TaffyDavenport said: "I saw the show tonight, after having watched it on Netflix several times, and I enjoyed myself immensely. For me, the show has transcended its multitude of flaws, and I simply accept it for what it is, warts and all. It has quickly become one of my guiltiest pleasures.
The only lyric changes that jumped out at me were in “Happinesss,” just because they were 2 lines that were often derided on social media. Charles no longer says, “So let me say ‘jolly well done’” as a compliment to Diana for having a son. Instead he says something like, “And suddenly our life has begun.” Then, Diana no longer says, “Harry, my ginger-haired son.” I can’t remember what she says now, but it’s no longer laughable.
The change to the ending is this: the staging is pretty much the same, but Charles, Camilla, and the Queen no longer join the ensemble, who then sing a reprise of “If,” and walk to the front of the stage just as in the recording. It’s not a huge improvement, but it works much better, and it’s no longer a head-scratcher.
On the technical front, the platform didn’t rise at the end of “Pretty, Pretty Girl,” so we didn’t get to see the last two dresses and the final quick change. Jeanna sang the lines, but the ensemble was just looking at the hole in the floor. I was a little bummed, but I felt worse for the people who hadn’t seen the show on Netflix, and didn’t know what was going on.
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I was at this show too -- noticed the tech snafu at the end of Pretty, Pretty Girl. (A member of the stage staff came out with a flashlight in hand to check the problem after the stage went dark, but before the curtain dropped, which I found a little funny.)
I have to say, after ridiculing the Netflix version, I liked this better than I thought I would. They streamlined the show considerably, got rid of some of the cringiest lines, and made the whole thing a bit more tolerable. I think the creative team bit off far more than they could chew (maybe start at a different point in Diana's life) - it just covers too much ground to give any one part justice.
One thing that the live version made me appreciate is just how good Erin Davie's performance is. I noticed during the wedding scene that she was the only silent character (obviously), a detail that I don't think I would have noticed if I were just watching the Netflix version.
Also, is it just me, or did they scale back Judy Kaye's lines? I feel like she was more of a presence in the Netflix version, but maybe I'm making that up. (I only watched the Netflix version once, so my references are flawed and faulty.) The hospital scene also seemed far less cringe to me than the Netflix version.