WS, I made no such assumption about your personal experience. I was merely stating a fact and didn't mean to condescend. That being said,
1. The issue of "datedness" only applies to Act II anyway. Act I and the problem of "wanting it all" are universal and as much with us today as ever. Married men still function on the "down low", still come out of the closet late in life, and still struggle with the families they feel compelled to leave.
2. As for Act iI, it may be true that AIDS isn't the automatic death sentence it seemed to be in 1989, but I think it still conjures enough fear in modern audiences that they can understand the second act. Are you asserting that all historical drama is hopelessly dated because we know how the history turned out? That will be sad news for fans of Shakespeare, Shaw, Schiller and Chekhov.
I don't understand your argument that film gives historical works a greater sense of immediacy, since on some level we know the film was in the can long before we got to the theater. It is live theater, if anything, that has the potential to make its action seem "right now", because it is happening right now regardless of when the play is set or when it was written.
I am very jealous that you will get to see the FALSETTOS revival. I don't know if they'll try it out here in Southern California. The only one of Finn's plays that did well out here was IN TROUSERS. God only know why.
Updated On: 2/28/16 at 11:37 PM