close they overhang the orchestra. However, from what I recall in Boston, very little actually happens there.

I was at the show last night. couple random thoughts...and I agree with most of the comments said above. First off, show was spectacular! No question one of the better broadway productions right now, if not the best, imo. Everything from the singing, dancing, set design, lighting, choreography, i thought was spot on. If i have one criticism, the couple fluff songs in Act 1 that had nothing to do with the story...take it out! boring! instead, add in another Moulin Rouge original song. would have been much better.



in terms of the view..I think many seats, even though arent marked partial view, might struggle a bit during the show from time to time. The stage is set up very different in this show vs other shows. It's extremely WIDE, and also if you look at the seating chart, the front of the stage goes deep into the audience in the front. There is some times during the show, when some action happens on the extreme right or left or front....when many seats could become partial view. buy the seat that you can afford and enjoy the show. you will see enough of the action to REALLY enjoy it!!!