There was a post made a while ago about (very) early predictions for the Tony awards back when Broadway was starting to reopen. Now that it has been open for a bit longer and people have had the chance to see some of the eligible shows, I'm curious to know others predictions for any category of the Tony awards for 2022.
Not to derail the subject (since I'd love to see what everyone is guessing!), but do we even know if the Tonys are going back to their regular time of year again? Should we expect a cutoff date in April 2022 with nominations in May and a ceremony in June? Or did last year completely upend things forever? I think people are pretty in the dark about when the 2022 Tonys will even take place.
While the date of the Tony awards itself are unknown to the public at the moment, I believe the cutoff date for this season is April 22nd or some time around then. This means that the Tonys should take place around the time they usually would and not in September or any other funky month.
Musical and score to A Strange Loop. Lead actress to Sharon Clarke. Lead actor is a toss up between Jackman and Jaquel Spivey (maybe Crystal as well?). SIX will win costume design and nothing else.
Sophie31 said: "While the date of the Tony awards itself are unknown to the public at the moment, I believe the cutoff date for this season is April 22nd or some time around then. This means that the Tonys should take place around the time they usually would and not in September or any other funky month."
From the Bway League website, the last opening night date in April is Macbeth on April 28th. Perhaps the cutoff is end of April?
I don't have predictions for a lot (I'm not as confident with plays and there are some categories I need to see more for before I know), but this is what I've been thinking so far:
I think “Music Man” being a lock for anything is no longer a guarantee since Rudin isn’t around to purchase his way into Tony Awards anymore.
It will get nominated for a bunch but I think it’s gonna get slapped by COMPANY and some other shows as well.
I feel like this is the year we’re definitely going to see a spreading of the wealth - and maybe some additional nods in performance categories (more than 5).
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quizking101 said: "I think “Music Man” being a lock for anything is no longer a guarantee since Rudin isn’t around to purchase his way into Tony Awards anymore."
I'm confused by this assessment. Scott Rudin did many skeevy things, and I won't defend his actions. But as far as his work was concerned: he was known for producing high quality shows. I'm not saying he didn't campaign aggressively, but that's well within his rights. And it's hard to say that someone bought awards when the work itself was good enough to merit them. And when the productions weren't well-liked, they didn't get nominated (see Glass Menagerie, King Lear, Hillary and Clinton, etc.). And in many cases, his productions were deservedly nominated, but didn't win.
If anything, he had a lot of tension with the Tonys for his many attempts at bizarre, unreasonable power-plays, which the Tonys would refuse to concede.
Tony cutoff date is the last Thursday of April IF they stick with the old calendar.
I wouldn't be surprised if they extend the season by a couple weeks if Covid is still raging on, to make sure that shows that would like to open in 21-22 can open in time with the intended casts.
Hard to make predix at this early stage, but we should see wins for Sharon D. Clarke (Actress), A Strange Loop (Book/Score), and Six (Musical).
Interesting how you concern yourself only with musicals and disregard straight plays and comedies.
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Sorry. Not total disregard. But I’ll be honest my line and experience and knowledge is far more focused on the musical aspects of theatre. Partially because of my work. When I have gone to New York about 95% of my theatre consist of musicals I’ve only seen: It’s Only A Play, The River, Delicate Balance, The Inheritance, The Best Man, Curious Incident, Harry Potter, Sleep No More. The rest have all been musicals.
When I’m London I tend to see more plays or comedies. I don’t know why. I just prefer British actors for plays. And American for musical theatre. So my thoughts are often limited on plays on Broadway.
Best Actress in a Musical certainly seems like it's Sharon D. Clarke's to lose at the moment, but I'm eager to see if Beanie Feldstein blows us all away in Funny Girl this spring. It seems like people are discounting that production right now just because no one really knows what it will look like.
I’ve mentioned this in another thread, but I don’t believe people should be discounting Joaquina Kalukango in Paradise Square. Best actress in a musical will definitely be a tough race.
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Right now, I think the only performance award that we can solidly "lock" is Featured Actress in a Musical in favor of Patti LuPone in Company. I can't think of any other musical production this season that has or will have a performance that can take her over in that race.
Interesting how you concern yourself only with musicals and disregard straight plays and comedies.
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It's not that we can't concern ourselves with straight plays, it's just that at this point it's tough to know how they're going to be received. For the musicals, only Funny Girl and Mr. Saturday Night have not either begun performances yet or been seen regionally, so it's much easier to start making predictions about the musicals as we know how 80% or so of them are going to turn out. With the plays, we have no idea how Birthday Candles, American Buffalo, Plaza Suite, How I Learned to Drive, Take Me Out, Macbeth, Skin of Our Teeth and others are going to be received. So way too early to predict anything regarding them.
Regarding musicals, I agree A Strange Loop is going to come in and win Musical, Book, Score and likely others. I think Caroline, or Change, regardless of how well it was received, is going to struggle to win much of anything as it will have closed 5 months ago by Tony time, while presumably three other hit revivals will still be running and still be in the news (and remember, no already closed show has ever won Best Revival of a Musical in the history of the Tonys). Sharon D. Clarke is certainly their best chance, but I wouldn't at all be surprised if Sutton Foster, Beanie Feldstein or Joaquina Kalukango, who will have been seen much more recently, end up taking it.
I don’t think A Strange Loop is a shoe-in for score. I saw the show twice and can barely remember a song from it. This will probably be a category in which it falters.
Wick3 said: "Sophie31 said: "While the date of the Tony awards itself are unknown to the public at the moment, I believe the cutoff date for this season is April 22nd or some time around then. This means that the Tonys should take place around the time they usually would and not in September or any other funky month."
From the Bway League website, the last opening night date in April is Macbeth on April 28th. Perhaps the cutoff is end of April?"
I forgot to add in that post in brackets that I wasn't 100% sure if that was the correct date. I wrote it down a while ago and now I can't remember where I sourced it from. You are most likely correct. My apologies.
I never thought about Flying Over Sunset as an option for Score, but it’s actually a viable option, considering the “slight” scores of the frontrunners. If a cast album comes out soon, it could be a contender for Score and Orchestrations.
HeyMrMusic said: "I never thought aboutFlying Over Sunsetas an option for Score, but it’s actually a viable option, considering the “slight” scores of the frontrunners. If a cast album comes out soon, it could be a contender for Score and Orchestrations."
The production will likely petition for her to be placed in Featured - which will be approved (in my mind, at least)
(I don't THINK that Company has been discussed by the committee yet - but things are pretty disjointed now)
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Patti Lupone was fine in Company- but is her small part really worthy of a Tony? Yes, she is Broadway royalty- and deservedly so- but I did not think her performance in Company was necessarily Tony worthy- I guess I have to se the competition- but I bet there are other performances that are more worthy of this honor.