God knows how much I want to relieve the amazing 8 hours I spent with this production. I hope the Simon can serve the piece right, since the sense of epicness the London production evoked partly came from the sheer scale of the huge stage that Lyttleton has. During the performance I attended, Prior's final speech was disturbed by a very "havenly" call, which I sincerely hope the Broadway audience won't reprise.
Having seen both, I thought Angles was far superior in design and style. Harry Potter felt ugly and cheap at certain points, and then expensive and interesting at others. All the suitcases and using 2 staircases for a set was kind of ugly and cheap to me. When compared to the vastness of Angels. Is this a revival of an older production? Thought I had read that they had staged this before and they are just recreating it now?
Stand-by Joined: 11/29/04
Can someone explain what the schedule might look like with the plays running on the same day?
BroadwayBrat said: "Can someone explain what the schedule might look like with the plays running on the same day?"
This was the UK schedule: https://www.nationaltheatre.org.uk/sites/default/files/ntgds_ec_angels_in_america_schedule_060117_v2.pdf
Stand-by Joined: 11/29/04
haterobics said: "BroadwayBrat said: "Can someone explain what the schedule might look like with the plays running on the same day?"
This was the UK schedule:https://www.nationaltheatre.org.uk/sites/default/files/ntgds_ec_angels_in_america_schedule_060117_v2.pdf"
Thanks!
Any idea who might play Joe?
It's a damn shame Chris Evans is already booked...
Broadway Legend Joined: 3/24/14
Perfect production.
If Lane goes supporting then this show is winning Actor, Featured Actor and Featured Actress.
There's no way Garfield doesn't win EVERYTHING for his prior. He was perfection, not even Lane can beat him.
Gavin Creel for Joe? No? Okay, never mind.
Valentina3 said: "Gavin Creel for Joe? No? Okay, never mind."
I'd dish out money to see Gavin in anything. He'd be a good Joe, but it probably isn't him. I believe he'll still be with Dolly then.
Such thrilling news
Leading Actor Joined: 10/13/15
I saw each part twice in the cinemas. If I had known this was transferring, I would have held off watching it a second time. In any case, I definitely have to see this live now. Hopefully it won't be too difficult getting tickets.
Stand-by Joined: 4/20/16
Hopefully scheduling will be more coherent than NT run. The final performances were a two-show day on a Saturday. And Millenium Approaches was done on the preceding Friday night, meaning that audience would've had no chance to see Perestroika!
Also no competition between this and Cursed Child. The length of AiA makes the experience so rich and worthwhile. Whereas the length of Cursed Child is a cash grab IMO (and I say that as a Potter fan). Could easily have been just one show and consequently half the ticket price - I hope people see through it.
Broadway Legend Joined: 5/16/16
Debating between going for a marathon day or spacing it out.
Chorus Member Joined: 9/8/17
I was very lucky to see this and Harry Potter on 2 play days on my recent (actually my only) trip to London. I just have a feeling like I will be priced out of these productions. If I had to choose between the two then Angels would win by a landslide. I think I came out of the NT with a glazed look on my face and I still can't articulate how incredible it was.
Broadway Star Joined: 6/15/17
Just how expensive are people thinking this is going to run? (Ballpark, I understand the pricing structure hasn't been released yet). How did London do it? Buying tickets separately for each play, or was there an option to buy together for the 2-play dates?
Broadway Legend Joined: 5/16/16
AllThatJazz2 said: "Just how expensive are people thinking this is going to run? (Ballpark, I understand the pricing structure hasn't been released yet). How did London do it? Buying tickets separately for each play, or was there an option to buytogether for the 2-play dates?"
The NT prices were
Friday and Saturday evenings
£65, £56, £46, £31, £18
Two-Play: combined ticket days*
Weekdays: £130, £120, £104, £82, £58, £30
Saturday: £130, £125, £108, £87, £60, £33
£130 is roughy $170
Broadway Star Joined: 6/15/17
Thanks. Almost positive I'll be taking a trip for this, but have a friend who is waffling due to the possible price points. Good to have the info so she can at least approximate.
Callum_brown1 said: "Hopefully scheduling will be more coherent than NT run. The final performances were a two-show day on a Saturday. And Millenium Approaches was done on the preceding Friday night, meaning that audience would've had no chance to see Perestroika!"
The NT schedule was a nightmare to navigate. I was in London for 7 days during its run and had only one chance to see the whole thing in order. Fortunately, the Theater Gods smiled and I was able to see it on a 2-play day (which is, imo, the best way to experience this amazing work).
I heard that at least part of the scheduling mess had to do with the extensive set work that needed to be done after every performance of Perestroika. This was the reason why, for example, Millennium Approaches was performed on that last Friday night. They couldn't have done Perestroika on Friday and then been ready for the final 2-play day early on Saturday. Hopefully, any re-configurations of the set for the run at the Neil Simon will alleviate this issue.
Callum_brown1 said: "Also no competition between this and Cursed Child. The length of AiA makes the experience so rich and worthwhile. Whereas the length of Cursed Child is a cash grab IMO (and I say that as a Potter fan). Could easily have been justone show and consequently half the ticket price- I hope people see through it."
No competition, whatsoever. Angels is a modern American masterpiece, presented with renewed insight & vigor. Cursed Child is overblown fan fiction, gussied up with special effects. (I'm still trying to figure out just what the Olivier voters were smokin' when they gave it all those awards. It's really Not. That. Good.)
Understudy Joined: 7/30/15
Featured Actor Joined: 5/11/12
Brian Smith call your agent
he can be a good Joe and hot to boot
Broadway Legend Joined: 5/16/06
Damiensta said: "Brian Smith call your agent
he can be a good Joe and hot to boot"
Brian J. Smith? I'll second that.
Stand-by Joined: 4/20/16
PepperedShepherd - i agree entirely!
For others asking, you had to buy tickets separately, unless it was a two show day. Though some two show days had tickets available for just one performance (this still wasn't the norm). I saw Millennium Approaches on a Wednesday night and Perestroika on the following Friday. I enjoyed seeing them separately and don't think I would've gained significantly more from seeing both in one day - it's the same show after all. I live 2 miles away from NT so was easier for me to do separate nights, better to leave the two show day tickets for people that have different London travel arrangements.
I don't know if this will keep its erratic schedule or will fit into more of a routine on Broadway. Cursed Child's London schedule is two shows on Wed, Sat, Sun and evening performance Thu & Fri. Perhaps Angels will do something similar though Nathan Lane did say in the Platforms event how much he enjoyed having time off between shows.
Also don't forget that the National Theatre is not the West End (i.e. non-profit). The performance schedule was not designed to maximise ticket sales above all else - I imagine there was a predominantly creative push around on what days which part will be performed. I don't know if this will be the same on Broadway.
Feel free to ask any more questions!
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