Chorus Member Joined: 12/29/18
Trunchbull picking up Amanda Thripp by the pigtails and throwing her made me gasp lol
Fairview. So many wildly effective rug-pulling moments!
After reading your comment in the Starlight Express thread, I'm guessing your meaning some kind exciting set piece?
This weekend I saw the newest Cirrque Du Soleil touring show Echo, which has been traveling about since 2023. At the end of the first act it has
an amazing massive puppet that breaks out of a part of the set.
It was very cool. It isn't much more than cool, as there isn't really a story, so it doesn't add to any story.
Swing Joined: 9/13/22
The set transformation in Wet Brain at Playwrights was truly something else. I've never seen anything else like it.
A LIFE by Adam Bock at Playwrights Horizons back in 2016. It managed to pack 2 huge surprises into the production- the ostensible main character, played by David Hyde Pierce whose charm was used to devastating effect here
dies midway through the play, after thoroughly endearing himself to the audience with a lengthy monologue and a scene.
It thoroughly upended what the play had appeared to be about.
And befitting such a shift, the hitherto unremarkable apartment set itself shifted and turned inside-out and in on itself.
A remarkable coup from the writer, director, and designer.
Chéreau’s separation of act one and act two in The House of the Dead.
Broadway Legend Joined: 4/22/21
I know there once was a lengthy thread on this topic, but despite several attempts, I could not discover the right search parameters. Maybe someone else will be more successful.
Featured Actor Joined: 5/2/17
The pool table (IYKYK) and final sequence in Black Watch. Those have stayed with me for years now
Broadway Legend Joined: 2/10/11
I think there was a topic on this not so long ago. Nevertheless, these immediately come to mind:
Those are the ones that come immediately to mind.
That scene in Finding Neverland was simply breathtaking. It was simple, but the effect was stunning, I couldn’t tell you anything else about that show.but the scene is forever etched into my soul.
Stand-by Joined: 10/8/18
In addition to the act I finale in Dreamgirls, the scene where Effie sings I am changing where the theater goes dark with the spotlight on her face and then reveals that she is singing dressed up in a club. It lasts a few seconds and yet communicates an entire trajectory in Effie’s resurgence.
"And I am Yelling You"... LOL sometimes typos tell the truth
Even though it didn't really have anything to do with the storytelling, the reveal of the orchestra in LCT's South Pacific was really something thrilling to experience in person.
Big fan of the Miss Saigon helicopter staging too.
I remember being gobsmacked by the opening of Nicholas Hytner's 1994 Carousel revival at Lincoln Center as well, with the set transforming from a factory floor to a carnival, with a huge carousel assembling before our eyes over the course of the Carousel Waltz overture.
Kad said: "A LIFE by Adam Bock at Playwrights Horizons back in 2016. It managed to pack 2 huge surprises into the production- the ostensible main character, played by David Hyde Pierce whose charm was used to devastating effect here
It thoroughly upended what the play had appeared to be about.
And befitting such a shift, the hitherto unremarkable apartment set itself shifted and turned inside-out and in on itself.
A remarkable coup from the writer, director, and designer."
Truly unforgettable. Great play, too.
The third act reveal in Cromer’s OUR TOWN was a stunner as well.
The overture of Phantom. The rising chandalier might get most of the attention, but the series of drops rising and being whisked away to slowly reveal the full depth of the Majestic's stage was something spectacular. Hal Prince creating time travel out of light and shadow. A classic for a reason.
I'll never forget National Theatre of Scotland's Black Watch, with the ghosts of Soldiers emerging from a pool table, and a drop falling to the floor to reveal bodies dangling mid-air from an explosion.
The finale of Mary Zimmerman's Argonatika, with actors turning into constellations.
A truly spectacular production of the Rake's Progress at San Francisco Opera, directed by Robert LaPage that made it seem like I was watching a movie live on stage.
And I gotta mention the mirror coming down from the flies to reveal the Buzby Berkeley Swastika in "Springtime for Hitler" in the Producers.
Swing Joined: 10/8/24
Ivo van Hove's "shower" scene in "Death of a Salesman." The true definition of a coup de théâtre.
The transition from Baby Joey to Joey in War Horse was breathtaking. Really everything about the Joey puppet was.
ChairinMain said: "The overture of Phantom. The rising chandalier might get most of the attention, but the series of drops rising and being whisked away to slowly reveal the full depth of the Majestic's stage was something spectacular. Hal Prince creating time travel out of light and shadow. A classic for a reason."
There was so much going on there. I've often wondered how many people noticed one particular drape draw-back, near the upper left corner of the stage, that was timed to occur on a cymbal shimmer. That little, largely unnoticed touch gave me shivers.
WiCkEDrOcKS said: "
Truly unforgettable. Great play, too.
"
It was a great play- and one that got unfortunately sideswiped by a truly nasty review from Isherwood in the Times despite being praised everywhere else.
Chorus Member Joined: 9/9/24
You named so many great theatre moments. I would add Mary Martin's Flying in through the nursery windows in Peter Pan which was breathtaking. I would also cite the original Nicholas Nickelby staging with the cart going off under the bridge. The London Bridge sequence on the revolving set in the original production of Oliver! Hal Prince's original staging of the final scene in the original Cabaret where the characters repeat key lines. Hal Prince's and Boris Aronson's arrival of Commander Perry's ship in Pacific Overtures. The rising mansion in the original Sunset Blvd. The original stage picture of Ascot Gavotte in Moss Hart's production of My Fair Lady.
A much more subtle, smaller one but when J. Robert Spencer cleaned the floor with a sponge in next to normal while he sang “I’ve Been.” It started out clean and when he dipped it in the bucket and squeezed the sponge it gushed red. I’ll never forget that.
Chorus Member Joined: 12/29/18
The King and I at Lincoln Center when Anna's steamship enters the harbor!
Updated On: 10/16/24 at 08:34 PMVideos