Posted: 11/27/21 at 12:42am
Saw Friday night's performance.
Quite honestly, Diana was the type of show I needed after news of Sondheim's death broke late this afternoon. I walked into the Longacre with a heavy heart, but was then treated with a musical that didn't take itself so seriously, was high camp, and had some pretty good singers on display. Even with its sophomoric lyrics and iffy book (plus a miscast Judy Kaye, unexpectedly), it felt like a nice temporary escape. I liked this more than I thought I would given the circumstances... and yes, it does play out MUCH better in front of an audience. That element is obviously missing from the Netflix capture. The audience was mainly polite (thank God), with some of the costume changes and Hewitt's shirtless entrance getting some nice applause. There are three main stars of the show IMO: 1) Jeanna de Waal's performance, 2) William Ivey Long's costumes, and 3) Ian Eisendrath's underrated vocal arrangements. The ensemble sounds great in each of their numbers.
Some tidbits / changes made since Netflix + Broadway previews:
I don't recall hearing the opening guitar fanfare from the cast album. The first people we see on stage are now the paparazzi, who, cameras in hand, sing "Was there ever a greater tabloid tale?" That leads into a short musical intro, and Diana enters and sings "Underestimated."
There are some slight lyric changes / additions to "The Worst Job in England."
"Happiness": We already know about the changing of "So let me say, jolly well done" to "Suddenly our lives have begun", but "Harry, my ginger-haired son..." has also now become "Harry, my sweet little one / You'll always be second to none". Better.
The title song got some applause today - Roe Hartrampf really lashed out at Jeanna at my performance. No unruly audience behavior this time.
The applause for Diana's final costume change at the end of "Pretty, Pretty Girl" was pretty loud and I could barely hear her final "... in a dress" before blackout. "Let It Go" 2.0.
Act Two was mostly the same. "I'm sick, but not blind" (in "Secrets and Lies"
and "Actually, it's 'Your Royal Highness'" (in "The Main Event"
were better-received than "Serves me right for marrying a Scorpio."
The audience ate up "The Dress" from that first little tirade of f-bombs, and the applause built up again when Diana stepped out in that black chiffon top.
That new conclusion post-death: BETTER. I know it's only 30 seconds or so, but it's a noticeable improvement (and the key remains C major like before). Female ensemble echoes quietly: "My future's my design / My story finally mine / As I light the world..." Those last five words gets an ensemble overlap with the men as it builds to a crescendo... then, all in unison, "I'LL LIGHT THE WOOOOORLD." Ensemble comes forward (no Charles, Queen, or Camilla), music ends emphatically, end of show.
The house was well-sold tonight; very encouraging to see especially on the heels of such brutal reviews last week. No understudies or swings were on. I spoke with Ted after the show and was delighted to see me again. He really is killing it down in that pit and it sounds like such a fun 80s rock pastiche score to play every day. I was waiting in line to get in the theatre before the show and I saw / met Kristen Faith Oei, who was about to walk through the stage door. She's so sweet.
I never thought I would say this given the show's reviews and overall reception on these boards, but I enjoyed myself tonight. I'm glad I saw this one.
Updated On: 11/27/21 at 12:42 AM