Kad, I completely agree. I find it hilarious that the original Facebook poster wrote that Lambert spoke to the audience "without breaking character." As if an actual 1930s Berlin emcee would admonish his audience for laughing at a joke that, back then, they would have found quite hilarious. No, this is an actor who's pissed off about the current political situation in 2025 America (and who can blame him, it's an unspeakable nightmare out there), and injecting that into his performance.
I haven't seen this production (having seen the Mendes many times over the years and am just Cabaret-ed out), and I'm sure this has been discussed ad nauseam on this site (so forgive me for being VERY late to the party), but when you throw themes at the audience that weren't in the original show (like gender and race) and imply to a modern audience that that's what this show is about, I wonder if it doesn't dilute the original intent. Yes, undeniably the Nazis murdered queers and blacks, but Cabaret was written, directed and produced by Jews not long after WWII to remind audiences of what was done to the six million and that we must never forget. Audiences unfamiliar with the show who see the advertising now and are hoping for a big gay jamboree (many of them clueless and straight, looking to live a little on the edge) and instead get a history lesson and are pretty plastered by the time that "If You Could See Her" rolls around, probably have no idea what to think of the piece and/or how they're supposed to react to any given line/lyric. I'm not excusing their sorry asses, I'm just proposing that there may be multiple reasons that the social commentary of the musical isn't landing as it's meant to. Try to do too much and you end up doing nothing at all.