I've seen this discussed before, people who didn't get awards or nominations that really deserved them
I only have three I'm passionate about
1: I think Raul Esparza should've won the 2007 Tony for Best Leading Actor (though honestly having as many nominations as him is basically the same as having a win or two)
2: Anthony Rosenthal in Falsettos deserved a nomination in 2017 for Best Featured Actor. I know that'd be three featured actor nominations but honestly the show wasn't gonna win anything anyways, no matter how much I love it, so I just wish he was nominated
3: Mary Bond Davis for Hairspray should've at least been nominated for the 2003 Tony Awards for Best Featured Actress in a Musical. Honestly I think she totally could've won. I think that the committee just realized that Hairspray would've won every performance award if Mary Bond Davis were nominated. I love Hairspray, but even I'll admit that it won a disproportionate amount of awards.
Oh and there's another that is a bit unspecific
Just
Anthony Rapp.
I really think that, with everything he's done for literally his whole life, he deserved at least a nomination for some Tony Award at some point. I don't think he would've won anything, but sometimes that happens.
What are all of you guys' opinions on Tony Award Snubs?
I've only been following the Tonys for few years, but as much as I love Tony Shalloub, his winning Best Actor in a Musical over Ethan Slater is pretty damn egregious. I'm not even a fan of Spongebob as a franchise, but Slater gave the sort of remarkable performance that can only happen on stage.
Caroline or Change for Best Musical and Tonya Pinkins for Best Leading Actress in a Musical. I suspect one or both of these will be mentioned here several times.
OP, if you do a search, I am sure you will find a few threads on this subject that are worth reading through.
Robert Cuccioli (Jekyll&Hyde) losing to James Naughton (Chicago) for "Best Performance by Leading Actor in A Musical." Cucciloi's role was much more demanding and vocally challenging than "Billy Flynn" and his performance of "Confrontation" should have been enough to give him the win.
yankeefan7 said: "Robert Cuccioli (Jekyll&Hyde) losing to James Naughton (Chicago) for "Best Performance by Leading Actor in A Musical." Cucciloi's role was much more demanding and vocally challenging than "Billy Flynn" and his performance of "Confrontation" should have been enough to give him the win."
So sorry I didn't see Cuccioli in the role. I saw the pre-Broadway National tour in Denver. Word was that Cuccioli did not follow the instructions sent to the production before it arrived for dealing with the altitude. I think he did the first show and was out for most of the run here. I think I saw Rob Evan, who was fantastic.
Marin Mazzie should have won for something. I don’t know what, when and against who but she was just so talented that she belongs in the Tony winner club.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
uncageg said: "Caroline or Change for Best Musical and Tonya Pinkins for Best Leading Actress in a Musical. I suspect one or both of these will be mentioned here several times."
These are the only “snubs” I truly care about and will be vocal about until the end of time. I’ll never understand the show and Pinkins not winning, no matter how long I live.
binau said: "Marin Mazzie should have won for something. I don’t know what, when and against who but she was just so talented that she belongs in the Tony winner club."
She really had the worst luck ever as to who she was up against. Her 3 losses were to Audra in Carousel, Natasha Richardson in Cabaret, and Heather Headley in Aida. Each time she gave an absolutely incredible performance that just lost to a slightly more absolutely incredible performance. Almost any other year and she'd have 3 Tonys.
I have to state that I can’t get behind the idea of someone getting nominated but not winning (ala Esparza in 2007) a snub. A snub would be not getting nominated at all.
That being said, I look forward to the inevitable “Alex Brightman was snubbed” threads that are going to pop up next spring that ignore the fact he will almost certainly not be eligible for Spamalot. (Yes, there is an off chance the producers may petition to have him considered, but I don’t think the odds of it being granted are very good at all)
AEA AGMA SM said: "That being said, I look forward to the inevitable “Alex Brightman was snubbed” threads that are going to pop up next spring that ignore the fact he will almost certainly not be eligible forSpamalot.(Yes, there is an off chance the producers may petition to have him considered, but I don’t think the odds of it being granted are very good at all)"
AEA AGMA SM said: "I have to state that I can’t get behind the idea of someone getting nominated but not winning (ala Esparza in 2007) a snub. A snub would be not getting nominated at all."
I understand why you'd say that and I can't fully disagree but there really are some times when it feels frankly bizarre for a production or an actor to not have won for something
Another that I'm less passionate about is Brent Carver for Parade
I think that Brent Carver in Parade might be one of the best performances ever on a Broadway stage and I hear people regularly saying they like Ben Platt in the role better and it really makes me think
bwayphreak234 said: "Matilda losing to Kinky Boots is something I will never get over until the day I die."
This is one I have a lot to say about
So I'm conflicted
I do like Kinky Boots a good deal and I acknowledge its importance
But Matilda is one of my favorite musicals and Tim Minchin really is a genius
Honestly I would've redistributed the awards a bit
Keep in mind that I'm biased to different parts of both shows because Harvey Fierstein is one of my favorite writers and performers on Broadway (and for that matter I think he deserved a nomination for at least a Drama Desk Award for his performance in A Catered Affair)
But I would've given Matilda Best Musical and Best Score
And Kinky Boots Best Book
I mean actually I have trouble saying that
I'm conflicted on which one should take Best Book.
And even more than that--
Billy Porter verses Bertie Carvel
I really have no idea who I would give the award between these two
I think Bertie Carvel as The Trunchbull is the best drag role on Broadway since Harvey Fierstein as Edna
Probably the only one since then that manages to not only be a convincing portrayal of the opposite sex while also being an actual genuine performance with so much behind it
Matilda is similar to Hairspray for me in a lot of ways, actually
It tells a lot of stories in many ways, the protagonist manages to not be an everyman and yet still be extremely relatable, and they both have show stealing drag roles that different sources fight over whether they're even lead roles
I mean I think that Matilda deserved almost every award for the whole season
But I also appreciate that Kinky Boots won some
But man imagine Tim Minchin's career now if he'd won that Tony Award
I really think Groundhog Day would've been more of a success then
And I think that it'd totally change the course of Broadway for a while there
Sorry for this long message but I just had so much to say about it
Also to be clear I don't think that Kinky Boots didn't deserve the Tony Award or anything
What I really mean is that I just like Matilda better and I feel like Tim Minchin and Dennis Kelly would've benefited more from a Tony than Cindy Lauper and Harvey Fierstein just because those two are already super famous and have long successful careers
Never will I forget the moment Ethan Slater was robbed in 2018 along with Mean Girls entirely! Also, who could forget Katrina Lenk not even getting nominated for Company? That one hurt! Probably the biggest snub for me was the whole debacle with Hedwig being a "revival" on Broadway even though it never was on Broadway before! That surely would have won Best Musical along with Book and Score!
The idea is to work and to experiment. Some things will be creatively successful, some things will succeed at the box office, and some things will only - which is the biggest only - teach you things that see the future. And they're probably as valuable as any of your successes. -Harold Prince
My most passionately held belief is that The Drowsy Chaperone (or The Color Purple, take your pick) deserved Best Musical over Jersey Boys. I blame Jersey Boys’ win for the huge uptick in jukebox musicals coming down the pipeline these days.
Beyond that, Two Gentleman of Verona somehow beating both Grease and FOLLIES for Best Musical is a bit of a head scratcher. I’ve always wondered what the Tony voters were thinking that year.