For me, the 1951 SCROOGE with Alastair Sim is the best adaptation of A CHRISTMAS CAROL, the best Christmas movie ever and the best adaptation of Dickens yet on film.
Alastair Sim's Scrooge is the best. Period. No one else comes close -- it is absolutely definitive. Sim's Scrooge moves from the darkest grimmest behavior (that horrible little smirk as he signs Marley's death certificate) to the most joyful ebullience (his elated dance on Christmas morning, singing "I don't know anything, I never did know anything, but now I know that I don't know, all on a Christmas morning"
with everything in between.
Ultimately, I think what sets Sim's Scrooge apart from all the others that I have seen is this: he really seems to be sorry for what he has been in the past, and deeply ashamed of himself, and this regret shows itself in many interesting little moments, most touchingly in his appearance at his nephew's Christmas dinner. Reginald Owens' Scrooge greets his nephew's fiance with a smile and a kiss and that's it. Sim's Scrooge meets his nephew's wife with a shamefaced smile and a sincerely heartfelt yet gentle apology for his past behavior that never fails to touch me. There's even one remarkable quiet moment upon Scrooge's arrival at his nephew's home, a privileged moment of Scrooge alone, having to work up his courage to enter the party room. There's a little maid standing nearby, who has just taken Scrooge's coat, who smiles at him and seems to motion to him to go ahead and go in to the party. Scrooge responds with a little flicker of a smile that is one of the loveliest little moments in the film. And check out that little moment between Scrooge and his landlady on Christmas morning, as he's desperately trying to calm her fears at his sudden mad conversion -- when he asks her how much he pays her, there's this little appalled flash on his face when he hears the criminally low amount, which he forthwith raises 500%. And the final moment in the office with Bob Cratchit is sublime -- when his laughter fades into embarrassment and the line, "I've not lost my senses, Bob: I've come to them."
I'm not a big fan of the George C. Scott version. Scott's Scrooge is amusing in places, but I felt that it gave short shrift to the big wakeup moment at the end, it feels rather rote. This version does have my favorite Marley's Ghost, a really terrifying Frank Finlay. Finlay is the only actor I've ever seen to convincingly dominate George C. Scott. That hideous shriek of rage he lets out when he demands "Man of the worldly mind, DO YOU BELIEVE IN ME OR NOT?!?!?!?!" is just bloody hair-raising.
I rather like Finney's Scrooge, but it doesn't have quite the darkness that Sim's version has, somehow, and too many of the songs bring the story to a halt, especially Marley's. Finney's a marvelous actor and all, but I find his Scrooge unappealing, which is of course the point, but that ghastly whiny voice and scrunched twisted face get on my nerves after a while.
"If they can get you asking the wrong questions, they don't have to worry about the answers." Thomas Pynchon, GRAVITY'S RAINBOW
"Reality is that which, when you stop believing in it, doesn't go away." Philip K. Dick
My blog: http://www.roscoewrites.blogspot.com/