A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
WOW! That's one of the worst reviews I've ever read! Is this gonna be a bigger flop than Scandalous and Leap of Faith?
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
bwayphreak234 said: "That has got to be one of the most brutal reviews I’ve read in the Times!"
I'm a fan of Jesse Green in general but this seems gleefully cruel. DeWaal is "resolutely unthrilling." Kaye provides "supposed comic relief." Staging is "clamminess of farce." Only Erin Davie escapes unscathed.
JDonaghy4 said: "bwayphreak234 said: "That has got to be one of the most brutal reviews I’ve read in the Times!"
I'm a fan of Jesse Green in general but this seems gleefully cruel. DeWaal is "resolutely unthrilling." Kaye provides "supposed comic relief." Staging is "clamminess of farce." Only Erin Davie escapes unscathed.
Hoo boy, this is an ass-kicking if I’ve ever seen one. The thing about Diana is that it probably has some life (at least a few months) built into it because of Netflix footing the bill to film it.
I finally watched the Netflix version and I don’t think I ever watched a corpse be desecrated like that for 2.5 hours
Check out my eBay page for sales on Playbills!!
www.ebay.com/usr/missvirginiahamm
This will most likely be the most positive review this gets, and the production won’t really even be able to pull quotes. The best they can hope for is that it becomes a real-world Springtime for Hitler, which implausible even without a pandemic.
"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."
I thought Jesse's review was rather tame just truthful. No snark, no sarcasm, which almost made it more harsh. Everything he said is true. It's kind of like when you're parents wouldn't yell but just gave you that look and said I'm so dissapointed. No please tell at me scream at me, anything.
Matt Rogers said: "JDonaghy4 said: "bwayphreak234 said: "That has got to be one of the most brutal reviews I’ve read in the Times!"
I'm a fan of Jesse Green in general but this seems gleefully cruel. DeWaal is "resolutely unthrilling." Kaye provides "supposed comic relief." Staging is "clamminess of farce." Only Erin Davie escapes unscathed.
yikes."
On the other hand, nothing he wrote is untrue."
I was going to say I don’t think it’s cruel but it’s unflinchingly frank. I agree about DeWaal. To portray Diana is a tall order for anyone, but the actress really should have something that emulates that draw. DeWaal does not
"The sexual energy between the mother and son really concerns me!"-random woman behind me at Next to Normal
"I want to meet him after and bang him!"-random woman who exposed her breasts at Rock of Ages, referring to James Carpinello
Woof, indeed...but I agree with the times. I cant imagine how much this is going to hurt to read.
If we're not having fun, then why are we doing it?
These are DISCUSSION boards, not mutual admiration boards. Discussion only occurs when we are willing to hear what others are thinking, regardless of whether it is alignment to our own thoughts.
This is a positive (sort of) review by David Gordon: TheatreMania:
"With more than a few shades of Evita, Diana is a throwback to the mega-pop operas of 40 years ago: a little silly, a little tacky, a little offensive, but generally just fun. Leaning into the lunacy has helped this show come into its own, and if it finds its audience, we've got the next cult classic on our hands"
and:
"As for the performances, they're much superior on stage than on screen — it's actually proof-positive about how much actors feed off a live audience. Kaye, who I once thought was vaguely miscast and a little stuffy, is a hoot in real life, particularly when she transforms into Diana's step-grandmother, tacky romance novelist Barbara Cartland, and lusts after Keegan's shirtless James Hewitt, who rises from below the stage and sings an Act 2 opener about how big his dick is. It's that kind of show, they all know it, and they're absolutely living for it"
Peter Marks' review best matches my take, having watched the Netflix preservation. To me, remembering well the sad weekend the world lost this woman, it's an aggressive act of fetishized necrophilia, its entire trajectory exploitative of tragedy. Without the end, the story as told would be the Milliken Breakfast Show. Marks isn't bitchy, just spot on.
"I'm a comedian, but in my spare time, things bother me." Garry Shandling
That is one impressive collection of bad reviews. Not surprising, but still astonishing. And the Peter Marks quote provoked by the show is, probably, the most over-the-line thing I recall him writing ever.
If they were smart they would have had their party on Tuesday. Alas, that seems unlikely considering the rather impeccably bad provenance of the lead producers. They are consistent though.
What can you expect from these critics? They suck.
"People have their opinions and that doesn't mean that their opinions are wrong or right. I just take it with a grain of salt because opinions are like as*holes, everyone has one".
-Felicia Finley-