JBroadway said: "joevitus said: "I would also agree casting a transperson, depending on the show, could damage the storyline (as casting a white person as Porgy or Bess would damage the storyline of that work, or casting a 23 year old as the older version of one of the principles in Follies would damage the storyline of that work, etc.)."
Depending on the show? Maybe. If a show were to feature plot points that specifically center around the anatomy of a character's body, then I can see a situation where this is true. But even that's debatable and conditional - not all trans women have the same anatomy as each other,plus some trans people may "pass" as cis onstage or onscreen. For example, the recent movie "Together Together" featured a trans actress playing a woman who becomes pregnant, and it totally read as realistic to me. And that's on film, where it's much harder to suspend disbelief.
Offhand, I can't think of a single Cameron Mackintosh show that wouldn't be able to cast trans actors - either because it doesn't matter to the story (e.g - why couldn't Mary Poppins be trans?) or because the shows already call for suspension of disbelief (POC have been cast in Les Mis for decades, and nobody cares about the historical inaccuracies).
BTW - a disclaimer about what I just wrote:
I know that discussions around "passing" can be particularly sensitive in the trans community, because it runs a constant risk of coming across as a positive/negative dichotomy - i.e "passing = good" "non-passing = bad" which is of course, a very toxic way of thinking about trans people's gender presentation. So I just want to clarify that when I defend trans casting by citing that some trans actors can pass as cis, I only mean that in regards to the hyper-specific cases where a character's anatomy is important to the story, and the piece doesn't allow for suspension of disbelief."
No. No, no, no. It's not about "passing". It's about "pretending". Which all theatre is, really. As much as we focus on "the truth" of the stage, everyone in that theatre is merely mass-pretending that what is happening is real. That is what makes theatre special. But would we be thinking Mary Poppins is trans? Or is she "passing" as a cis woman? No. She would be pretending to be cis woman Mary Poppins. And we all would be in agreement as we watch. It's just like colorblind casting. Where it seems illiberal to say, but completely true that (mostly) a person of color is "pretending" to play someone white. You can stretch the truth to snapping by saying Audra's African American Lizzie in "110 in the Shade" would be as loved and respected in that small Oklahoma town of that time period, but that would most probably not be accurate. Audra was playing white. And there is NOTHING WRONG WITH THAT!! As for a trans woman cast as a cis woman, well, she would be pretending to be a cis woman. And there is NOTHING WRONG WITH THAT!